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Allison Levy deposited “Augustine’s Concessions and Other Failures: Mourning and Masculinity in Fifteenth-Century Tuscany” in the group
History of Art on Humanities Commons 8 years, 8 months agoCh 5 of Grief and Gender, 700-1700
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Allison Levy deposited “Cosimo’s Black Widow” in the group
History of Art on Humanities Commons 8 years, 8 months agoChapter 10 in Growing Old in Early Modern Europe: Cultural Representations
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Allison Levy deposited “Effaced: Failing Widows” in the group
History of Art on Humanities Commons 8 years, 8 months agoChapter in Women and Portraits in Early Modern Europe: Gender, Agency and Identity
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Allison Levy deposited “Last Rites: Mourning Identities (?)” in the group
History of Art on Humanities Commons 8 years, 8 months agoAfterword of Widowhood and Visual Culture in Early Modern Europe
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Allison Levy deposited “Framing Widows: Mourning, Gender, and Portraiture in Early Modern Florence” in the group
History of Art on Humanities Commons 8 years, 8 months agoCh. 13 of Widowhood and Visual Culture in Early Modern Europe
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Allison Levy deposited “Widow’s Peek: Looking at Ritual and Representation” in the group
History of Art on Humanities Commons 8 years, 8 months agoIntroduction to Widowhood and Visual Culture in Early Modern Europe
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Pei-Sze Chow deposited The Landmark on Film: Representations of Place and Identity in the group
Architectural History and Theory on Humanities Commons 8 years, 9 months agoThis paper examines two documentary essays focusing on landmark architecture in the transnational Øresund region comprising Copenhagen and Malmö. I argue that the motif of construction and deconstruction is congruous to our understanding of the ways identities are negotiated vis-à-vis spatial experience. In the lms, the multiple trajectories of…[Read more]
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Allison Levy deposited “Strange Bedfellows,” Introduction to Sex Acts in Early Modern Italy: Practice, Performance, Perversion and Punishment in the group
History of Art on Humanities Commons 8 years, 9 months agoEmphasizing the peculiar, the perverse, the clandestine and the scandalous, this volume opens up a critical discourse on sexuality and visual culture in early modern Italy. Contributors consider not just painted (conventional) representations of sexual activities and eroticized bodies, but also images from print media, drawings, sculpted objects…[Read more]
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Allison Levy deposited Sesso nel Rinascimento in the group
History of Art on Humanities Commons 8 years, 9 months agoQuesto volume propone un discorso critico sulla sessualità e sulla cultura visiva dell’Italia rinascimentale. I saggi raccolti tentano di fare luce su una serie di zone d’ombra, dando spazio a tutte quelle pratiche o preferenze considerate in genere come alternative o anomalie, e a un’ampia varietà di scenari “scandalosi”. Particolare attenzione…[Read more]
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Leticia Perez Alonso started the topic CFP for SAMLA in Atlanta in the discussion
Art History on Humanities Commons 8 years, 10 months agoSPECIAL SESSION: https://samla.memberclicks.net/special-sessions
The Avant-Garde and Modern Visual Culture: At the Crossroads of High and Low Art
This panel examines the imbrication of the avant-garde with mass-produced art in order to discern the relationships between the proliferation of images and capitalism in the advent of modern visual…[Read more]
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Matthew Lincoln deposited The Temporal Dimensions of the London Art Auction, 1780–1835 in the group
History of Art on Humanities Commons 8 years, 10 months agoThe rush of activity among London’s auction houses in the first few weeks of summer has long been a familiar occurrence that persists even today. However, this intense seasonal concentration of sales was not always so. This paper draws on quantitative methods to explore the gradual emergence of a tightly scheduled auction season in London at the t…[Read more]
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Max Marmor created the group
History of Art on Humanities Commons 8 years, 10 months ago -
Nicola Leoni deposited Le tumbe del Riminese in the group
Architectural History and Theory on Humanities Commons 9 years agoThe article deals with the tumba (or tomba) and with the diffusion of this building type in the medieval rural territory of Rimini. By tumba we normally mean a fortified settling of modest dimensions, built on high ground in order to protect cultivated areas: its characteristics are well described into the De Agricoltura, a treatise written by…[Read more]
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Daniel Sherer deposited “Heidi on the Loos: Ornament and Crime in Mike Kelley’s and Paul McCarthy’s Heidi (1992),” Adolf Loos: Our Contemporary, ed. Yehuda E. Safran (New York: Columbia GSAPP Publications, 2012), 213-221. in the group
Architectural History and Theory on Humanities Commons 9 years agoConference paper on Loos
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