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Rodrigo Fernos deposited From Galileo to Boltzmann: A History of the Fragility and Resilience of Science in the group
Science Studies and the History of Science on Humanities Commons 4 years, 8 months agoWhen the same $9 billion allocated to a nation’s annual budget (Puerto Rico 2015) is spent on a single scientific instrument (Hubble telescope) or to administer a single scientific facility for a year (CERN), we might presume that science is today a monolithic enterprise, akin to what the pyramids of Ancient Egypt had been in their day. Yet when…[Read more]
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Rodrigo Fernos deposited Amistad y Progreso: Los Congresos Científicos Pan-Americanos, 1898-1916 in the group
Science Studies and the History of Science on Humanities Commons 4 years, 8 months agoLos Congresos Científicos Pan-Americanos abrieron una nueva época de intercambio científico no solamente dentro de los pa?ses de América Latina sino entre estos y los Estados Unidos. Figuras importantes como Albert. A. Michelson, ganador del Premio Nobel en 1907, regularmente atendieron estas conferencias, así ayudando a difundir los últimos avanc…[Read more]
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Rodrigo Fernos deposited Biology and Ethics in the group
Science Studies and the History of Science on Humanities Commons 4 years, 8 months agoBiology and Ethics provides a historian’s perspective of the attempts to ground an ethics within a biological framework. Aside from its analysis of schools as social Darwinism, eugenics, and sociobiology, it attempts to evaluate their veracity using cases as Japan’s Unit 731, the Guatemala Syphilis study, and others. In spite of the much disputed…[Read more]
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Lodewijk Muns deposited Fiction, Truth, and Lies: The Nonassertion Theory, Quotation, and Music as Fiction in the group
Analytic Philosophy on Humanities Commons 4 years, 8 months agoThe Nonassertion Theory of Fiction implies that fictional discourse is quoted discourse. It can stand up against the critique in Walton’s Mimesis as Make-Believe, and avoids the undesirable consequences of that theory. The possibility of hearing music as discursive justifies thinking of (some) music as fiction, against Walton’s reservations.
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Karsten Schubert deposited Defending Plurality. Four Reasons Why We Need to Rethink Academic Freedom in Europe in the group
Political Philosophy & Theory on Humanities Commons 4 years, 8 months agoAcademic freedom is under attack, both in authoritarian democracies, such as Hungary and Turkey, and in liberal Western democracies, such as the United States, the UK, France and Germany. For example, Gender Studies are being targeted by right-wing governments in Eastern Europe, and in France President Emmanuel Macron has attacked post-colonial…[Read more]
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Edwin Culp deposited Hacer tiempo. Estrategias críticas del arte en lo político in the group
Film-Philosophy on Humanities Commons 4 years, 8 months agoNo tenemos tiempo; nunca como ahora la productividad había dominado cada aspecto de la vida. Nuestras experiencias personales se apropian como bienes extractivos de la industria de datos. El arte crítico hoy aún permite imaginar un tiempo que no pueda ser apropiado por el relato del progreso y el aprovechamiento del tiempo, que posponga la ut…[Read more]
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Karsten Schubert deposited The Challenge of Migration. Is Liberalism the Problem? in the group
Political Philosophy & Theory on Humanities Commons 4 years, 8 months agoThe challenge of developing humane migration and refugee politics in Western states is far from resolved. This ongoing failure is typically attributed to the increased influence of right-wing populism and neo-fascism in Western migration politics. In this article I discuss a more radical explanation: Christoph Menke argues that political…[Read more]
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Gary Hall deposited Postdigital Politics: or, How To Be An Anti-Bourgeois Theorist in the group
Political Philosophy & Theory on Humanities Commons 4 years, 9 months agoIn ‘Postdigital Politics’ I examine our contemporary postdigital political conjuncture. This conjuncture, I argue, springs from the crisis of representative democracy we are currently experiencing and involves a shift to more direct forms of democracy via postdigital communications. The latter is evident in the decentralised manner in which mov…[Read more]
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Maciej Junkiert deposited Nowi Grecy. Historyzm polskich romantyków wobec narodzin Altertumswissenschaft in the group
Science Studies and the History of Science on Humanities Commons 4 years, 9 months agoThe purpose of this book is to analyse the role which the development of the German Altertumswissenschaft at the turn of the 18th and 19th centuries had (in combination with the English-French intellectual base) on the birth of the Romantic reception of the ancient traditions in Poland.
