In an era of rapid economic transformations and attendant anxieties, the quest for sustainable development has been a major discursive engagement. This article uses three case studies to discuss how electronic media promotes the discourse of ecological entrepreneurship (EE). Three case studies are undertaken: (i) The UN’s new media engagement, (…[Read more]

The study examines the discourse of ISIS propaganda during its rise and dispersion
periods, to conclude its ability to convince, when it is devoid of power, compared
with its speech that was at the rising of the organization. The study’s methodology
based mainly on Teun A. van Dijk’s and Norman Fairclough’s approaches to Criti…[Read more]

The study examines the discourse of ISIS propaganda during its rise and dispersion
periods, to conclude its ability to convince, when it is devoid of power, compared
with its speech that was at the rising of the organization. The study’s methodology
based mainly on Teun A. van Dijk’s and Norman Fairclough’s approaches to Criti…[Read more]

This paper examines the social construction of gender by Gulzar in the film
Aandhi and maps it with the cultural and socio-political changes that took place
in the country during that era. Aandhi1
is the first Hindi film that narrates the
dilemma of a modern woman politician – a space largely occupied by men.
Gulzar went against the norms o…[Read more]

This paper examines the social construction of gender by Gulzar in the film
Aandhi and maps it with the cultural and socio-political changes that took place
in the country during that era. Aandhi1
is the first Hindi film that narrates the
dilemma of a modern woman politician – a space largely occupied by men.
Gulzar went against the norms o…[Read more]

Cinema for social change is not a new approach. Odia cinema, earlier known as
Oriya cinema, has been intrinsically connected to the essence of Odia language
and culture in the Indian state of Odisha. Since the inception of Odia cinema, it
has been endeavoring to send social messages by employing visual
communication for social change and…[Read more]

Cinema for social change is not a new approach. Odia cinema, earlier known as
Oriya cinema, has been intrinsically connected to the essence of Odia language
and culture in the Indian state of Odisha. Since the inception of Odia cinema, it
has been endeavoring to send social messages by employing visual
communication for social change and…[Read more]

This paper traces the portrayal of violence in cinema through the ages taking into
consideration two films from two disparate countries and cultures – the Japanese
Seven Samurai by Akira Kurosawa and its remake, the Indian blockbuster Sholay by
Ramesh Sippy which was set in two different eras. This paper critiques the
representation of…[Read more]

This paper traces the portrayal of violence in cinema through the ages taking into
consideration two films from two disparate countries and cultures – the Japanese
Seven Samurai by Akira Kurosawa and its remake, the Indian blockbuster Sholay by
Ramesh Sippy which was set in two different eras. This paper critiques the
representation of…[Read more]

This discussion paper argues for the need of a new theory, moving away from the
binary applications of public interest or Pigouvian theory and public choice theory.
The growth of media is outlined, and the complexity of the Indian mediascape is
presented as part of the discussion. The cross-media ownership patterns, political
ownership or…[Read more]

Cinema audiences’ behavior interests both industry professionals and academics.
Cinema-going is still indisputably popular form of entertainment in Malaysia. This
study discusses cinema-going in the era of omnipresent screens. It aims to verify
Malaysians’ cinema going behaviors and the sustainability factors contributing to
the Malaysian fil…[Read more]

Cinema audiences’ behavior interests both industry professionals and academics.
Cinema-going is still indisputably popular form of entertainment in Malaysia. This
study discusses cinema-going in the era of omnipresent screens. It aims to verify
Malaysians’ cinema going behaviors and the sustainability factors contributing to
the Malaysian fil…[Read more]

In the article the associative semantic series of Russian and German
linguocultures as native, grown and living on the territory of relevant countries
(Russia and Germany) are analyzed in juxtaposition with the associative
dictionary of Russian representatives who emigrated to Germany from Russia
at the end of 20th century (1980-2000). This…[Read more]

In the article the associative semantic series of Russian and German
linguocultures as native, grown and living on the territory of relevant countries
(Russia and Germany) are analyzed in juxtaposition with the associative
dictionary of Russian representatives who emigrated to Germany from Russia
at the end of 20th century (1980-2000). This…[Read more]

The study discusses the role of dialogue communication in the interaction of
the state, business, and civil society. The results are aimed at creating favorable
conditions for the development of a business climate not only for a single
region but also for the entire Russian economy. The study uses methods of
system analysis, a sociological…[Read more]

The study discusses the role of dialogue communication in the interaction of
the state, business, and civil society. The results are aimed at creating favorable
conditions for the development of a business climate not only for a single
region but also for the entire Russian economy. The study uses methods of
system analysis, a sociological…[Read more]

The present study critically investigates the single case media reporting of the
Chapel Hill shooting incident in North Carolina, USA. Eight newspaper reports,
including BBC, Fox News, Independent, The Telegraph, The New York Times,
Huffington Post, and among which two from CNN were assessed, using the Critical
Discourse Analysis (CDA)…[Read more]

The article discusses some features of information technologies used by Kazakh
media during election campaigns of different years. The purpose of this work is
to analyze the peculiarities and factors behind the increasing role of the Kazakh
media in the process of democratic elections. The article shows that since 1991-
1996 transitional…[Read more]

The visionary Satyajit Ray (1921-1992) is India’s most famous director. His visual
style fused the aesthetics of European realism with evocative symbolic realism,
which he based on classic Indian iconography, the aesthetic and narrative
principles of rasa, the energies of shakti and shakta, the principles of dharma,
and the practice of d…[Read more]

The visionary Satyajit Ray (1921-1992) is India’s most famous director. His visual
style fused the aesthetics of European realism with evocative symbolic realism,
which he based on classic Indian iconography, the aesthetic and narrative
principles of rasa, the energies of shakti and shakta, the principles of dharma,
and the practice of d…[Read more]