Kafka’s last short story: Josephine die Saengerin – as translated by Phillip Lundberg. Copyright Free translation as stated on the copyright page of Essential Kafka.

This article reads Albert Renger-Patzsch’s photographic theory and practice in the context of Benjamin’s and Brecht’s dismissals of his work in order to recover the paradoxical interplay between documentation and perceptual training central to debates about photography as a specifically modern medium during the 1920s. I argue that, rather than…[Read more]

In THE MERRY WIVES OF WINDSOR, a cozening knight and a jealous husband assume without question the availability of female bodies to adulterous liaisons, revealing their confidence in the cultural narrative of female inconstancy. Falstaff attempts to write a story in which he is the recipient of the wives’ sexual and economic favors. Ford, like T…[Read more]

In THE MERRY WIVES OF WINDSOR, a cozening knight and a jealous husband assume without question the availability of female bodies to adulterous liaisons, revealing their confidence in the cultural narrative of female inconstancy. Falstaff attempts to write a story in which he is the recipient of the wives’ sexual and economic favors. Ford, like T…[Read more]

n his address at the Madrid Peace Conference, the Head of the Palestinian Delegation, Dr Haidar Abdul-Shafi challenged the persistent myth that has defined Palestinian existence for at least a century by saying: “For too long the Palestinian people have gone unheeded, silenced […] we have been victimized by the myth of ‘a land without a peopl…[Read more]

One of a series of blog posts reflecting on #HumetricsHSS, the work of the Humane Metrics for the Humanities team at the Triangle Scholarly Communication Institute in 2016.

Giving voice to women who suffer the brunt of masculine anxieties, THE TRAGEDY OF MARIAM privileges what I call “feminine anxieties” in its depiction of all the female characters, especially in the trinity of Mariam, Doris, and Salome. By depicting women who defy convention, the play stages women’s multiple perspectives on, reactions again…[Read more]

Shakespeare’s MACBETH interrogates the tyranny of absolute monarchical practices and divorces them from naturalized gender constructions by placing Lady Macbeth at the center of the play’s violence. I argue that she provides a parodic inversion of the ideal wife and and puts pressure on masculinist and violent structures of relations that depend…[Read more]

The “Urlo”. From the deconstructive rage/fury to the ‘yes’ assertion.
In this article we offer a series of tableaux belonging to contemporary Romance literatures written by women, through a focus on a common feature which is that of the “urlo” (scream). Based on a selection of works mainly Italian, but also taken from other literatures of the Rom…[Read more]

Sumilla:
El presente trabajo se plantea en función de la consideración de una nueva forma de organización, formación y comunicación ciudadana que se ha movilizado en defensa del patrimonio biocultural en el Triángulo norte de América Central: la creación y el uso de espacios digitales como parte de un activismo medioambiental multimodal. En mano…[Read more]

a bibliography-in-progress for cognitive literary, film, theater, and media studies

The English Department at U.C. Berkeley has developed two multimedia humanities websites at “Shakespeare’s Staging” and “Milton Revealed,” illustrating classic rewards and problems in digital humanities programs. Users are uniformly positive about the simple, selective, and fully organized structure. Visits are numerous, averaging 200-400 p…[Read more]

The classic adventure games—part of the earliest traditions of interactive narrative—have not disappeared, although they no longer occupy space on the shelves at the local computer store. Even as changing hardware and operating systems render these games of the 1980s and 1990s literally unplayable without emulating the computer systems of the pas…[Read more]

An essay written for “Neuroscience and Fiction,” a special issue of SubStance guest-edited by Pierre Casso-Nogues