In the cultural and religious history of Saint Patrick’s Purgatory—a centuries-old Catholic pilgrim site situated on Station Island within the waters of Donegal’s Lough Derg—the mass drowning of 1795 stands out. The aftermath was devastating, stamping a lasting mark on the memory of place. The disaster continues to be complicated by its entangl…[Read more]

In the cultural and religious history of Saint Patrick’s Purgatory—a centuries-old Catholic pilgrim site situated on Station Island within the waters of Donegal’s Lough Derg—the mass drowning of 1795 stands out. The aftermath was devastating, stamping a lasting mark on the memory of place. The disaster continues to be complicated by its entangl…[Read more]

In the cultural and religious history of Saint Patrick’s Purgatory—a centuries-old Catholic pilgrim site situated on Station Island within the waters of Donegal’s Lough Derg—the mass drowning of 1795 stands out. The aftermath was devastating, stamping a lasting mark on the memory of place. The disaster continues to be complicated by its entangl…[Read more]

In the cultural and religious history of Saint Patrick’s Purgatory—a centuries-old Catholic pilgrim site situated on Station Island within the waters of Donegal’s Lough Derg—the mass drowning of 1795 stands out. The aftermath was devastating, stamping a lasting mark on the memory of place. The disaster continues to be complicated by its entangl…[Read more]

In the cultural and religious history of Saint Patrick’s Purgatory—a centuries-old Catholic pilgrim site situated on Station Island within the waters of Donegal’s Lough Derg—the mass drowning of 1795 stands out. The aftermath was devastating, stamping a lasting mark on the memory of place. The disaster continues to be complicated by its entangl…[Read more]

This essay explores the ecoGothic resonances of Tales of the Black Freighter, a dark
pirate tale embedded within Watchmen, Alan Moore and Dave Gibbons’ 1986-87
postmodern DC graphic novel. By providing a grim prism for themes such as nuclear
paranoia, the monstrous transformation of the self, and the horrifying possibilities of
scientific…[Read more]

This essay explores the ecoGothic resonances of Tales of the Black Freighter, a dark
pirate tale embedded within Watchmen, Alan Moore and Dave Gibbons’ 1986-87
postmodern DC graphic novel. By providing a grim prism for themes such as nuclear
paranoia, the monstrous transformation of the self, and the horrifying possibilities of
scientific…[Read more]

This essay explores the ecoGothic resonances of Tales of the Black Freighter, a dark
pirate tale embedded within Watchmen, Alan Moore and Dave Gibbons’ 1986-87
postmodern DC graphic novel. By providing a grim prism for themes such as nuclear
paranoia, the monstrous transformation of the self, and the horrifying possibilities of
scientific…[Read more]

This essay explores the ecoGothic resonances of Tales of the Black Freighter, a dark
pirate tale embedded within Watchmen, Alan Moore and Dave Gibbons’ 1986-87
postmodern DC graphic novel. By providing a grim prism for themes such as nuclear
paranoia, the monstrous transformation of the self, and the horrifying possibilities of
scientific…[Read more]

This is the syllabus I’ve designed for my Fall 2019 undergraduate-level Introduction to Film course. I focused the course as a genre study of American horror films. I want my students to be able to consider the socio-political contexts of popular films and to detect and explain the arguments and worldviews produced by film.

This is the syllabus I’ve designed for my Fall 2019 undergraduate-level Introduction to Film course. I focused the course as a genre study of American horror films. I want my students to be able to consider the socio-political contexts of popular films and to detect and explain the arguments and worldviews produced by film.

This is the syllabus I’ve designed for my Fall 2019 undergraduate-level Introduction to Film course. I focused the course as a genre study of American horror films. I want my students to be able to consider the socio-political contexts of popular films and to detect and explain the arguments and worldviews produced by film.

This is the syllabus I’ve designed for my Fall 2019 undergraduate-level Introduction to Film course. I focused the course as a genre study of American horror films. I want my students to be able to consider the socio-political contexts of popular films and to detect and explain the arguments and worldviews produced by film.