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Kevin A. Quarmby's profile was updated on Humanities Commons 6 years, 3 months ago
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Kevin A. Quarmby's profile was updated on Humanities Commons 6 years, 4 months ago
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Kevin A. Quarmby deposited ‘Bardwashing’ Shakespeare: Food Justice, Enclosure, and the Poaching Poet in the group
LLC Shakespeare on MLA Commons 6 years, 4 months agoIn As You Like It, Shakespeare glorifies the social bandits that survive in the Forest of Arden, likening them to Robin Hood outlaws. Near-contemporary pseudo-biographies also record Shakespeare’s early life as a poacher and youthful renegade. Shakespeare’s play might suggest his advocacy of food sovereignty and social justice, a romanticized ima…[Read more]
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Kevin A. Quarmby deposited “‘Bardwashing’ Shakespeare: Food Justice, Enclosure, and the Poaching Poet” on Humanities Commons 6 years, 4 months ago
In As You Like It, Shakespeare glorifies the social bandits that survive in the Forest of Arden, likening them to Robin Hood outlaws. Near-contemporary pseudo-biographies also record Shakespeare’s early life as a poacher and youthful renegade. Shakespeare’s play might suggest his advocacy of food sovereignty and social justice, a romanticized ima…[Read more]
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Kevin A. Quarmby's profile was updated on Humanities Commons 6 years, 7 months ago
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Kevin A. Quarmby deposited ‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’ in the group
LLC Shakespeare on MLA Commons 6 years, 8 months agoThis essay explores the covert censorship of Shakespeare production nudity by Western and Eastern theater and television companies. Using Ian McKellen’s 2007 RSC King Lear as its case study, the essay considers the economic and political pressures brought to bear on the RSC by those seeking to prevent the perceived corruption of young people, and…[Read more]
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Kevin A. Quarmby deposited ‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’ on MLA Commons 6 years, 8 months ago
This essay explores the covert censorship of Shakespeare production nudity by Western and Eastern theater and television companies. Using Ian McKellen’s 2007 RSC King Lear as its case study, the essay considers the economic and political pressures brought to bear on the RSC by those seeking to prevent the perceived corruption of young people, and…[Read more]
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Kevin A. Quarmby's profile was updated on MLA Commons 6 years, 8 months ago
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Kevin A. Quarmby's profile was updated on MLA Commons 7 years, 5 months ago
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Laura Estill's profile was updated on Humanities Commons 7 years, 6 months ago
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Kevin A. Quarmby's profile was updated on MLA Commons 8 years, 5 months ago
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Belinda Wheeler's profile was updated on Humanities Commons 8 years, 6 months ago
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Belinda Wheeler's profile was updated on Humanities Commons 8 years, 6 months ago
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Belinda Wheeler's profile was updated on MLA Commons 8 years, 6 months ago
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Laura Estill's profile was updated on Humanities Commons 8 years, 7 months ago
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Kevin A. Quarmby changed their profile picture on Humanities Commons 8 years, 12 months ago
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Kevin A. Quarmby changed their profile picture on Humanities Commons 8 years, 12 months ago
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Belinda Wheeler changed their profile picture on MLA Commons 9 years, 2 months ago
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Belinda Wheeler's profile was updated on MLA Commons 9 years, 2 months ago
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Laura Estill's profile was updated on MLA Commons 10 years ago
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