Notes from Northrop Frye´s seminal volume in archetypal/anthropological criticism, “Anatomy of Criticism: Four Essays” (Princeton, NJ: Princeton UP, 1957. Rpt. 1971. 383 p). Notes taken by J. A. García Landa c. 1985, edited with illustrations for online publication 2018-20. Parenthetical pagination numbers refer to the quotations and text f…[Read more]

Traditionally read as a poem about laboring subjects who gain power through abstract and abstracting forms of bodily discipline, John Milton’s Paradise Lost (1667, 1674) more compellingly foregrounds the erotics of the Garden as a space where humans and nonhumans intra-act materially and sexually. Following Christopher Hill, who long ago pointed t…[Read more]

Turning to Walter Ralegh’s Discoverie of Guiana (1596) and The History of the World (1614), I reframe such biopolitical factors as Ralegh’s “dissability” around a concept that has less to do with human world-making and more to do with the “states of exception” (Giorgio Agamben) under which inhuman agencies come to matter for world history (of…[Read more]

Though the verbal icon has a long and robust multisensory history extending beyond Milton, my goal here is to challenge ableist readings of Milton’s poetry by linking his poetic ekphrasis to the politics and aesthetics of disability.

This essay offers a critique of the vitalist turn in queer and ecological theory, here represented by the work of Karen Barad. Whereas Barad advances an image of life geared towards meaningful connection with others, human and nonhuman, Deleuze advances an a-signifying ontology of self-dismissal. The point of this essay isn’t to separate their t…[Read more]

Spanish Abstract: Partiendo de un madrigal de William Drummond of Hawthornden, comentamos el papel estructurador que desempeñan en la generación y gestión de la realidad los marcos interaccionales de referencia definidos por Goffman, en tanto que instrumentos de gestión de la atención colectiva. Es la capacidad de la mente humana para comb…[Read more]

While there has been a growing acknowledgement of the existence of earlier examples of television science fiction, the typical history of the genre still privileges Nigel Kneale’s The Quatermass Experiment (1953) as foundational. This was a significant production, and an effective piece of television drama, but it was not the first piece of B…[Read more]

Spanish Abstract: Presentamos una perspectiva pragmalingüística sobre la actuación discursiva inspirada en la sociología dramatística de Erving Goffman. En su actuación discursiva el hablante intenta justificar su postura con respecto a la afiliación con grupos e identidades sociales determinadas. Al posicionarse, perfila su identidad y modela…[Read more]