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Alexa Alice Joubin started the topic MLA election in the discussion
LLC Shakespeare on MLA Commons 5 years, 4 months agoThe MLA office asked candidates for election to a forum’s executive committee to post here.
Hi, everyone! My name is Alexa, and I teach Shakespeare, race, and gender in the Department of English in George Washington University. I would like to introduce myself.
I chaired the MLA committee on the New Variorum Edition of Shakespeare and served on…[Read more]
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Kathleen Fitzpatrick's profile was updated on MSU Commons 5 years, 5 months ago
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Orchid Tierney's profile was updated on MLA Commons 5 years, 5 months ago
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Kathleen Fitzpatrick replied to the topic question about groups in the discussion
Alpha Testers on MSU Commons 5 years, 6 months agoIf by subscribe you mean get email notifications for an MSU Commons group, yes.
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Kathleen Fitzpatrick replied to the topic question about groups in the discussion
Alpha Testers on MSU Commons 5 years, 6 months agoHi Alice Lynn! A public group in MSU Commons will be readable by the world, but only members of the MSU community will be able to contribute to it. Let me know if you have further questions!
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Lee Skallerup Bessette deposited Online Teaching in the Humanities in the group
Digital Humanities on MLA Commons 5 years, 6 months agoWhat do you do when you are an instructional designer and also do DH? This paper shows the intersections of good online course design with digital humanities pedagogy.
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Lee Skallerup Bessette deposited Online Teaching in the Humanities on Humanities Commons 5 years, 6 months ago
What do you do when you are an instructional designer and also do DH? This paper shows the intersections of good online course design with digital humanities pedagogy.
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Alexa Alice Joubin deposited Epilogue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies in the group
MS Screen Arts and Culture on MLA Commons 5 years, 6 months agoThe epilogue tackles the ramifications of these new modes of inscribing temporally and visually ambiguous articulations of Shakespeare and China into a global vernacular in theater (Lin Zhaohua’s Richard III) and cinema (Feng Xiaogang’s The Banquet). A paradox of infatuation with Asian visuality and rejection of ethnic authenticity emerged in the…[Read more]
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Alexa Alice Joubin deposited Epilogue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies in the group
LLC Shakespeare on MLA Commons 5 years, 6 months agoThe epilogue tackles the ramifications of these new modes of inscribing temporally and visually ambiguous articulations of Shakespeare and China into a global vernacular in theater (Lin Zhaohua’s Richard III) and cinema (Feng Xiaogang’s The Banquet). A paradox of infatuation with Asian visuality and rejection of ethnic authenticity emerged in the…[Read more]
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Alexa Alice Joubin deposited Epilogue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies in the group
LLC Modern and Contemporary Chinese on MLA Commons 5 years, 6 months agoThe epilogue tackles the ramifications of these new modes of inscribing temporally and visually ambiguous articulations of Shakespeare and China into a global vernacular in theater (Lin Zhaohua’s Richard III) and cinema (Feng Xiaogang’s The Banquet). A paradox of infatuation with Asian visuality and rejection of ethnic authenticity emerged in the…[Read more]
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Alexa Alice Joubin deposited Epilogue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies in the group
LLC East Asian on MLA Commons 5 years, 6 months agoThe epilogue tackles the ramifications of these new modes of inscribing temporally and visually ambiguous articulations of Shakespeare and China into a global vernacular in theater (Lin Zhaohua’s Richard III) and cinema (Feng Xiaogang’s The Banquet). A paradox of infatuation with Asian visuality and rejection of ethnic authenticity emerged in the…[Read more]
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Alexa Alice Joubin deposited Epilogue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies in the group
GS Drama and Performance on MLA Commons 5 years, 6 months agoThe epilogue tackles the ramifications of these new modes of inscribing temporally and visually ambiguous articulations of Shakespeare and China into a global vernacular in theater (Lin Zhaohua’s Richard III) and cinema (Feng Xiaogang’s The Banquet). A paradox of infatuation with Asian visuality and rejection of ethnic authenticity emerged in the…[Read more]
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Alexa Alice Joubin deposited Chapter 1, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies in the group
The Renaissance Society of America on Humanities Commons 5 years, 6 months agoThis chapter, “Owning Chinese Shakespeares,” pursues the critical concept of localization and critiques the fidelity-derived discourse about cultural ownership. How were Chinese Shakespeares used as a kind of staged utopia of modernity?
Underlying this study are three related lines of inquiry united by what might be called locality criticism, t…[Read more]
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Alexa Alice Joubin deposited Chapter 1, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies in the group
LLC Shakespeare on MLA Commons 5 years, 6 months agoThis chapter, “Owning Chinese Shakespeares,” pursues the critical concept of localization and critiques the fidelity-derived discourse about cultural ownership. How were Chinese Shakespeares used as a kind of staged utopia of modernity?
Underlying this study are three related lines of inquiry united by what might be called locality criticism, t…[Read more]
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Alexa Alice Joubin deposited Chapter 1, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies in the group
LLC Modern and Contemporary Chinese on MLA Commons 5 years, 6 months agoThis chapter, “Owning Chinese Shakespeares,” pursues the critical concept of localization and critiques the fidelity-derived discourse about cultural ownership. How were Chinese Shakespeares used as a kind of staged utopia of modernity?
Underlying this study are three related lines of inquiry united by what might be called locality criticism, t…[Read more]
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Alexa Alice Joubin deposited Chapter 1, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies in the group
LLC East Asian on MLA Commons 5 years, 6 months agoThis chapter, “Owning Chinese Shakespeares,” pursues the critical concept of localization and critiques the fidelity-derived discourse about cultural ownership. How were Chinese Shakespeares used as a kind of staged utopia of modernity?
Underlying this study are three related lines of inquiry united by what might be called locality criticism, t…[Read more]
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Alexa Alice Joubin deposited Chapter 1, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies in the group
GS Drama and Performance on MLA Commons 5 years, 6 months agoThis chapter, “Owning Chinese Shakespeares,” pursues the critical concept of localization and critiques the fidelity-derived discourse about cultural ownership. How were Chinese Shakespeares used as a kind of staged utopia of modernity?
Underlying this study are three related lines of inquiry united by what might be called locality criticism, t…[Read more]
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