This essay examines the Hindi Nayī Kahānī, or New Story, Movement of the 1950s and 1960s, which was influential for the short stories, criticism, and literary history that its writers produced. Incorporating a view toward the larger “metaliterary” corpus in relation to which properly “literary” nayī kahānī texts were written, the essay shows h…[Read more]

This multilingual undergraduate translation workshop was co-taught in the Spring of 2014 with Prof. Norman Holland in the division of Humanities, Arts, and Cultural Studies at Hampshire College. During the course, students were introduced to translation theory and explored key concepts through intralingual translation exercises before embarking on…[Read more]

This paper examines cosmopolitanism in Teju Cole’s Every Day is for the Thief (2007) and Open City (2011). The protagonists of both novels maintain cosmopolitan identities largely by embracing an international literary culture in which elite cosmopolitan fiction relays the experiences of marginalized cosmopolitan subjects, such as the migrant w…[Read more]

Introduction to the literary theory, form, and style of Modernism, a literary movement that dominated the first half of the 20th century and continues to exert its influence over literature today, which, tellingly, is described by the label post-Modernism.

Introduction to the literary theory, form, and style of Modernism, a literary movement that dominated the first half of the 20th century and continues to exert its influence over literature today, which, tellingly, is described by the label post-Modernism.

The recent popularity of the film version of Tolkien’s The Lord of the Rings has renewed interest in this widely read work set in the realm of Middle-earth. A careful study of Tolkien’s work can be used to raise several philosophical questions, particularly in the area of ethics. This course will examine such questions, also considering topics fro…[Read more]

The recent popularity of the film version of Tolkien’s The Lord of the Rings has renewed interest in this widely read work set in the realm of Middle-earth. A careful study of Tolkien’s work can be used to raise several philosophical questions, particularly in the area of ethics. This course will examine such questions, also considering topics fro…[Read more]

The recent popularity of the film version of Tolkien’s The Lord of the Rings has renewed interest in this widely read work set in the realm of Middle-earth. A careful study of Tolkien’s work can be used to raise several philosophical questions, particularly in the area of ethics. This course will examine such questions, also considering topics fro…[Read more]

When we think of the literature produced before, during, and after the two World Wars we rarely think of the Caribbean as a site of significant literary output. Typically, we privilege a white, male, European literary voice. If we do consider literature from elsewhere, it usually follows a pattern of normative privilege. Therefore, it is useful to…[Read more]

This essay explore​s​ the use of *A Colony in Crisis: The Saint-Domingue Grain Crisis of 1789* in the French literature classroom and how it helps address gaps in digital humanities and French language pedagogy while interrogating the colonial positionality of the French Revolution’s digital archive. In 2015, the Newberry Library received a Digit…[Read more]

L’étoile absinthe (The Absinthe Star) begins with an image of the Caribbean sun––this infra-rouge mass floats in the sky like a large bird, circling the potomitan. Readers of the novel will immediately notice a patch of text on the very first page is missing, as though time were slowly eating away at the final distinguishable traces of Alexis…[Read more]

This interview with Susan Pickford considers her translation of Jean Métellus’s 1986 play Anacaona. Susan contacted me via the University of Liverpool’s Francofil Listserv, where she first heard of the blog series. She informed me of her translation of Anacaona, and I leaped at the opportunity to interview her via e-mail about a Haitian auth…[Read more]

This is a bilingual edition of Charles Moravia’s poem “La Vision de Président Wilson,” or “President Wilson’s Vision” first published in the Haitian daily, Le Matin on November 4, 1918 in response to Woodrow Wilson’s (in)action regarding post-war peace and reconciliation in Europe.

This article analyzes Raoul Peck’s use of epistolary narration and montage in his 2012 documentary “Assistance mortelle” (Fatal Assistance), which delves into the immediate aftermath of the 2010 Haitian earthquake and the geopolitics of the recovery process.

Après le passage des ouragans, des incendies et des séismes, les médias reviennent toujours à l’apocalyptique, un discours qui vise à répertorier les dommages d’un désastre jusqu’à perdre toute trace d’intimité humaine. Depuis le 12 janvier 2010, des auteurs, artistes, académiciens et acteurs sociaux – activistes et militants – haïtiens se batte…[Read more]

This essay recovers, describes, and analyzes the theatrical tradition emerging from New Orleans’s free people of color during the antebellum period. I will start out by tracing the presence of free people of color in the francophone theatres of New Orleans, teasing out their impact on the early formations of a francophone theatrical culture in the…[Read more]

On January 1, 1824, the English-speaking population of New Orleans celebrated the grand opening of the American Theatre, lauding
the advent of “Bards our own” and the rise of “our Drama” in the Crescent City (qtd. in Smither 41). For the city’s francophone residents, this event marked a new stage in the ongoing battle for cultural survival.…[Read more]

Moving from France to the Caribbean to the American continent, Creole Drama follows the people that created, shaped, and sustained French theatre culture in New Orleans from its inception in 1792 until the beginning of the Civil War. In doing so, it draws upon the neglected archive of francophone drama native to Louisiana, as well as a range of…[Read more]