The paper addresses the first phase in the reception of Leibniz’s Monadology, starting with Johann Christoph Gottsched’s dissertation of 1721, until the publication of the essays presented for the prize question on monads proposed by the Berlin Academy of Sciences 25 years later. A critical edition of Gottsched’s “Dubia circa monades L…[Read more]

METAFISICA E MATEMATICA. Continuo e discreto. L’ambiguità dell’attimo. Il principio di continuità. Forza viva e forza morta. Tra Platone e Democrito

L’INTERPRETAZIONE DEL CALCOLO. Il nuovo secolo. La ripresa delle ostilità. La giustificazione del calcolo infinitesimale. Tra sé e sé. Interpretazione e immaginario. Regole e princìpi

LE PRIME CONTROVERSIE. Quantità incomparabilmente piccole. Il primo contendente. La disputa con Nieuwentijt. Irrealtà dell’infinitesimo. Ultimi strascichi polemici

LA PUBBLICAZIONE DEL METODO. Un nuovo algoritmo. La scuola concorrente. Flussioni nel tempo e nello spazio

LA NASCITA DEL CALCOLO LEIBNIZIANO: La geometria degli indivisibili. Infiniti indivisibili attuali. Gli anni d’apprendistato di Leibniz. L’aritmetica degli infinit.i Verso l’analisi infinitesimale. Il triangolo caratteristico. La fondazione del calcolo

INTRODUZIONE: Metafisica dell’infinitamente piccolo. L’analisi leibniziana. L’infinitesimo e il calcolo. La scomposizione del mutamento

Detlev Clüver (1645-1708) was among the first to criticize Leibniz’s new infinitesimal analysis. Although his criticisms were vague and his methods inconsistent, Leibniz had always for him a friendly sort of consideration. The article presents Clüver’s biography, writings, and thought, together with a detailed description of Leibniz’s relations t…[Read more]

A particular aspect of the confrontation between modern philosophy and the aristotelian tradition regards the so-called psychology of faculties. On this ground, it is for modern thought much harder, in comparison to the field of natural sciences, to differentiate itself from concepts, theories, and terminologies which characterize the still…[Read more]

The paper deals with Leibniz’s manuscript writings on the foundation of infinitesimal calculus since 1702: the mathematician’s late theory, and the preparatory works to his “Cum prodiisset atque increbuisset”, are presented. An edition of Leibniz’s unpublished DEFENSE DU CALCUL DE DIFFERENCES is provided as an Appendix.

Ambrósíus saga og Rósamunda is a post-medieval Icelandic romance which belongs to a group of Scandinavian narratives utilizing the pound of flesh motif. It survives in 19 paper manuscripts from the 18th and 19th centuries, and it has never before been edited. The aim of the present edition is of an introductory nature, primarily to make the sa…[Read more]

Abstract: Sixteenth century Gaelic Ireland is not normally associated with Celtic Studies. The aim of this paper is to show that not only can it be included, but it can also produce many useful insights for Celtic Studies. Using as an illustration a minor skirmish which occurred during the Nine Years War in Ireland, this paper will show how what…[Read more]

This article examines the Royal Shakespeare Company’s (RSC) recent focus on digital ‘innovation’ by analysing the relationship between their emerging digital-focused business practices and digital performance practice for The Tempest (2016). To assess this relationship, I first review the socioeconomic context of 21st century neoliberal UK econo…[Read more]

The anonymous “Le Sacrifice d’Abraham” performed before Francis I in Paris in 1539 has traditionally been treated–if at all–simply as a variant of an earlier play of the same name published as part of the 15th-century “Mistère du Viel Testament.” More recently, it has been suggested that the play anticipates the direction taken by Théodore de B…[Read more]

English Renaissance Theatre is generally dated between 1576-1642: circumscribed by the construction of the Theatre in 1576 and the closing of the public playhouses by Act of Parliament in 1642. ‘Found’ London performance locations in taverns, churches, legal and professional buildings, aristocratic houses, not to mention the streets and wat…[Read more]

Texto para a edição online da revista Glosas a propósito do motete Heu me Domine para quatro vozes de Vicente Lusitano. Lusitano terá nascido em Olivença (ainda sob o domínio português) tendo desenvolvido a sua carreira musical em Itália e, mais tarde, em Estugarda já convertido ao Protestantismo. Este breve estudo propõe, assim, uma análise d…[Read more]

Théodore de Bèze (1519-1605), French Reformer and Professor at Lausanne and Geneva, wrote his only play, “Abraham sacrifiant,” in 1550. The only readily available English translation, by Arthur Golding, was published in 1577. The translation offered here, based on the text of the original edition reproduced by Donald Stone, Jr. in “Four R…[Read more]

Four lectures, condensed and sanitized, based on those given to undergraduate students embarking for the first time on the serious study of the history of Western theatre. Unembellished by references to student readings or ad hoc example, by elaborations in response to student questions, or by professorial attempts at humour, they make for…[Read more]

El presente trabajo estudia la presencia de comida y bebida en las dos églogas carnavalescas de Juan del Encina (1468-1529), Égloga representada en la noche postrera de Carnal y la de Antruejo o Carnestollendas. El objetivo es establecer una suerte de catálogo provisional de los diversos usos escenográficos de la alimentación, así como su varia…[Read more]

Este trabajo analiza los espacios dramáticos del teatro de Juan del Encina, sus funciones y su potencialidad escénica. La noción de «espacio dramático» deriva de la teoría semiótica, que considera las referencias locativas en el texto dramático como parte del espacio ficticio teatral y examina el modo en el que todas ellas conjugan el espacio…[Read more]