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Eileen Joy deposited Burn After Reading: Volume 1. Miniature Manifestos for a Post/medieval Studies + Volume 2: The Future We Want: A Collaboration on Humanities Commons 7 years, 4 months ago
The essays, manifestos, rants, screeds, pleas, soliloquies, telegrams, broadsides, eulogies, songs, harangues, confessions, laments, and acts of poetic terrorism in these two volumes — which collectively form an academic “rave” — were culled, with some later additions, from roundtable sessions at the International Congress on Medieval Studies…[Read more]
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Eileen Joy deposited Staying Alive: A Survival Manual for the Liberal Arts in the group
Medieval Studies on Humanities Commons 7 years, 4 months agoStaying Alive: A Survival Manual for the Liberal Arts fiercely defends the liberal arts in and from an age of neoliberal capital and techno-corporatization run amok, arguing that the public university’s purpose is not vocational training, but rather the cultivation of “artfulness,” including the art of making knowledge. Humanist pedagogy and resea…[Read more]
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What can be said about the “style” of academic discourse at the present time, especially in relation to historical method, theory, and reading literary and historical texts? Is style merely supplemental to scholarly substance? As scholars, are we “subjects” of style? And what is the relationship between style and theory? Is style an object,…[Read more]
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Eileen Joy deposited Hands Off Our Jouissance: The Collaborative Risk of a Shared Disorganzation on Humanities Commons 7 years, 4 months ago
This Prelude to L.O. Aranye Fradenburg’s book STAYING ALIVE makes the case for Fradenburg’s career as comprising a critically important dossier relative to the relationship(s) between desire, enjoyment, groupification, signification, and disciplinarity, especially with regard to techniques of living, the care of the self (and others), and the…[Read more]
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Eileen Joy deposited Staying Alive: A Survival Manual for the Liberal Arts on Humanities Commons 7 years, 4 months ago
Staying Alive: A Survival Manual for the Liberal Arts fiercely defends the liberal arts in and from an age of neoliberal capital and techno-corporatization run amok, arguing that the public university’s purpose is not vocational training, but rather the cultivation of “artfulness,” including the art of making knowledge. Humanist pedagogy and resea…[Read more]
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In this free-wheeling back-and-forth conversation (or, rhizomatic duologue), originally presented at Trinity College Dublin in September 2014 as part of the School of Education’s “Pedagoics of Unlearning” conference, and now published as a chapter in THE PEDAGOGICS OF UNLEARNING, eds. Eamonn Dunne and Aidan Seery (punctum, 2016), L.O. Aranye…[Read more]
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Eileen Joy deposited Introduction: The Work, or the Agency, of the Nonhuman in Premodern Art on Humanities Commons 7 years, 4 months ago
An overview of the “state of the field” of critical posthumanist studies that also argues for the important intervention of premodern studies into contemporary critical posthumanism studies, and which serves as the Introduction (with chapter summaries) to “Fragments for a History of a Vanishing Humanism,” eds. Myra Seaman and Eileen A. Joy (Ohio…[Read more]
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Eileen Joy deposited After the “Speculative Turn”: Realism, Philosophy, and Feminism on Humanities Commons 7 years, 4 months ago
Recent forms of realism in continental philosophy that are habitually subsumed under the category of “speculative realism,” a denomination referring to rather heterogeneous strands of philosophy, bringing together object-oriented ontology (OOO), non-standard philosophy (or non-philosophy), the speculative realist ideas of Quentin Meillassoux and…[Read more]
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Eileen Joy deposited “An Instrument for Adoration”: A Mini-manifesto Against Metrics for the Humanities (to be Elaborated Upon at a Later Date) on Humanities Commons 7 years, 4 months ago
This mini-manifesto takes a firm and unwavering stand against any and all metrics that might be devised to measure scholarly productivity, “outcomes,” and the value of scholarship in the humanities. Regarding the notion of a “humane” or “humanistic” metrics for scholarship produced in the Humanities, we don’t need more “humane indicators of excell…[Read more]
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This pamphlet was published in a series of 7 pamphlets as part of the Radical Open Access II conference, which took place June 26-27 at the Centre for Postdigital Cultures, Coventry University, UK. More information about this conference and about the contributors to this pamphlet can be found at: http://radicaloa.co.uk/conferences/ ROA2. This…[Read more]
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Eileen A. Fradenburg Joy's profile was updated on Humanities Commons 7 years, 4 months ago
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James Louis Smith's profile was updated on Humanities Commons 7 years, 4 months ago
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Christopher P. Long deposited The Liberal Arts Endeavor: A New General Education in the group
Education and Pedagogy on Humanities Commons 7 years, 4 months agoThis essay argues for a revitalization of General Education by making it more holistic and more engaged with the world.
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Christopher P. Long deposited The Liberal Arts Endeavor: The New General Education on Humanities Commons 7 years, 4 months ago
This essay argues for a revitalization of General Education making it more holistic and more engaged with the world.
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Christopher P. Long's profile was updated on Humanities Commons 7 years, 6 months ago
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James Louis Smith's profile was updated on Humanities Commons 7 years, 6 months ago
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James Smith deposited Disturbing the Ant-Hill: Misanthropy and Cosmic Indifference in Clark Ashton Smith’s Medieval Averoigne in the group
The Lone Medievalist on Humanities Commons 7 years, 9 months agoClark Ashton Smith—unlike the more famous H.P. Lovecraft—engaged with the medieval as a setting for his fiction. Lovecraft admired classical Roman civilization and the eighteenth century, but had little time for medieval themes. As Brantley Bryant has related, Lovecraft wrote contemptuously that the Middle Ages was a period that “snivel[ed] along…[Read more]
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James Smith deposited Disturbing the Ant-Hill: Misanthropy and Cosmic Indifference in Clark Ashton Smith’s Medieval Averoigne in the group
Speculative and Science Fiction on Humanities Commons 7 years, 9 months agoClark Ashton Smith—unlike the more famous H.P. Lovecraft—engaged with the medieval as a setting for his fiction. Lovecraft admired classical Roman civilization and the eighteenth century, but had little time for medieval themes. As Brantley Bryant has related, Lovecraft wrote contemptuously that the Middle Ages was a period that “snivel[ed] along…[Read more]
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James Smith deposited Disturbing the Ant-Hill: Misanthropy and Cosmic Indifference in Clark Ashton Smith’s Medieval Averoigne in the group
Medieval Studies on Humanities Commons 7 years, 9 months agoClark Ashton Smith—unlike the more famous H.P. Lovecraft—engaged with the medieval as a setting for his fiction. Lovecraft admired classical Roman civilization and the eighteenth century, but had little time for medieval themes. As Brantley Bryant has related, Lovecraft wrote contemptuously that the Middle Ages was a period that “snivel[ed] along…[Read more]
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