This paper proposes that there are a number of historical television dramas which make use of the aesthetics of the Gothic in order to signal their focus on historical traumas which still have contemporary resonance. This is part of a wider use of a Gothic mode in these dramas in presenting and considering these traumas, not just as the individual…[Read more]

Television historical dramas take on a number of different modes, which inflect how they are interpreted. The Gothic mode, signalled in part by aesthetics and a focus on trauma, encourages audiences to engage with the past as a place of horror and darkness. Through intentional anachronism and the presentation of contemporary parallels, these…[Read more]

Hammering, loud peals of thunder had startled me into consciousness. As a young child of six, the storm had roused me from the comfortable oblivion of my deep sleep. The booming rolls of thunder had woken my father as well. His head peered from behind the door. Finding me awake, we went onto the porch of our summer cottage, which was perched high…[Read more]

Functions of Religion
1. Fear of the unknown Fear of the unknown is a popular theory. The philosopher David Hume, the anthropologist Malinowski, and Einstein all emphasize the role of anxiety – or fear.
2. Anthropomorphism, the attribution of human characteristics or behavior to a god, animal, or object, is another favorite theory. Xenophanes (…[Read more]

As a theoretical paradigm is a very natural and common-sense, idea-model – an idea or paradigm of a human being that is easily grasped model-idea. It is not surprisingly, then, that the Body-Mind-Spirit Paradigm appeared very early in human history.

The Ho’omana religion actually recognizes three different types or levels of “spirit,” which…[Read more]

The following is a collection of identified fictional and non–fictional writing by Thomas Richards (1800-1877). Originally from Dolgellau, the young medical practitioner Richards published a considerable number of antiquarian and critical essays, editorials, travel writing, short stories and poetry in literary periodicals in England, Scotland a…[Read more]

In the first decades of the twentieth century, the Madrid-based Galician journalist Julio Camba (1882–1962) acquired long-lasting fame as a travel writer thanks to his foreign chronicles published in the Spanish press and subsequently compiled in a series of volumes. La rana viajera [The Travelling Frog] (1920), however, gathers some of the p…[Read more]