John Covach
,@johncovach
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Trevor deClercq replied to the topic Vote for Officers! in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 2 years, 1 month agoHi, Matthew. Are there bios available somewhere for these officer candidates?
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Megan Lavengood replied to the topic PMIG Bylaws: Revisions and Updates in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 2 years, 4 months agoI’ll suggest new language to clarify and specify what kinds of scholarship should be considered for the Outstanding Publication Award and the Adam Krims Award, as follows (additions in bold):
The Chair will solicit nominations for the Interest Group’s two publication awards annually. Anyone may nominate a publication for an award. An Award C…
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Megan Lavengood's profile was updated on Humanities Commons 2 years, 4 months ago
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Brad Osborn's profile was updated on Humanities Commons 2 years, 5 months ago
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Noriko Manabe's profile was updated on Humanities Commons 2 years, 6 months ago
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Noriko Manabe changed their profile picture on Humanities Commons 2 years, 6 months ago
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Brad Osborn deposited Formal Functions and Rotations in Top-40 EDM in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 2 years, 6 months agoPublications on form in popular music have largely assumed the formal sections germane to pop-rock to be the formal designs of “popular music.” But the most popular music of our time—music charting on the Billboard Top-40—has absorbed the influence of electronic dance music (EDM) in a way that has fundamentally changed its formal structu…[Read more]
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Brad Osborn deposited Formal Functions and Rotations in Top-40 EDM in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 6 months agoPublications on form in popular music have largely assumed the formal sections germane to pop-rock to be the formal designs of “popular music.” But the most popular music of our time—music charting on the Billboard Top-40—has absorbed the influence of electronic dance music (EDM) in a way that has fundamentally changed its formal structu…[Read more]
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Brad Osborn deposited The Subdominant Tritone in Film and Television Music in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 2 years, 6 months agoTritones sounding over subdominant harmony, either as suspensions, accented passing tones, or incomplete neighbors, constitute a class of sonorities regularly heard in film and television music. I collectively refer to these phenomena as “subdominant tritones” (SdTT), and theorize a link between the SdTT and emotions it engenders. The article pre…[Read more]
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Brad Osborn deposited The Subdominant Tritone in Film and Television Music in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 6 months agoTritones sounding over subdominant harmony, either as suspensions, accented passing tones, or incomplete neighbors, constitute a class of sonorities regularly heard in film and television music. I collectively refer to these phenomena as “subdominant tritones” (SdTT), and theorize a link between the SdTT and emotions it engenders. The article pre…[Read more]
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Brad Osborn deposited Formal Functions and Rotations in Top-40 EDM on Humanities Commons 2 years, 6 months ago
Publications on form in popular music have largely assumed the formal sections germane to pop-rock to be the formal designs of “popular music.” But the most popular music of our time—music charting on the Billboard Top-40—has absorbed the influence of electronic dance music (EDM) in a way that has fundamentally changed its formal structu…[Read more]
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Brad Osborn deposited The Subdominant Tritone in Film and Television Music on Humanities Commons 2 years, 6 months ago
Tritones sounding over subdominant harmony, either as suspensions, accented passing tones, or incomplete neighbors, constitute a class of sonorities regularly heard in film and television music. I collectively refer to these phenomena as “subdominant tritones” (SdTT), and theorize a link between the SdTT and emotions it engenders. The article pre…[Read more]
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Megan Lavengood's profile was updated on Humanities Commons 2 years, 7 months ago
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Christopher Doll's profile was updated on Humanities Commons 2 years, 7 months ago
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Brad Osborn deposited Triangulating Timbre in Sigur Rós’s Iceland in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 2 years, 10 months agoOsborn, Brad and D.K. Blake. 2019. “Triangulating Timbre in Sigur Rós’s Iceland.” In *Sounds Icelandic*, edited by Thorbjörg Daphne Hall, N. Dibben, Á.H. Ingólfsson, and T. Mitchell. Equinox Press, 208–219.
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Brad Osborn deposited Triangulating Timbre in Sigur Rós’s Iceland in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoOsborn, Brad and D.K. Blake. 2019. “Triangulating Timbre in Sigur Rós’s Iceland.” In *Sounds Icelandic*, edited by Thorbjörg Daphne Hall, N. Dibben, Á.H. Ingólfsson, and T. Mitchell. Equinox Press, 208–219.
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Brad Osborn deposited Triangulating Timbre in Sigur Rós’s Iceland on Humanities Commons 2 years, 10 months ago
Osborn, Brad and D.K. Blake. 2019. “Triangulating Timbre in Sigur Rós’s Iceland.” In *Sounds Icelandic*, edited by Thorbjörg Daphne Hall, N. Dibben, Á.H. Ingólfsson, and T. Mitchell. Equinox Press, 208–219.
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Noriko Manabe's profile was updated on Humanities Commons 3 years ago
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Noriko Manabe's profile was updated on Humanities Commons 3 years ago
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