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Derek Johnston deposited Reading Past Reception: A Case Study of the BBC Nineteen Eighty-Four (1954) in the group
Television Studies on Humanities Commons 3 years, 11 months agoThis paper draws on the letters and messages and newspaper clipping held by the BBC Written Archives Centre in relation to the 1954 adaptation of Nineteen Eighty-Four as a case study for considering how we understand the historical reception of programming. This production is particularly useful in this regard because it achieved a certain…[Read more]
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Derek Johnston deposited Reading Past Reception: A Case Study of the BBC Nineteen Eighty-Four (1954) in the group
Speculative and Science Fiction on Humanities Commons 3 years, 11 months agoThis paper draws on the letters and messages and newspaper clipping held by the BBC Written Archives Centre in relation to the 1954 adaptation of Nineteen Eighty-Four as a case study for considering how we understand the historical reception of programming. This production is particularly useful in this regard because it achieved a certain…[Read more]
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Derek Johnston deposited Reading Past Reception: A Case Study of the BBC Nineteen Eighty-Four (1954) in the group
Cultural Studies on Humanities Commons 3 years, 11 months agoThis paper draws on the letters and messages and newspaper clipping held by the BBC Written Archives Centre in relation to the 1954 adaptation of Nineteen Eighty-Four as a case study for considering how we understand the historical reception of programming. This production is particularly useful in this regard because it achieved a certain…[Read more]
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Derek Johnston deposited The Folk of Folk Horror in the group
Television Studies on Humanities Commons 3 years, 11 months ago‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]
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Derek Johnston deposited The Folk of Folk Horror in the group
Film Studies on Humanities Commons 3 years, 11 months ago‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]
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Derek Johnston deposited The Folk of Folk Horror in the group
Cultural Studies on Humanities Commons 3 years, 11 months ago‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]
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José Angel GARCÍA LANDA deposited Somos siete mil millones in the group
Environmental Humanities on Humanities Commons 3 years, 11 months agoSpanish abstract: La población del planeta Tierra ha sobrepasado la cifra de siete mil millones de habitantes. Comentamos las reflexiones de Fred Spier sobre el crecimiento y el desarrollo sostenible, desde la perspectiva desilusionante que ofrece la crítica de Alfred Bartlett a los modelos de crecimiento, y en relación a la noción de equ…[Read more]
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Taylor R. Genovese deposited Art and the Working Class in the group
Cultural Studies on Humanities Commons 3 years, 11 months agoAppearing for the first time in English, Art and the Working Class is the work of Alexander Bogdanov, a revolutionary polymath and co-founder, with Vladimir Lenin, of the Bolshevik faction of the Russian Social Democratic Labor Party. Bogdanov was a strong proponent of the arts, co-founding the Proletarian Culture (Proletkult) organization to…[Read more]
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Sonia D. Andras deposited Crafting Illusions: Fashion as a Means of Decoding Social and Cultural History in Interwar Bucharest in the group
Cultural Studies on Humanities Commons 3 years, 12 months agoThis paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the Little Paris. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what type of role…[Read more]
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Sonia D. Andras deposited Creating City Chic. The Parisian Influence on Interwar Bucharest Fashion in the group
Cultural Studies on Humanities Commons 3 years, 12 months agoThis paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the so-colled ”Little Paris”. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what typ…[Read more]
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Sonia D. Andras deposited Allo, allo, ici le Bucharest du pedigree! The nationalization of women’s fashion in interwar Bucharest in the group
Cultural Studies on Humanities Commons 3 years, 12 months agoThe newly formed Greater Romania engaged in a process of modernization, with Bucharest as its flagship metropolis, striving to be recognized internationally and reach economic stability. Women’s fashion became a marker in substantiating Romania’s self-assertion as a modern state, with great emphasis on creating a viable textile industry. This occ…[Read more]
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Sonia D. Andras deposited Dialog identitar în lumea modei și frumuseții interbelice: Paris-București / Identity Dialogue in the World of Interwar Fashion and Beauty: Paris-Bucharest in the group
