Merels (also called Nine Men‘s Morris) comprises a family of traditional board games with ancient roots. Between medieval and modern times, merels saw an interesting onomasiological shift : Several European languages took up a new name for the game. This new name is sometimes claimed to have originated in German, but the details surrounding this n…[Read more]

Merels (also called Nine Men‘s Morris) comprises a family of traditional board games with ancient roots. Between medieval and modern times, merels saw an interesting onomasiological shift : Several European languages took up a new name for the game. This new name is sometimes claimed to have originated in German, but the details surrounding this n…[Read more]

The Gothic clings to Irish and Welsh coasts and finds voice through strange stories. Centuries of accumulated death and tragedy forms a dense web of sorrow with particularly prolific roots in the literature, songs, and stories of the eighteenth and nineteenth centuries. These traditions resonate within the longer history of lives and vessels lost…[Read more]

Text for the conference talk on a group of games of chance with two dice and a game board/printed sheet with put & take instructions

Text for the conference talk on a group of games of chance with two dice and a game board/printed sheet with put & take instructions

Slides for the presentation on a group of dice games with put & take mechanics

Slides for the presentation on a group of dice games with put & take mechanics

This paper proposes a novel source for – or at least influence on – the iconography of the Moon trump in the Rider-Waite Tarot deck, which preserves the design from the Tarot de Marseille. In fact, the Moon template appears to date back to the earliest days of the Tarot. The proposed source or prototype is a Greco-Roman talismanic design aga…[Read more]

Games of 21 Combinations are a group of games of chance, based on the combinations rolled with two six-sided dice. Never as popular as the Game of the Owl or the Game of Seven, with which it shares certain features, Games of 21 Combinations show an great variety of designs from the 16th to 19th century.
This is the English version of the paper…[Read more]

Games of 21 Combinations are a group of games of chance, based on the combinations rolled with two six-sided dice. Never as popular as the Game of the Owl or the Game of Seven, with which it shares certain features, Games of 21 Combinations show an great variety of designs from the 16th to 19th century.
This is the English version of the paper…[Read more]

There is nothing like a firmly established typology of dreams – simply because the taxonomies on which existing typologies are based vary widely: They can be oneirocritical, thematic, or based on dreaming characters or their responses, on narratological functions, etc. The essays in this volume will discuss a broad range of dream types, with a s…[Read more]

The little known German card game “Höllfahren” or “Hölle” has a forgotten history that stretches back into the 16th century, when it was called “Untreue”, “untreuer Nachbar”, “in die Hölle (fahren)” and similar names. Several images and textual references indicate the game’s popularity in the 17th century. Unusual for a card game, Höllfahren emp…[Read more]

The little known German card game “Höllfahren” or “Hölle” has a forgotten history that stretches back into the 16th century, when it was called “Untreue”, “untreuer Nachbar”, “in die Hölle (fahren)” and similar names. Several images and textual references indicate the game’s popularity in the 17th century. Unusual for a card game, Höllfahren emp…[Read more]

overview on the history of the card game “Höllfahren” or “in die Höll”

overview on the history of the card game “Höllfahren” or “in die Höll”

This paper draws on the letters and messages and newspaper clipping held by the BBC Written Archives Centre in relation to the 1954 adaptation of Nineteen Eighty-Four as a case study for considering how we understand the historical reception of programming. This production is particularly useful in this regard because it achieved a certain…[Read more]

‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]