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Tiffany Ng deposited International Bibliography of Carillon Music by Women, Transgender, and Nonbinary Composers in the group
Music and Sound on Humanities Commons 5 years, 9 months agoThis open-access international bibliography lists published and unpublished original carillon works by over a hundred women, transgender, and nonbinary composers. The composers’ birth years range from 1858 to the twenty-first century, the musical styles range from lyrical to avant-garde, and the formats range from solo to ensemble to e…[Read more]
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Gavin Holman deposited Ponsonby Boys’ Brass Band 1916-1968 in the group
Ethnomusicology on Humanities Commons 5 years, 9 months agoThis band was formed in Auckland, New Zealand following the success of an earlier drum and fife band associated with the Ponsonby Boy Scouts Association. It undertook several country-wide tours on both islands during the 1920’s and was a very successful and sought-after musical organisation.
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Joao Silva deposited Mechanical Instruments and Phonography: The Recording Angel of historiography in the group
Music and Sound on Humanities Commons 5 years, 9 months agoThis article strives to examine the historical narrative of music recording in its acoustic era (from 1877 to the late 1920s), at a time when competing technologies for capturing and registering sound and music were being incorporated into everyday life. Moreover, it examines the overlap of continuous and discontinuous media and processes of…[Read more]
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Miklos Mezosi deposited Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései in the group
Ethnomusicology on Humanities Commons 5 years, 9 months agoA „Don Juan”-nak szentelt, valójában az önálló mítosszá nőtt Mozart-operához, a Don Giovanni néven jegyzett „dramma giocoso per musicá”-hoz hozzászóló értekezéseikben E. T. A. Hoffman és Søren Kierkegaard nemcsak érzékeny elemzését adják az operának, hanem ezenfelül megörökítik az opera előadásához kötődő élményeiket – Kierkegaard utalásszerűen,…[Read more]
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Andrew J. Eisenberg deposited Resonant Voices and Spatial Politics: An Acoustemology of Citizenship in a Muslim Neighbourhood of the Kenyan Coast in the group
Ethnomusicology on Humanities Commons 5 years, 9 months agoThis chapter is an updated and newly illustrated version of “Islam, Sound and Space: Acoustemology and Muslim Citizenship on the Kenyan Coast,” originally published in the volume _Music, Sound and Space: Transformations of Public and Private Experience_ (2013, ed. Georgina Born, Cambridge University Press).
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Amadeu Corbera Jaume deposited Music, Noise and Singing in Silence: Industrial Soundscape and Working Experience in the Factory. The Case of Menorca. in the group
Ethnomusicology on Humanities Commons 5 years, 9 months agoIn preindustrial societies, singing and working was – and still is – conceived as part of the same activity, of the same life experience. However, the great social transformation that will imply the industrialization of much of the Catalan Countries at the end of the 19th century, and the progressive impetus of the capitalist production system,…[Read more]
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Jessie M. Labov started the topic MLA 2021 Collaborative Session: Academic Autonomy in Illiberal Times in the discussion
CLCS 20th- and 21st-Century on MLA Commons 5 years, 10 months agoWe are looking for one more panelist in this session being proposed for next year’s MLA. It would be a collaboration between the Hungarian and Slavic/EE fora. Titls/short abstracts to Jessie Labov (jlabov@ceu.edu) by April 5th.
