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Jeffrey Blevins deposited How Stevens Uses the Grammar of Is in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoWallace Stevens and philosophy of language
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Jeffrey Blevins deposited How Stevens Uses the Grammar of Is in the group
American Literature on Humanities Commons 2 years, 9 months agoWallace Stevens and philosophy of language
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Jeffrey Blevins deposited Introduction: Logic and Literary Form in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoAlthough literature and logic share a number of surprising symmetries and historical contacts, they have typically been seen to occupy separate disciplinary spheres. Declaring a subfield in literary studies-logic and literature-this introduction outlines various connections between literary formalism and formal logic. It surveys historical…[Read more]
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Jeffrey Blevins deposited Introduction: Logic and Literary Form in the group
American Literature on Humanities Commons 2 years, 9 months agoAlthough literature and logic share a number of surprising symmetries and historical contacts, they have typically been seen to occupy separate disciplinary spheres. Declaring a subfield in literary studies-logic and literature-this introduction outlines various connections between literary formalism and formal logic. It surveys historical…[Read more]
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Jeffrey Blevins deposited “Suppose This Was the Root of Everything”: Stevens and the Imperative to Suppose in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoWallace Stevens and philosophy of language
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Jeffrey Blevins deposited “Suppose This Was the Root of Everything”: Stevens and the Imperative to Suppose in the group
American Literature on Humanities Commons 2 years, 9 months agoWallace Stevens and philosophy of language
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Jeffrey Blevins deposited Thomas Hardy’s Timing: Poems and Clocks in Late Nineteenth-Century England in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoThomas Hardy and theory of time
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Jeffrey Blevins deposited Pound Sign in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoWhat can one, seemingly insignificant figure–possibly punctuation mark, possibly ideogram, possibly something else entirely–demonstrate about Ezra Pound’s figurative practice? #, which draws power from associations with Mencius’s well-field system and the Chinese character ching, becomes an emblem for a recurring quodlibet in The Cantos: how for…[Read more]
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Jeffrey Blevins deposited Pound Sign in the group
American Literature on Humanities Commons 2 years, 9 months agoWhat can one, seemingly insignificant figure–possibly punctuation mark, possibly ideogram, possibly something else entirely–demonstrate about Ezra Pound’s figurative practice? #, which draws power from associations with Mencius’s well-field system and the Chinese character ching, becomes an emblem for a recurring quodlibet in The Cantos: how for…[Read more]
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Jeffrey Blevins deposited Absolutism, Relativism, Atomism: The “small theories” of T.S. Eliot in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoPhilosophy began the 1890s rooted firmly in the monistic absolutism of F.H. Bradley and J.M.E. McTaggart; it ended the decade deracinated into the pluralistic atomism espoused by Bertrand Russell and G.E. Moore. If this intellectual sea change can be conceived as analytic and logical philosophies inventing their wheel, then T.S. Eliot re-invented…[Read more]
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Jeffrey Blevins deposited Setting The Waste Land in Order in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoAre T. S. Eliot’s notes on The Waste Land a scholarly resource or a literary hoax? This oft-repeated question gets to the heart of the poem, which thrives on its allusions, whether seriously or cynically. However, scholars have largely passed over the notes’ (and the poem’s) numberings, despite their complexity and superabundance—a panoply of quan…[Read more]
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Sonia D. Andras deposited Creating City Chic. The Parisian Influence on Interwar Bucharest Fashion (OA) in the group
Feminist Humanities on Humanities Commons 2 years, 9 months agoThis paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the so-colled ”Little Paris”. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what typ…[Read more]
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Hania A.M. Nashef deposited J.M. Coetzee’s ‘Jesus’ Trilogy: A Search for Answers in the group
CLCS 20th- and 21st-Century on MLA Commons 2 years, 9 months agoThe 2019 novel by the South African-Australian Nobel laureate, J M Coetzee, The Death of Jesus, is a third book in a sequence that includes Jesus in its title; like its predecessors it follows the lives of a recently constructed family in the dystopian Spanish-speaking towns of Novilla and Estrella. The surreal trilogy, which began with The…[Read more]
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José Angel GARCÍA LANDA replied to the topic Contemporary fiction in the discussion
American Literature on Humanities Commons 2 years, 9 months agoMuñoz-González, Esther. Posthumanity in the Anthropocene: Margaret Atwood’s Dystopias. (Routledge Studies in Contemporary Literature). London: Routledge, 2023.* https://www.routledge.com/Posthumanity-in-the-Anthropocene-Margaret-Atwoods-Dystopias/Munoz-Gonzalez/p/book/9781032390512 2023
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José Angel GARCÍA LANDA replied to the topic 19th-c. American literature in the discussion
American Literature on Humanities Commons 2 years, 9 months ago“Veblen y la teatralidad.”
https://personal.unizar.es/garciala/publicaciones/veblenteatralidad.pdf -
José Angel GARCÍA LANDA replied to the topic 19th-c. American literature in the discussion
American Literature on Humanities Commons 2 years, 9 months agoReading ‘The Monster’ / Reading Racism: https://vanityfea.blogspot.com/2013/04/reading-monster-reading-racism.html
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Amel Abbady deposited “The past goes to sleep, and wakes up inside you”: Identity Crisis in Hassan Blasimʼs “The Nightmares of Carlos Fuentes” in the group
CLCS 20th- and 21st-Century on MLA Commons 2 years, 9 months agoThis article examines “The Nightmares of Carlos Fuentes,” the last of the fourteen stories that comprise Iraqi writer Hassan Blasimʼs collection The Corpse Exhibition. In “The Nightmares” Blasim is not concerned at all about depicting the reception of refugees in Europe. As evident in the title itself, what is central to the story is the psycholo…[Read more]
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Amel Abbady deposited Investigating the Postcolonial Grotesque in Martin McDonaghʼs A Very Very Very Dark Matter in the group
TM Literary and Cultural Theory on MLA Commons 2 years, 9 months agoMcDonagh is arguably one of the most celebrated yet most controversial of contemporary Anglo-Irish playwrights. His plays have received mixed reviews from critics and audiences alike, mostly for featuring graphic violence and obscene dialogues. Even though comedy is mostly seen as an inferior genre compared to tragedy, McDonagh, among many…[Read more]
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Amel Abbady deposited Investigating the Postcolonial Grotesque in Martin McDonaghʼs A Very Very Very Dark Matter in the group
CLCS 20th- and 21st-Century on MLA Commons 2 years, 9 months agoMcDonagh is arguably one of the most celebrated yet most controversial of contemporary Anglo-Irish playwrights. His plays have received mixed reviews from critics and audiences alike, mostly for featuring graphic violence and obscene dialogues. Even though comedy is mostly seen as an inferior genre compared to tragedy, McDonagh, among many…[Read more]
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Amel Abbady deposited Homeland as a Site of Trauma in Selected Short Stories by Edwidge Danticat in the group
LLC 20th- and 21st-Century American on MLA Commons 2 years, 9 months agoThe main objective of this article is to examine the representation of ʻhomelandʼ in three short stories by Caribbean-American writer Edwidge Danticat: “The Book of the Dead,” “Night Talkers,” and “The Gift.” All three stories represent Haitian migrants in the multi-cultural setting of the United States. A central theme that connects these stories…[Read more]
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