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Oscar Perea-Rodriguez deposited Juan Fernández de Heredia: renombrado poeta, popular deportista… ¿y criminal encubierto? in the group
Medieval Studies on Humanities Commons 2 years, 7 months agoPese a su prestigio académico y a la importancia de su producción poética, el valenciano Juan Fernández de Heredia es un poeta cancioneril de cuya vida y obra todavía albergamos bastantes lagunas. Un factor que podría explicar esta situación es que sus poesías completas, editadas por Rafael Ferreres a mediados del siglo pasado, (Fernández de Hered…[Read more]
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Oscar Perea-Rodriguez deposited De la ‘fermosa judía’ a la bella conversa: la erótica de lo prohibido en las literaturas hispánicas del medievo y del temprano renacimiento in the group
Medieval Studies on Humanities Commons 2 years, 7 months agoLa hipersexualización de personajes femeninos en la literatura de todos los tiempos responde a varios patrones culturales bastante determinados y convenientemente analizados por la teoría literaria, tanto la de rango más generalista (Dworkin 13-47) como la dedicada de forma específica a las literaturas hispánicas (García Velasco 292-307). En el…[Read more]
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Oscar Perea-Rodriguez deposited Escitia y Escancia (o Escandia), el fabuloso pasado nórdico del neogoticismo cuatrocentista hispánico in the group
Medieval Studies on Humanities Commons 2 years, 7 months agoEl artículo analiza el neogoticismo y su incidencia en la propaganda ideológica dispersa en la Edad Media hispánica desde los siglos IX al XV. Se estudia su apogeo en las crónicas medievales y su posterior desaparición, así como su recuperación entre los siglos XV y XVI de la mano de obras genealógicas y de cancioneros poéticos. Específi…[Read more]
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Oscar Perea-Rodriguez deposited La controversia judía y judeoconversa en los debates del Cancionero de Baena in the group
Medieval Studies on Humanities Commons 2 years, 7 months agoLos debates literarios son prácticamente consustanciales e intrínsecos a la existencia de la literatura en cualquier lengua y en cualquier cultura, en tanto que «en último término, remiten a condicionamientos pragmáticos humanos» (Chas Aguión 2002 : 59). Por lo que respecta a su inserción en la cultura de la Edad Media hispánica, hay un aspecto i…[Read more]
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Pragya Ranjan deposited Cave of Spleen – a feminist perspective: Status of women in early 18th century England in the group
Renaissance / Early Modern Studies on Humanities Commons 2 years, 7 months ago“The Rape of the Lock” by Alexander Pope published in 1712 is a mock-heroic narrative which satirically
glorifies trivial incident of cutting of locks of protagonist Belinda. This poem was written in the
Augustan Era (1660-1784) which is marked by the period of scientific reason and rationality, whose
effect can be seen on the writers of those…[Read more] -
Monica H. Green deposited Shifting Paradigms in Black Death Chronologies in the group
Medieval Studies on Humanities Commons 2 years, 8 months agoThis blogpost summarizes findings presented at a talk at Erfurt University on 16 May 2023, in the series KFG “Religion and Urbanity: Reciprocal Formation,” Global Exchange: Trade, Knowledge, and Religion. In this blogpost we present our key argument that rigorous correlation between archaeological, genomic, and documentary evidence dem…[Read more]
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Christopher Crosbie deposited Oeconomia and the Vegetative Soul: Rethinking Revenge in The Spanish Tragedy in the group
Renaissance / Early Modern Studies on Humanities Commons 2 years, 8 months agoThomas Kyd’s The Spanish Tragedy creates a subtle apologia for the “middling sort” by challenging the socially constructed predicates of aristocratic privilege. A scrivener’s son, Kyd undertsood oeconomia, or household management, as both the means for material advancement among the “middling sort” and a potential threat to aristocratic insular…[Read more]
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Christopher Crosbie deposited “The Comedy of Errors, Haecceity, and the Metaphysics of Individuation” in the group
Renaissance / Early Modern Studies on Humanities Commons 2 years, 8 months agoExamines Shakespeare’s The Comedy of Errors and the epistemological challenges of differentiating twins in light of Aristotle’s Metaphysics, specifically his theories of substance and individuation.