Academic Autonomy in Illiberal Times: Although the right to academic freedom faces challenges all over the world, the…[Read more]
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Matthew Kirschenbaum deposited Books.Files: Preservation of Digital Assets in the Contemporary Publishing Industry (A Report) in the group
LLC 20th- and 21st-Century American on MLA Commons 5 years, 10 months agoThe book publishing industry is an important social, cultural, and economic institution whose records deserve to be preserved for the public good. Books.Files was an exploratory project funded in part by The Andrew W. Mellon Foundation aimed at assessing the archival value of digital assets in the contemporary publishing industry for stakeholders…[Read more]
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Vanessa Valdés started the topic CFP: Deportation and Affect: Mapping the Hemispheric Americas (MLA 2021 Toronto in the discussion
CLCS 20th- and 21st-Century on MLA Commons 5 years, 10 months agoThis panel explores a variety of methodological and disciplinary approaches to the topic of mass deportations and immigrant justice from the perspective of the humanities. Please submit 300-word abstracts and short presenter’s biographies to Laura Torres-Rodriguez, New York U (ljt233@nyu.edu ) Deadline for submissions: Thursday, 2 April 2020. (C…[Read more]
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Vanessa Valdés started the topic CFP: Survival Strategies in the Americas (MLA 2021 Toronto) in the discussion
CLCS 20th- and 21st-Century on MLA Commons 5 years, 10 months agoWhat can we learn from indigenous and Black strategies for survival in the Americas, as we face the enduring legacies of capitalist settler colonialism? Please send a 200-word abstract and a brief biographical statement to Vanessa K. Valdés (vvaldes@ccny.cuny.edu) Please share broadly. Deadline for submissions: Friday, 3 April 2020
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Vanessa Valdés started the topic Standing for Election of Executive Committee of CLCS Hemispheric American in the discussion
CLCS 20th- and 21st-Century on MLA Commons 5 years, 10 months agoWe invite you to stand for election to our Executive Committee — come guide our group in upcoming years! Note that you are only allowed to serve on one executive committee at a time. If you are interested, please email Vanessa K. Valdés (vvaldes@ccny.cuny.edu) as soon as possible. Thank you!
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K. E. Goldschmitt deposited Popular Music and the Growth of Brazilian Culture Industries since 1945 in the group
Music and Sound on Humanities Commons 5 years, 10 months agoThe period following the end of Getúlio Vargas’s second government (1951-1954) saw a massive expansion of the media industries with popular music in particular becoming an important cultural touchstone. Some salient trends in the post-War period include the politicization of music and other media (radio, television, social media), the in…[Read more]
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K. E. Goldschmitt deposited Popular Music and the Growth of Brazilian Culture Industries since 1945 in the group
Ethnomusicology on Humanities Commons 5 years, 10 months agoThe period following the end of Getúlio Vargas’s second government (1951-1954) saw a massive expansion of the media industries with popular music in particular becoming an important cultural touchstone. Some salient trends in the post-War period include the politicization of music and other media (radio, television, social media), the in…[Read more]
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Brad Osborn deposited Content and Correlational Analysis of a Corpus of MTV-Promoted Music Videos Aired Between 1990 and 1999 in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years, 11 months agoFrom 1990 to 1999 MTV promoted a series of 288 music videos called “Buzz Clips”, designed to highlight emerging artists and genres. Such promotion had a measurable impact on an artists’ earnings and record sales. To date, the kinds of musical and visual practices MTV promoted have not been quantitatively analyzed. Just what made some videos Buzzw…[Read more]
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Sydney Boyd started the topic CFP Guaranteed Session: Opera after World War II in the discussion
MS Opera and Musical Performance on MLA Commons 5 years, 11 months agoThe executive committee of the MLA Forum on Opera and Musical Performance has issued a call for papers for a session at the 2021 convention, “Opera after World War II: Production, Memory, Mourning,” on “how operatic productions after World War II participate in, elide, or mediate historical catastrophe or radical discontinuity.” The word limit f…[Read more]
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James Gifford deposited in our time: The 1924 Text in the group
LLC 20th- and 21st-Century American on MLA Commons 5 years, 11 months agoThis critical edition of Hemingway’s 1924 version of in our time is the second of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the “vignettes” of in our time, which have been largely unavailable for scholars and entirely out of reach for…[Read more]
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James Gifford deposited in our time: The 1924 Text in the group
CLCS 20th- and 21st-Century on MLA Commons 5 years, 11 months agoThis critical edition of Hemingway’s 1924 version of in our time is the second of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the “vignettes” of in our time, which have been largely unavailable for scholars and entirely out of reach for…[Read more]
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James Gifford deposited “In Our Time” and “They All Made Peace—What Is Peace?”: The 1923 Text in the group
CLCS 20th- and 21st-Century on MLA Commons 5 years, 11 months agoThis critical edition of the 1923 state of Hemingway’s In Our Time is the first of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the “vignettes” in The Little Review, which have been largely unavailable for scholars and entirely out of reach for…[Read more]
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Brad Osborn deposited Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna’s “This is What You Came For” in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years, 11 months agoA consideration of 14 collaborative music videos by Emil Nava and Calvin Harris, closing with a close analysis of their work on Rihanna’s “This is What You Came For” (2016).
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