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José Angel GARCÍA LANDA deposited The Story Behind Any Story: Evolution, Historicity, and Narrative Mapping in the group
Historical theory and the philosophy of history on Humanities Commons 4 years, 9 months ago“The narratives of the world are numberless”; yet, all stories may be seen as chapters of a single story, the story of universal evolution as uncovered by contemporary science, with processes of human emergence and cultural development as a prominent backdrop to the understanding of any narrative process. Evolutionary approaches to literary and…[Read more]
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Karsten Schubert deposited The Christian Roots of Critique. How Foucault’s Confessions of the Flesh Sheds New Light on the Concept of Freedom and the Genealogy of the Modern Critical Attitude in the group
Political Philosophy & Theory on Humanities Commons 4 years, 10 months agoFinally published 34 years after his death, Foucault’s book Confessions of the Flesh sheds new light on the debate about freedom and power that shaped the reception of his works. Many contributors to this debate argue that Foucault’s theory of power did not allow for freedom in the ‘genealogical phase,’ but that he corrected himself and presented…[Read more]
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José Angel GARCÍA LANDA deposited Con la Historia a cuestas: ‘Lone Star’, de John Sayles in the group
Historical theory and the philosophy of history on Humanities Commons 4 years, 10 months agoSpanish abstract: ‘Lone Star’ (John Sayles, 1996) es una película sobre la etnicidad y sobre el peso del pasado tratado aquí de manera reflexiva. Es un tema inevitablemente presente en las películas norteamericanas (o en muchas de ellas) pero a menudo sólo como parte del trasfondo, o evitado en el desarrollo de la historia principal. Aquí está…[Read more]
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Dominik Hünniger deposited The “Normative Forces” of Difference: Ecology, Economy and Society during Cattle Plagues in the Eighteenth Century in the group
Science Studies and the History of Science on Humanities Commons 4 years, 11 months agoOne of the recurring themes in the public perception of containment policies during the current COVID-19 pandemic are the supposedly uneven and everchanging measures taken up by international, national and local authorities. This is especially the case in countries with a federal structure, like Germany. Not surprisingly, historical containment…[Read more]
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José Angel GARCÍA LANDA deposited ‘La Peste Escarlata’ y la epidemiología evolutiva in the group
Historical theory and the philosophy of history on Humanities Commons 4 years, 11 months agoEl artículo examina el relato de Jack London “La Peste Escarlata” desde la perspectiva de la actual epidemiología evolucionista, sosteniendo que su comprensión pesimista de la dinámica epidemiológica en poblaciones crecientes, y su visión catastrofista de la evolución, son esencialmente correctas y se hallan muy por delante de las ideas recibi…[Read more]
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Karsten Schubert deposited Umkämpfte Kunstfreiheit – ein Differenzierungsvorschlag in the group
Political Philosophy & Theory on Humanities Commons 4 years, 11 months ago„Political Correctness“, „Identitätspolitik“ und „Cancel Culture“ werden heutzutage überwiegend als Waffen von Konservativen eingesetzt, um ihre Privilegien gegen emanzipative Neuregelungen zu verteidigen. Solche Neuregelungen als Einschränkung der Kunst- und Meinungsfreiheit zu kritisieren ist deshalb meist falsch. Tatsächlich tragen „Politic…[Read more]
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Sérgio Dias Branco deposited Cinema Transformed in the group
Film-Philosophy on Humanities Commons 4 years, 11 months agoReview of Mike Wayne’s “Marxism Goes to the Movies”.
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Dominik Hünniger deposited Bilder machen – Charaktere, Stereotype und die Konstruktion menschlicher Varietät bei Johann Friedrich Blumenbach in the group
Science Studies and the History of Science on Humanities Commons 4 years, 11 months agoThis chapter analyses the image production practices of the Goettingen university anatomist and natural historian Johann Friedrich Blumenbach (1752–1840) and the Berlin artis Daniel Chodowiecki (1726-1801) when they collaborated on Blumenbach’s Beyträge zur Naturgeschichte (1790). Blumenbach wanted Chodowiecki to produce family scences for each of…[Read more]
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Gary Hall deposited A Stubborn Fury: How Writing Works in Elitist Britain in the group
Political Philosophy & Theory on Humanities Commons 4 years, 11 months agoTwo fifths of Britain’s leading people were educated privately: that’s five times the amount as in the population as a whole, with almost a quarter graduating from Oxford or Cambridge. Eight private schools send more pupils to Oxbridge than the remaining 2894 state schools combined, making modern Britain one of the most unequal places in Eur…[Read more]
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Maciej Junkiert deposited Responsibility as a historiosophical category. The case of Cyprian Norwid in the group
Historical theory and the philosophy of history on Humanities Commons 4 years, 12 months agoFor many reasons, the mid-19th century was a time of intensified interest within literature and philosophy in outstanding individuals who were ahead of
their times and opened up new prospects for the world as it developed. In this respect, Norwid shared the views of his era. Studies on his oeuvre have spread
the sound view – even in the i…[Read more] -
Anne Eakin Moss deposited The Camera Shot and the Gun Sight in the group
Film-Philosophy on Humanities Commons 5 years agoThis article examines the link posited by Virilio and others between the camera shot and gun shot, arguing that this link operates differently in the context of Soviet vs. Western fantasies of agency, community and technology. Comparing THE LOST PATROL (USA 1934, John Ford) with TRINADTSAT (THIRTEEN, UdSSR 1936, Mikhail Romm), it asks what kind of…[Read more]
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