A brief piece on what I call “diagnosis deafness.” In short, to depict the sudden disorientation and shock of being diagnosed with cancer, comics artists frequently employ a visual rhetoric usually reserved for instances of deafness. At least momentarily – during an immensely significant moment in the life of the character – words fail, dev…[Read more]

Evaluation template for digital humanities projects. Used in “Introduction to Digital Humanities” undergraduate course at Michigan State University. The template is a learning tool for thinking through the materials in a digital project as well as the labor and uncovering the human in the project.

A comic about the Notre-Dame cathedral 15 April 2019 fire, made by Ernesto Priego reusing images from various sources. References and Original Image Sources listed at https://doi.org/10.6084/m9.figshare.7999418

A comic by Ernesto Priego about Sylvia Plath’s last London address.

This module will deal with the study of a few texts written in Medieval and Early Modern Europe related to Witchcraft, Heresy and Inquisition. The main purpose of this course is to consider how some patterns and stereotypes in the European cultural history of the past use to appear also in our current times. The outline below gives the general…[Read more]

This is the submission (unedited) version of the article published in Times Higher Education on April 11, 2019, which argues that the market-based competition that fuels so much of academic life is doing us all far more harm than good.

During the last five decades, public, intellectual, and academic debates have created an increased awareness of so-called transhumanist discourses and social movements accompanied by a diverse body of theoretical works in philosophy, social sciences, and humanities which can broadly be described as posthumanist. Building on a three year long…[Read more]

Call for papers for the II Historical Soundscapes Meeting – Évora 2019, that will take place at the University of Évora, October 16th-18th, 2019. The meeting is organized by the FCT research project PASEV – Patrimonialization of Évora’s Soundscape (1540-1910) (ref ALT20-03-0145-FEDER-028584 • LISBOA-01-0145-FEDER-028584). Further information and…[Read more]

In recent years social scientists have been interested in the growth and transformation of global cities. These metropolises, which function as key command centers in global production networks, manifest many of the social, economic, and political tensions and inequities of neoliberal globalization. Their international appeal as sites of financial…[Read more]

Print-friendly remediation and backup copy of my course site for “Digital Storytelling,” part of the Spring 2019 offerings in the Public Humanities MA program at Brown University. Course web site can be found here: http://digitalstorytelling2019.jimmcgrath.us. This course focuses on three particular areas within the larger topic of Digital…[Read more]

Essay for the online manual on how to open a pirate kindergarden, commissioned by Soprasotto and WeMake, Milan (IT).

Die Digital Humanities sind dabei, die geistes- und kulturwissenschaftliche Forschung grundlegend zuverändern. Durch die Inhalte und Methoden der Digital Humanities werden aber nicht nur neue Zugangswege, Fragen und Auswertungsmöglichkeiten zu bzw. an Primärquellen ermöglicht, sondern es eröffnen sich auch für die Präsentation und Publik…[Read more]

On the phenomenon of online hashtag syllabi as a digital tool used by recent political movements, particularly in the US, to instigate processes of political pedagogy.

Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]

The German Literature Archive Marbach, the Klassik Stiftung Weimar and the Herzog August Library Wolfenbüttel collect, preserve and provide access to sources that are crucial to the study of German literary and intellectual tradition. In all three institutions, digitization of their collections has been an important task to build digital…[Read more]

Die sammlungsübergreifende Recherche und Nachnutzung geisteswissenschaftlicher Forschungsdaten stehen im Blickpunkt aktueller Forschung in den Digital Humanities. Obwohl das Interesse an einer Zusammenführung digitaler Forschungsdaten bereits kurz nach der Einführung erster digitaler Bibliotheken um die Jahrtausendwende entstand, bleibt die In…[Read more]

Der Beitrag thematisiert das innovative Tagungsformat eines Barcamps am konkreten Beispiel der im Rahmen des Forschungsverbundes Marbach Weimar Wolfenbüttel durchgeführten Veranstaltung “Data and Demons: Von Bestanddaten zu Services”. Ziel war es, Vertreter/innen der verschiedenen Fachdisziplinen an Bibliotheken, Archiven und Museen z…[Read more]

This article examines the Royal Shakespeare Company’s (RSC) recent focus on digital ‘innovation’ by analysing the relationship between their emerging digital-focused business practices and digital performance practice for The Tempest (2016). To assess this relationship, I first review the socioeconomic context of 21st century neoliberal UK econo…[Read more]

This article examines the Royal Shakespeare Company’s (RSC) recent focus on digital ‘innovation’ by analysing the relationship between their emerging digital-focused business practices and digital performance practice for The Tempest (2016). To assess this relationship, I first review the socioeconomic context of 21st century neoliberal UK econo…[Read more]

This presentation addresses the opportunities and challenges of transacting digital humanities collaborative projects from the perspective of a Digital Humanities Research Designer in an academic library. While collaboration is often celebrated as a central to the success of digital humanities projects, I argue that often the language of…[Read more]