Acknowledging the central role art from around the globe played in the production of the modern, this seminar will engage with the emergent art historical, methodological, and theoretical literature shaping the history of modern art after the global turn. Particular case studies of regional art movements (in e.g. Cuba, Brazil, India, Japan, Iran,…[Read more]

Artists around the world grappled with the modern, working through local concerns and struggles but continually engaged with counterparts in Europe, North America, and across the “global South.” This course will introduce art, artists, movements, and institutions of modernism from approximately 1880 to the present and from outside of the nor…[Read more]

What role does destruction play in the continued existence of a historical monument? Is destruction an inevitable part of its identity? Huyssen in his 2003 book, Present Pasts, suggests that, “…the only monument that counts, is the one already imagined as ruin.” On the other hand, the creation of the monumental itself is led by a quest for immor…[Read more]

A 13-page paper discussing potentially latent art work in and around the mysterious Peruvian Band.

While male illustrators including Alberto Vargas (1896–1982), George Petty (1894–1975), and Gil Elvgren (1914–1980) are synonymous with the field of early-twentieth-century pin-up art, there were in fact several women who also succeeded in the genre. Pearl Frush (1907–1986), Zoë Mozert (1907–1993), and Joyce Ballantyne (1918–2006) each establi…[Read more]

No abstract

A paper of 17 pages as described in its title and opening lines. “Hoa Hakananai’a” is an Easter Island statue, now in the British Museum. For “Linear and cult art”, see The Problem with Linear B (https://hcommons-staging.org/deposits/item/hc:20833/

The Exhibition Library reimagines the medium of art exhibition as well as that of art catalogue. Catalogues carry exhibitions through time and space, figuring as tropes for imagining arrangements and the course of works and settings they describe. However, they rarely give us a clue about what really happened, since they are often made before the…[Read more]

A 5-page paper discussing the Linear signage and visual aspects of a Linear B tablet from Thebes, Greece, apparently discovered in the 1990s.

This article explores a unique series of caricatures made between 1884 and 1896 by Yusuf Franko Kusa, a high-ranking Ottoman bureaucrat and a vener- ated member of n-de-siècle Pera’s high society. Yusuf Franko’s hitherto unstudied caricatures were comparable to contemporary European caricatures in style, but their subject matter was very loca…[Read more]

The book demonstrates the invalidity of existing assumptions about the administrative nature of Linear B (“Mycenaean Greek”) and related objects, proposes an alternative revolving around cult art, and explores similar evidence relating to scripts and art from the same and other regions and periods.

With its focus on the achievement of painterly effects in photography , the international Pictorialist movement sought to employ various techniques and aesthetic approaches in order to capture images of landscapes and delicate feminine beauty within perfectly composed atmospheric settings. Facing the turn of the twentieth century, a time when the…[Read more]

The development of the use of computers and software in art from the Fifties to the present is explained. As general aspects of the history of computer art an interface model and three dominant modes to use computational processes (generative, modular, hypertextual) are presented. The “History of Computer Art” features examples of early…[Read more]

The core of the Conceptual artists (Mel Bochner, Sol LeWitt; the Siegelaub group with Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner; English and American members of Art & Language) is situated in the art context of the late sixties and the first half of the seventies. The self-positioning of the Conceptual artists within the art…[Read more]

The outline of the development of Performance Art features happenings in New York and Vienna in the sixties as well as body art and performances with closed circuits in the seventies (among others). Action Art, Environmental Theater and Intermedia are the terms defining the main characteristics of the works discussed. The research method is mainly…[Read more]

From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]

The following text presents an online project, which has been developed since April 2007 with a duration of five years on the initiative of the Kunstgeschichtliches Institut in Frankfurt and the Kunsthistorisches Institut in Florence, together with the partner institutions Städel Museum and Historisches Museum in Frankfurt and jointly financed by…[Read more]

Drei digitale Kunstprojekte aus den Jahren 2015 und 2016 werden in diesem Text vorgestellt und verglichen, Game Over Facebook, WrongGrid und Curating Money. Ihnen ist gemeinsam, dass sie in Konfrontation zu ihrem jeweiligen technischen und ästhetischem Kontext stehen, beispielsweise zu den digitalen Plattformen, auf denen sie gespeichert sind,…[Read more]