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Megan Lavengood deposited Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years, 3 months agoTraditional music theory curricula are increasingly scrutinized. Students regularly misunderstand the scope of epistemology and scope of theory, find theory intimidating and difficult, and fail to see its relevance to their career goals. In this essay, I outline a modular music theory curriculum, which works to address these negative perceptions…[Read more]
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Amadeu Corbera Jaume deposited Palmira Jaquetti i el final del lied noucentista in the group
Ethnomusicology on Humanities Commons 5 years, 3 months agoEl 1938, en plena guerra civil, la musicòloga, compositora i traductora Palmira Jaquetti Isant va publicar el que seria el seu únic llibre de poemes, “L’estel dins la llar”. Pau Casals i Baltasar Samper varen posar música a quatre d’aquests poemes; en el cas de Samper, ho va fer en un cicle inacabat de cançons per a veu i conjunt instrumental tit…[Read more]
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Claire Arthur started the topic Survey about techniques and approaches to pop music analysis in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 3 months agoA graduate student of mine has been working on building a website for assisting pop music analysis. We have created a survey intended to garner some feedback about how different pop music scholars approach analysis so that we can gain some insights as to what would be valuable to the greatest number of individuals. The survey should take 5-15…[Read more]
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Claire Arthur started the topic Prototype of web-based tool for pop music analysis – feedback requested! in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 4 months agoA graduate student of mine has been working on building a website for assisting pop music analysis. We have created a survey intended to garner some feedback about how different pop music scholars approach analysis so that we can gain some insights as to what would be valuable to the greatest number of individuals. The survey should take 5-15…[Read more]
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Steph Ceraso created the doc
What Is a Voice? on Humanities Commons 5 years, 4 months ago -
A. David Lewis deposited CFP – Graphic Medicine at PCA 2021 in the group
TC Popular Culture on MLA Commons 5 years, 4 months agoIn conjunction with the Popular Culture Association (PCA) holding their 2021 conference in Boston, contributors and attendees of the New England Graphic Medicine (NEGM) Virtual Summit are proposing a slate of programming that now is welcoming additional participants.
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Zélia Catarina Pedro Rafael deposited “What Thoughts I Have of You Tonight, Walt Whitman” Continuity and Innovation in Allen Ginsberg’s “Howl” in the group
Sound Poetry on Humanities Commons 5 years, 4 months agoIn his essay “The Poet,” Emerson called for the poet who would sing the burgeoning nation of the United States of America. The answer to his request far exceeded all his expectations in the form of a ground-breaking volume of poems where Walt Whitman sang not only a nation, but the people who inhabited it as the people incarnated the values, str…[Read more]
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Gloria Lee McMillan started the topic Labor day and Swiftian sature Sep. 7, 2020 in the discussion
CLCS 20th- and 21st-Century on MLA Commons 5 years, 4 months agoQUOTED from “Rust Belt Literature” Project at ResearchGate. My script for All the Old Familiar Places can be had by writing to:
gmcmilla@email.arizona.eduDear Colleagues,
I studied Jonathan Swift and the Augustan writer (Alexander Pope, James Boswell, Samuel Johnson) at Indiana Univ. NW Campus Gary, Indiana. My Swiftian satire, All the…[Read more]
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Thomas Mazanec deposited Review: The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian in the group
GS Poetry and Poetics on MLA Commons 5 years, 5 months agoReview of The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian (Cambridge, Mass.: Harvard University Asia Center, 2018)
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Christine Boone started the topic PMIG Awards – Nominations due TOMORROW! in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agoNominations DUE TOMORROW for the Pop Music Interest Group’s Outstanding Publication Award and the Adam Krims Award—click on these links to nominate. I encourage you to reflect on recent scholarship you’ve read that has positively impacted you. Self-nominations are especially encouraged! Note that to be eligible for an award, the publica…[Read more]
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Zélia Catarina Pedro Rafael deposited “What Thoughts I Have of You Tonight, Walt Whitman” Continuity and Innovation in Allen Ginsberg’s “Howl” in the group
