Romance and Realism 1891-1914: https://thishugestage.blogspot.com/2022/12/romance-and-realism-1891-1914.html

When the Foeman Bares His Steel: https://thishugestage.blogspot.com/2022/12/when-foeman-bares-his-steel.html

Retropost, 2012: From The City of Dreadful Night: https://vanityfea.blogspot.com/2012/12/from-city-of-dreadful-night.html

Harold Pinter: https://thishugestage.blogspot.com/2022/12/harold-pinter.html

English drama 1800-1950: https://thishugestage.blogspot.com/2022/12/english-drama-1800-1950.html

Arthur Wing Pinero: https://thishugestage.blogspot.com/2022/12/arthur-wing-pinero.html

The Speculative Theatre, 1871-91: https://thishugestage.blogspot.com/2022/12/the-speculative-theatre-1871-91.html

Discurso del diablo en ‘Man and Superman’: https://vanityfea.blogspot.com/2012/12/discurso-del-diablo-en-man-and-superman.html

‘Too True to Be Good’: Cartografía narrativa

https://thishugestage.blogspot.com/2022/12/too-true-to-be-good-cartografia.html

George Bernard Shaw: https://thishugestage.blogspot.com/2022/12/george-bernard-shaw.html

The Importance of Being Earnest: https://thishugestage.blogspot.com/2022/12/the-importance-of-being-earnest.html

The Way of the World: https://thishugestage.blogspot.com/2022/12/the-way-of-world.html

I use a variation of talking stick. As such, the last discussant recognizes the next, who can respond next or pass. If pass is selected, the discussant who selects pass recognizes the next discussant. Another practice that I encourage and model is translanguaging. Discussants are encouraged to style shift and draw from their whole semiotic…[Read more]

Julius Caesar (BBC Shakespeare): https://thishugestage.blogspot.com/2022/12/julius-caesar-bbc.html

Verdi’s ‘Macbeth’ – The Sleepwalking Scene https://thishugestage.blogspot.com/2022/12/sleepwalking-scene.html