Abstract
This paper argues that Ah!lam Mustaghanami’s novel Dhakirat al-jasad (Memories of the Flesh)
enacts a break with Algeria’s Francophone literary past, multiply staging its affiliation with the
Arabic language. !e novel positions itself as part of an Algerian linguistic drama that, once
translated into French as Mémoires de la chai…[Read more]

In 1950, the United States Central Intelligence Agency created the Congress for Cultural Free- dom, with its main offices in Paris, lhe CCF was designed as a cultural front in the Cold War in response to the Soviet Cominform, and founded and funded a worldwide network of literary journals (as well as conferences, concerts, art exhibits and other…[Read more]

My latest book publication, due from U of Tennessee P in 2020.

The article discusses the presence of a generative principle called Mōt in a short cosmogony found in the Phoenician History of Philo of Byblos (c. 100 CE). The Phoenician History’s Mōt has been usually understood as the euhemeristic interpretation of a Semitic god of death, which is well documented in late Bronze Age documents from Ugarit. I a…[Read more]

This paper was originally prepared for a meeting of the Methodology Seminar of the Distant Worlds Graduate School (LMU, Munich) and was meant as an introduction to the use of the category of magic in the study of ancient Greek and Roman religions offered to a group of scholars coming from different disciplines.

The study of ancient magic is…[Read more]

This article treats late ancient rabbinic texts (ca. 1st-early 3rd cents. CE), reading them as biology, and following their ideas about the limits and possibilities of reproductive and species variation. I read sources from the tractates of Niddah, Kil’ayim, and Bekhorot, in the Mishnah and Toseta, as expressions of a science of generation, or a b…[Read more]

Cultural memory is actively constructed through embodied and political performances. Tang Xianzu and William Shakespeare, two “national poets” of unequal global stature, have recently become vehicles for British and Chinese cultural diplomacy and exchange during their quatercentenary in 2016. The culture of commemoration is a key factor in Tang’s…[Read more]

Cultural memory is actively constructed through embodied and political performances. Tang Xianzu and William Shakespeare, two “national poets” of unequal global stature, have recently become vehicles for British and Chinese cultural diplomacy and exchange during their quatercentenary in 2016. The culture of commemoration is a key factor in Tang’s…[Read more]

Introduction to four poems written by Langston Hughes during the Spanish Civil War, published in the Little-Known Documents section of PMLA.

The introduction alongside the text of the four poems can be found on the PMLA’s site: https://doi.org/10.1632/pmla.2019.134.3.562.

This thesis follows my earlier work on Aurignacian rock art by drawing a clear line between cave painting in the south of France and the holiest Hebrew script Ktav Ivrit or STA”M. This is an in depth study detailing relationships between Language, Mysticism and Kabbalah, as well as Religious Dogma that answers the question, “Why do all religions…[Read more]

This is a series of brief paradigms that suggest ways of manipulating abstraction, such as Art Language Religion and Politics, for use with a Carlos Ginzburg Evidentiary Paradigm, or other multivariate analysis. The tables in this appendix accompany the Index of Deities and Demons and How the Aleph-Bet Got Its Shape.

This thesis describes the evolution of the alphabet from Upper Paleolithic to present. We draw a direct line from Aurignacian rock art to Hebrew STA”M script and from Auriginal Paganism to Kabbalah using a Ginzburg Evidentiary Paradigm. Provides strategies for quantifying concepts, belief, and abstraction such as Art, Language, Religion, and…[Read more]

Late 19th-century Beirut and Cairo were capitals of Arabic literary production and press
activity. A period, oft deemed a nahḍah, that witnessed the advent of the novel form or
riwāyah in Arabic, this was also the moment of intensified French and British imperial
involvement in the region, and the concomitant industrialization of Beirut’s silk…[Read more]

This special issue of the Journal of Creative Writing Studies centers on how creative writing changes when writers actively engage computers as nonhuman collaborators in “creative making.” Using examples from McGurl’s The Program Era, Emily Dickinson, and the crowdsourced “translation” of Melville’s classic into Emoji Dick, Berens suggests th…[Read more]