A „Don Juan”-nak szentelt, valójában az önálló mítosszá nőtt Mozart-operához, a Don Giovanni néven jegyzett „dramma giocoso per musicá”-hoz hozzászóló értekezéseikben E. T. A. Hoffman és Søren Kierkegaard nemcsak érzékeny elemzését adják az operának, hanem ezenfelül megörökítik az opera előadásához kötődő élményeiket – Kierkegaard utalásszerűen,…[Read more]

This chapter is an updated and newly illustrated version of “Islam, Sound and Space: Acoustemology and Muslim Citizenship on the Kenyan Coast,” originally published in the volume _Music, Sound and Space: Transformations of Public and Private Experience_ (2013, ed. Georgina Born, Cambridge University Press).

In preindustrial societies, singing and working was – and still is – conceived as part of the same activity, of the same life experience. However, the great social transformation that will imply the industrialization of much of the Catalan Countries at the end of the 19th century, and the progressive impetus of the capitalist production system,…[Read more]

The analysis of the epigraphic documents from various sites in the Cabrera de Mar valley reveals a clear predominance of Iberian script over Latin, not only in the Iberian oppidum of Burriac, but also in the late-Republican settlement located in the modern centre of the village of Cabrera de Mar; both probably to be identified in ancient times as…[Read more]

The aim of this chapter is to present the most recent state of the arts on these epigraphies and on the languages that they transmit. The study of these languages is essential to our understanding of colonial Phoenician and Greek literacy, which lies at the root of their growth, as well as of the diffusion of Roman literacy, which played an…[Read more]

Three “Dionysus / panther” coins are known from Catalonia, one from excavations at Cabrera de Mar. This is a key component of the Central Italian Assemblage of the Italo-Baetican series, and dates to the late 90s/early 80s BC. The excavation coin probably arrived during the Sertorian Wars (80–72 BC), certainly before 50 BC. We therefore revie…[Read more]

Two large complexes of struck lead pieces, from the Roman colony of Minturnae nd from Baetica (southern Spain) in the late Republic, have been documented in recent years. There are close and unique iconographic parallels between them. We accordingly undertook an analysis of the isotopic signatures of the leads used in the two areas, to see if this…[Read more]

Ancient demography is a recurrent topic in archaeology, thanks to new methods and evidence from different surveys and excavations. However, different cultures or periods are studied on their own, without any comparison being made between them and of their population dynamics. The present paper seeks to advance the situation by defining…[Read more]

The lead stock in the Guerra collection is the first of its category found with an Iberian inscription: baitolo. The most feasible interpretation is to consider it as a place name, either as the name of the city of baitolo/Baetulo, the modern Badalona, which issued coins with the legend baitolo in the 2nd quarter of the 1st c. BC, or as the name…[Read more]

The period following the end of Getúlio Vargas’s second government (1951-1954) saw a massive expansion of the media industries with popular music in particular becoming an important cultural touchstone. Some salient trends in the post-War period include the politicization of music and other media (radio, television, social media), the in…[Read more]

Brass bands in Africa have been in existence since the 19th century after the various colonial powers had established their presence across the continent. The history of such bands is very sketchy and limited, and the small amount of information I have collected so far is presented here. I hope that future researchers will be able to open up much…[Read more]

En aquest article presentam la relació entre Maria Antònia Salvà i Palmira Jaquetti, dues dones que des de perspectives i amb finalitats diferents, s’acostaren i s’interessaren pel món de la cançó popular.

http://www.escolademallorqui.cat/wp-content/uploads/2020/01/PAPERS-DE-SA-TORRE-72.pdf

This volume comprises the conference proceedings of the international and interdisciplinary meeting held in Leipzig from November 9 to 11, 2015. Scholars from different research areas present masks from Egypt, Israel/Palestine, Syria, Mesopotamia, Phoenicia, Cyprus, and Greece, mainly from the third to the first millennium BCE. The masks are…[Read more]

Seventeen years ago, Brian Shefton wrote, “the distribution pattern of the Greek imports for the Hallstatt period has crystallized a number of years ago and is unlikely to be greatly modified in the future except on point of detail” (Böhr and Shefton 2000, 28). Indeed, publications describing Greek pottery have reached similar conclusions: Gree…[Read more]

This article examines the description of Persepolis, one of the capital cities of the Achaemenid Persian Empire (ca. 550–330 BCE), by Giovanni Francesco Gemelli Careri (1651–1725) in his illustrated travelogue Giro del mondo (1699–1700). Gemelli Careri’s extensive description of the site—some twenty pages of text accompanied by two plates en…[Read more]

From the earliest days of brass bands in the British Isles, they have been supported at various times and to differing extents by businesses and their owners. In some cases this support has been purely philanthropic, but there was usually a quid pro quo involved where the sponsor received benefits – e.g. advertising, income from band e…[Read more]

As Anne Sauvagnargues suggests, in Gilles Deleuze thought “every[-thing] is defined as an assemblage of movements and affective vibrations.” Interestingly, Sauvagnargues’ proposition aligns neatly with Tim Ingold’s idea of correspondence, where things perdure, “carry on together, and answer to one another,” and where the additive ‘and…and.…[Read more]

One could call «industrial musicology» the study of the musical life in factories and workshops. Unlike agrarian societies, there are very few works about industrial workers’ musical activity, neither at the Catalan Countries nor Europe. Based on British and Catalan scholars’ few theoretical works, our research Música popular i indust…[Read more]

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Abstract number 10

To further promote the performance of African American spirituals and art songs, this article offers a different perspective – direct response from collegiate voice students, voice teachers, vocal coaches, and professional singers. In the spring of 2005, “The African American Art Song Survey” was developed and disseminated through the Internet to…[Read more]