Cultural Studies on Humanities Commons 3 years, 12 months agoThis paper proposes a journey between Bucharest viewed as Little Paris and the original Paris, to determine the way in which the two capitals communicated with each other, whether it was based on dynamic interactions, beyond a simplistic Parisian dialogue. I will interpret Little Paris as an identity construction, clearly mirrored in the universe…[Read more]
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Lawrence K Wang deposited UNDERSTANDING EVAPORATION, TRANSPIRATION, EVAPOTRANSPIRATION, PRECIPITATION AND RUNOFF VOLUME FOR AGRICULTURAL WASTE MANAGEMENT in the group
Environmental Humanities on Humanities Commons 3 years, 12 months agoThis publication introduces (a) natural evaporation from water and land surfaces and the evaporation equations using either metric units or the US customary units; (b) natural transpiration and evapotranspiration phenomenon ; (c) the description, applications, limitations, design criteria and performance of evapotranspiration wastewater treatment…[Read more]
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Sonia D. Andras deposited The Ideal Woman: Beauty Contests in Interwar Romania in the group
Cultural Studies on Humanities Commons 3 years, 12 months agoIn the period 1929-1936, Romania evolved from a traditional agricultural society to a modern, cosmopolitan and consumerist society. Bucharest, its capital,synthesized these transformations. The ideal of beauty – as reflected in fashion – was subject to the same processes of modernization and commodification. Beauty contests showed how the cha…[Read more]
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Sonia D. Andras deposited Fashion, Dress, Costume: a Proposed Terminological Clarification in the Historical Research of Women’s Clothing (Preprint) in the group
Cultural Studies on Humanities Commons 3 years, 12 months agoThis paper delineates the conceptual variations between the notions ‘fashion’, ‘dress’ and ‘costume’ in English-language texts on women’s garment histories using relevant examples from interwar Romanian periodicals. The aim is to offer a more precise formulation, as these three terms have largely been used interchangeably. This paper is built on a…[Read more]
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Sonia D. Andras deposited SD Andras – The Women of Little Paris: Women’s Fashion in Interwar Bucharest in the group
Cultural Studies on Humanities Commons 3 years, 12 months agoInterwar Romania was a space of social-cultural contrasts which it wholeheartedly embraced. Bucharest, as the capital, was the perfect mirror of Romanian society, a liminal space, geographically and culturally. Women’s fashion and beauty in interwar middle-class Bucharest, offers a wide array of unexplored research questions which are addressed i…[Read more]
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Luis Ernesto Paz Enrique deposited De la ACB a la Ascubi: ¿identificaciones diferentes para la Asociación Cubana de Bibliotecarios? in the group
Cultural Studies on Humanities Commons 4 years agoEn Cuba han existido numerosas asociaciones para profesionales de bibliotecas, pero por su alcance y relevancia han destacado dos: la ACB (1948 – 1959) y la Ascubi (1986 – actualidad); ambas respondieron al nombre de Asociación Cubana de Bibliotecarios, pero con identificadores diferentes. A partir del análisis de los propósitos y activi…[Read more]
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José Angel GARCÍA LANDA deposited El alarmismo pandémico de la Covid-19: Una bibliografía in the group
Environmental Humanities on Humanities Commons 4 years agoComprendo que están Vds. hartos del Covid-19 y de Mascarillas, Vacunas, Pautas, Cierres Primetrales e Incidencias Acumuladas. Más que yo, no. Y sin embargo les ofrezco más información al respecto, en tres fases para no agobiarles. Primero: tres recomendaciones nada más—una conferencia, un artículo y un vídeo. Es información esencial—…[Read more]
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José Angel GARCÍA LANDA deposited ‘Ayat-Ayat Cinta’ (Verses of Love): Versículos de amor in the group
Film Studies on Humanities Commons 4 years agoEnglish abstract: ‘Verses of Love’, an Islamic film on the extended couple, features a melodramatic plot in which love triumphs after many difficulties, and the virtuous protagonists Fahri and Aisha are happy in their marriage, having shown the value of their Islamic faith amidst the trials of life—accepting these with sumbission, which is the s…[Read more]
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Zachary Kendal deposited Science Fiction’s Ethical Modes: Totality and Infinity in Isaac Asimov’s Foundation Trilogy and Yevgeny Zamyatin’s Мы (We) in the group
Speculative and Science Fiction on Humanities Commons 4 years agoThis chapter asks whether science fiction (SF) has a predisposition to a particular ethical orientation. Rather than seek a single answer to this question of SF’s ethics, Kendal examines two classic SF texts and the traditions they represent: Isaac Asimov’s Foundation trilogy (1951–1953), one of the most iconic series of SF’s American “golden…[Read more]
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