The Gothic clings to Irish and Welsh coasts and finds voice through strange stories. Centuries of accumulated death and tragedy forms a dense web of sorrow with particularly prolific roots in the literature, songs, and stories of the eighteenth and nineteenth centuries. These traditions resonate within the longer history of lives and vessels lost…[Read more]

The Gothic clings to Irish and Welsh coasts and finds voice through strange stories. Centuries of accumulated death and tragedy forms a dense web of sorrow with particularly prolific roots in the literature, songs, and stories of the eighteenth and nineteenth centuries. These traditions resonate within the longer history of lives and vessels lost…[Read more]

The Gothic clings to Irish and Welsh coasts and finds voice through strange stories. Centuries of accumulated death and tragedy forms a dense web of sorrow with particularly prolific roots in the literature, songs, and stories of the eighteenth and nineteenth centuries. These traditions resonate within the longer history of lives and vessels lost…[Read more]

The Gothic clings to Irish and Welsh coasts and finds voice through strange stories. Centuries of accumulated death and tragedy forms a dense web of sorrow with particularly prolific roots in the literature, songs, and stories of the eighteenth and nineteenth centuries. These traditions resonate within the longer history of lives and vessels lost…[Read more]

The Gothic clings to Irish and Welsh coasts and finds voice through strange stories. Centuries of accumulated death and tragedy forms a dense web of sorrow with particularly prolific roots in the literature, songs, and stories of the eighteenth and nineteenth centuries. These traditions resonate within the longer history of lives and vessels lost…[Read more]

This mini-essay was published as part of a “dossier” of authors discussing various forms of “queer inhumanisms.” In my piece, I address the relations between queer studies and post/humanist studies through the lens of Michel Foucault’s 1981 interview, “Friendship as a Way of Life.” These relations are tied together in critique but also in various…[Read more]

This mini-essay was published as part of a “dossier” of authors discussing various forms of “queer inhumanisms.” In my piece, I address the relations between queer studies and post/humanist studies through the lens of Michel Foucault’s 1981 interview, “Friendship as a Way of Life.” These relations are tied together in critique but also in various…[Read more]

This mini-essay was published as part of a “dossier” of authors discussing various forms of “queer inhumanisms.” In my piece, I address the relations between queer studies and post/humanist studies through the lens of Michel Foucault’s 1981 interview, “Friendship as a Way of Life.” These relations are tied together in critique but also in various…[Read more]

This mini-essay was published as part of a “dossier” of authors discussing various forms of “queer inhumanisms.” In my piece, I address the relations between queer studies and post/humanist studies through the lens of Michel Foucault’s 1981 interview, “Friendship as a Way of Life.” These relations are tied together in critique but also in various…[Read more]

This mini-essay was published as part of a “dossier” of authors discussing various forms of “queer inhumanisms.” In my piece, I address the relations between queer studies and post/humanist studies through the lens of Michel Foucault’s 1981 interview, “Friendship as a Way of Life.” These relations are tied together in critique but also in various…[Read more]

An commentary upon the poet Spencer Reese, and more specifically, upon Reece’s “addresses” in his book “The Clerk’s Tale: Poems” (Houghton Mifflin, 2004) in light of Barbara Johnson’s work on the “apostrophe” in her book chapter “Toys R Us,” in her book “Persons and Things” (Harvard University Press, 2008), and also in light of Graham Harman’s…[Read more]

An commentary upon the poet Spencer Reese, and more specifically, upon Reece’s “addresses” in his book “The Clerk’s Tale: Poems” (Houghton Mifflin, 2004) in light of Barbara Johnson’s work on the “apostrophe” in her book chapter “Toys R Us,” in her book “Persons and Things” (Harvard University Press, 2008), and also in light of Graham Harman’s…[Read more]

An commentary upon the poet Spencer Reese, and more specifically, upon Reece’s “addresses” in his book “The Clerk’s Tale: Poems” (Houghton Mifflin, 2004) in light of Barbara Johnson’s work on the “apostrophe” in her book chapter “Toys R Us,” in her book “Persons and Things” (Harvard University Press, 2008), and also in light of Graham Harman’s…[Read more]