-
Jordan Rosenblum's profile was updated on Humanities Commons 6 years, 10 months ago
-
Jacqueline Vayntrub's profile was updated on Humanities Commons 6 years, 10 months ago
-
Jacqueline Vayntrub's profile was updated on Humanities Commons 6 years, 10 months ago
-
Jordan Rosenblum's profile was updated on Humanities Commons 6 years, 10 months ago
-
Jacqueline Vayntrub's profile was updated on Humanities Commons 6 years, 10 months ago
-
Jacqueline Vayntrub's profile was updated on Humanities Commons 6 years, 10 months ago
-
Jordan Rosenblum's profile was updated on Humanities Commons 6 years, 11 months ago
-
Jacqueline Vayntrub's profile was updated on Humanities Commons 7 years ago
-
Jacqueline Vayntrub's profile was updated on Humanities Commons 7 years, 1 month ago
-
simeon chavel deposited The Polymorphous Pesaḥ: Ritual Between Origins and Reenactment in the group
Religious Studies on Humanities Commons 7 years, 1 month agoThe paper argues that the pesaḥ is a ritual with no origins in the literature we have, from the earliest recoverable fragment, through the first revision that introduces as many problems as it aims to solve, to subsequent extensions in multiple directions, with no arc, no trajectory, no telos, but recurrent hermeneutic expressive engagement.
-
simeon chavel deposited The Polymorphous Pesaḥ: Ritual Between Origins and Reenactment in the group
Rabbinic Literature and Culture on AJS Commons 7 years, 1 month agoThe paper argues that the pesaḥ is a ritual with no origins in the literature we have, from the earliest recoverable fragment, through the first revision that introduces as many problems as it aims to solve, to subsequent extensions in multiple directions, with no arc, no trajectory, no telos, but recurrent hermeneutic expressive engagement.
-
simeon chavel deposited The Polymorphous Pesaḥ: Ritual Between Origins and Reenactment in the group
Biblical Studies on Humanities Commons 7 years, 1 month agoThe paper argues that the pesaḥ is a ritual with no origins in the literature we have, from the earliest recoverable fragment, through the first revision that introduces as many problems as it aims to solve, to subsequent extensions in multiple directions, with no arc, no trajectory, no telos, but recurrent hermeneutic expressive engagement.
-
simeon chavel deposited The Polymorphous Pesaḥ: Ritual Between Origins and Reenactment in the group
Bible and the History of Biblical Interpretation on AJS Commons 7 years, 1 month agoThe paper argues that the pesaḥ is a ritual with no origins in the literature we have, from the earliest recoverable fragment, through the first revision that introduces as many problems as it aims to solve, to subsequent extensions in multiple directions, with no arc, no trajectory, no telos, but recurrent hermeneutic expressive engagement.
-
simeon chavel deposited The Polymorphous Pesaḥ: Ritual Between Origins and Reenactment in the group
Ancient Jew Review on Humanities Commons 7 years, 1 month agoThe paper argues that the pesaḥ is a ritual with no origins in the literature we have, from the earliest recoverable fragment, through the first revision that introduces as many problems as it aims to solve, to subsequent extensions in multiple directions, with no arc, no trajectory, no telos, but recurrent hermeneutic expressive engagement.
-
simeon chavel deposited The Polymorphous Pesaḥ: Ritual Between Origins and Reenactment on Humanities Commons 7 years, 1 month ago
The paper argues that the pesaḥ is a ritual with no origins in the literature we have, from the earliest recoverable fragment, through the first revision that introduces as many problems as it aims to solve, to subsequent extensions in multiple directions, with no arc, no trajectory, no telos, but recurrent hermeneutic expressive engagement.
-
Jordan Rosenblum's profile was updated on Humanities Commons 7 years, 3 months ago
-
Jacqueline Vayntrub's profile was updated on Humanities Commons 7 years, 4 months ago
-
simeon chavel deposited The Utility and Futility of Poetry in Qohelet in the group
Poetics and Poetry on Humanities Commons 7 years, 4 months agoArgues that Qohelet’s famous bit of speech on the seasons at 3:1-8 mimics and mocks proverbial poetry, as part of his larger, prosaic denial that life has discernible and usable rhythms and rhymes.
-
simeon chavel deposited The Utility and Futility of Poetry in Qohelet in the group
Jewish History and Culture in Antiquity on AJS Commons 7 years, 4 months agoArgues that Qohelet’s famous bit of speech on the seasons at 3:1-8 mimics and mocks proverbial poetry, as part of his larger, prosaic denial that life has discernible and usable rhythms and rhymes.
-
simeon chavel deposited The Utility and Futility of Poetry in Qohelet in the group
Hebrew Bible / Old Testament on Humanities Commons 7 years, 4 months agoArgues that Qohelet’s famous bit of speech on the seasons at 3:1-8 mimics and mocks proverbial poetry, as part of his larger, prosaic denial that life has discernible and usable rhythms and rhymes.
- Load More
Open access, open source, open to all