GS Poetry and Poetics on MLA Commons 5 years, 5 months agoIn his essay “The Poet,” Emerson called for the poet who would sing the burgeoning nation of the United States of America. The answer to his request far exceeded all his expectations in the form of a ground-breaking volume of poems where Walt Whitman sang not only a nation, but the people who inhabited it as the people incarnated the values, str…[Read more]
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John Michael McCluskey deposited “This Is Ghetto Row”: Musical Segregation in American College Football in the group
Music and Sound on Humanities Commons 5 years, 5 months agoA historical overview of college football’s participants exemplifies the diversification of mainstream American culture from the late nineteenth century to the twenty-first. The same cannot be said for the sport’s audience, which remains largely white American. Gerald Gems maintains that football culture reinforces the construction of American…[Read more]
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John Michael McCluskey deposited “This Is Ghetto Row”: Musical Segregation in American College Football in the group
Ethnomusicology on Humanities Commons 5 years, 5 months agoA historical overview of college football’s participants exemplifies the diversification of mainstream American culture from the late nineteenth century to the twenty-first. The same cannot be said for the sport’s audience, which remains largely white American. Gerald Gems maintains that football culture reinforces the construction of American…[Read more]
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Keith Salley replied to the topic Whole-tone and Octatonic in pop and rock in the discussion
Society for Music Theory – Popular Music Interest Group via email on Humanities Commons 5 years, 5 months agoThanks, Walt!
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Walt Everett replied to the topic Readings in the Analysis of African-American Popular Music in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agoThanks to those with suggestions for my African American pop music course. I’ve finished drafting a 73-page syllabus with lengthy bib and tracklist that’s too large to attach here. Please email me at weverett at umich.edu [with @ for ” at “] and I’ll be happy to send you a copy.
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Walt Everett replied to the topic Whole-tone and Octatonic in pop and rock in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agoKeith, my favorite rock octatonic passage is the guitars/bass trio in the transition of “You Never Give Me Your Money.”
There are a number of equal divisions of the octave, such as in the Fifth Dimension’s “Up—Up and Away,” the Doors’ “Touch Me” and Lorraine Feather’s “The Girl with the Lazy Eye.” I may list others in Foundations of Rock. Have fu…[Read more]
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Keith Salley started the topic Whole-tone and Octatonic in pop and rock in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agoHi everyone,
Hope you’re all well and reasonably rested.
Was wondering about rock or general pop tunes that feature symmetrical/synthetic scales like WT and OCT. I don’t mind fleeting surface occurrences where the scales are just run through, like those WT scales in the intro to Stevie Wonder’s ‘You Are the Sunshine . . .’ or the recurring OCT…[Read more]
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Doris Hambuch deposited Liberating Bicycles in Niki Caro’s ‘Whale Rider’ and in Haifaa Al Mansour’s ‘Wadjda’ in the group
TC Popular Culture on MLA Commons 5 years, 5 months agoSusan B. Anthony declared in 1896 that the bicycle “has done more to emancipate women than anything else in the world.” The comparative study of ‘Whale Rider’ (2002) and ‘Wadjda’ (2012) demonstrates that this liberating effect of the basic tool of transportation is being reinforced in the new millennium. The analysis further situates two con…[Read more]
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Walt Everett replied to the topic Readings in the Analysis of African-American Popular Music in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agothanks, Beth–good to hear from you. My bib and listening guide is coming along by leaps and bounds, but I hadn’t come across that journal yet. I’ll put my syllabus up by the end of the month.
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Hania A.M. Nashef deposited Waiting for the arrivant: Godot in two poems by Nizār Qabbānī in the group
CLCS 20th- and 21st-Century on MLA Commons 5 years, 5 months agoThe theme of waiting permeates two poems by the late Syrian poet Nizār Qabbānī. The verse in both poems ‘Waiting for Godot’, and ‘A television interview with an Arab Godot’, describes an arduous wait, at once distressing and unpredictable. In the first poem, the poet urges Godot to arrive, as the savior who will appear in the form of the Messia…[Read more]
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