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Christopher Crosbie deposited Refashioning Fable through the Baconian Essay: De sapientia veterum and Mythologies of the Early Modern Natural Philosopher in the group
Renaissance / Early Modern Studies on Humanities Commons 2 years, 9 months agoShortly after publishing the first edition of his Essays in 1597, Francis Bacon drafted De sapientia veterum, a series of unpublished essays designed to re-read classical mythology as indicative of political and scientific truths. An early, if partial, expression of Bacon’s project to facilitate mastery over the natural order, De sapientia has c…[Read more]
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Stephen Hewer deposited Epistemology of Translation: Erasing Viscountesses and Viscounts from High Medieval Legal Records, Selective ‘Anglo-Saxonism’, and Teleology in the group
Medieval Studies on Humanities Commons 2 years, 9 months agoBy applying translation theories and discourse analysis to the study of thirteenth-century English law, it is apparent that some of the terms used in secondary works and printed editions of primary sources are not based on the actual manuscript sources but instead modern biases (intersecting ethnicity and gender). The knock-on effect of this…[Read more]
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Christopher Crosbie deposited “’Strange Serious Wantoning:’ Early Modern Chess Manuals and the Ethics of Virtuous Subterfuge in the group
Renaissance / Early Modern Studies on Humanities Commons 2 years, 9 months agoThis essay examines English Renaissance chess manuals in order to understand why chess, a game that encourages subterfuge and stratagem, was nonetheless figured as the paradigmatic example of a virtuous pastime. Particular attention is given to da Odenara Damiano’s The Pleasaunt and Wittie Playe of the Cheasts (1564), Arthur Saul’s The Famous Gam…[Read more]
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Rosanna Cantavella deposited L’educació sexual a l’edat mitjana in the group
Medieval Studies on Humanities Commons 2 years, 10 months agoAn introductory lecture for non-specialists on medieval schooltexts for sex education of pre-pubescent boys: Rota Veneris, Pamphilus De Amore and, especially, Facetus ‘Moribus et vita’, of which a most complete 13-14th century translation into Catalan survives. The author has published numerous scholarly papers and an academic book on this subject.
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Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 10 months agoThis article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord…[Read more]
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Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 10 months agoThe musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church…[Read more]
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Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García] in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 10 months agoThe publication of Cervantes’ Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H…[Read more]
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Paulino Capdepon deposited La transición al siglo XIX en la Catedral de Jaén: el maestro de capilla Ramón Garay (1761-1823) [The transition to the 19th century in Jaén Cathedral: the maestro de capilla Ramón Garay (1761-1823)] in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 10 months agoThis article focuses on the personal and artistic career of one of the most representative composers of Spain in the second half of the 18th century and the first third of the 19th century. Ramón Garay, born in 1761 in Asturias, held the post of Chapel Master of Jaén Cathedral for 36 fruitful years, which saw the birth of an extraordinary p…[Read more]
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Paulino Capdepon deposited Decadencia e intentos de reforma de la música eclesiástica española en el siglo XIX [Decline and reform attempts of Spanish church music in the 19th century] in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 10 months agoThis article focuses on the decline of Spanish ecclesiastical music from the beginning of the 19th century, coinciding with the outbreak of the War of Independence. This decline worsened as a result of the application of successive disentailments by the various liberal governments and the signing of the Concordat of 1851. To remedy this situation,…[Read more]
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Paulino Capdepon deposited La capilla musical de la Catedral de Segorbe en los siglos XVI y XVII [The chapel music at the Segorbe Cathedral in 16th and 18th centuries] in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 10 months agoThe music chapel of the Cathedral of Segorbe has historically played a primordial role in the history of Spanish music, constituting a focus of musical activity that attracted a numerous group of singers, instrumentalists, organists and chapel masters who formed part of the aforementioned chapel, whose antecedents date back to the mid-13th…[Read more]
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Elizabeth B. Davis deposited “Woman, Why Weepest Thou?” Re-Visioning the Golden Age Magdalen in the group
Renaissance / Early Modern Studies on Humanities Commons 2 years, 11 months agoThis article examines Mary Magdalene’s biblical identity and poetic representation in selected sixteenth- and seventeenth-century Spanish texts. An alternative reading or “re-visioning” (Adrienne Rich’s term) of the narratives that tell her story reclaims her figure from masculinist characterizations of Mary Magdalene that have made an enduring…[Read more]
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Dominik Waßenhoven deposited Sancta mater. Entstehungsumstände und Darstellungsabsichten der Vita Adelheids von Vilich in the group
Medieval Studies on Humanities Commons 2 years, 11 months agoDie Vita der heiligen Adelheid von Vilich, geschrieben um 1056/57, wird vor dem Hintergrund ihres Entstehungskontextes interpretiert.
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