Dawkins Fallacy – False Premise
The statement, “However, as we shall see, there are special circumstances in which a gene can achieve its own selfish goals best by fostering a limited form of altruism at the level of individual animals.” Is a fallacy/false premise Historically, compassion and self-less behaviors are not a “limited form of alt…[Read more]

As the prominent social psychologists, Baumeister and Leary, point out, “Groups can share food, provide mates, and help care for offspring (including orphans). Some survival tasks such as hunting large animals or maintaining defensive vigilance against predatory enemies, are best accomplished by group cooperation…. Competition for limited res…[Read more]

Functions of Religion
1. Fear of the unknown Fear of the unknown is a popular theory. The philosopher David Hume, the anthropologist Malinowski, and Einstein all emphasize the role of anxiety – or fear.
2. Anthropomorphism, the attribution of human characteristics or behavior to a god, animal, or object, is another favorite theory. Xenophanes (…[Read more]

In 1894, Lord Alfred Douglas referred to homosexuality as “the love that dare not speak its name”, a phrase that describes the unmentionable nature of homosexuality in a period of time when sodomy was illegal. Even in the 21st century, there continues to be something unspeakable and forbidden about homosexuality. This paper equates the uns…[Read more]

As a theoretical paradigm is a very natural and common-sense, idea-model – an idea or paradigm of a human being that is easily grasped model-idea. It is not surprisingly, then, that the Body-Mind-Spirit Paradigm appeared very early in human history.

The Ho’omana religion actually recognizes three different types or levels of “spirit,” which…[Read more]

The aesthetics of early feature-film scores were shaped by narrational problems introduced by multi-reel features and their longer durations. Using The Patchwork Girl of Oz, I show how stylistic devices like silences and musical pun- ctuation were used to address the coherence and pacing of multi-reel storytelling.

This article details the historical factors that shaped Hollywood’s adoption of magnetic recording during the late 1940s and early 1950s. It draws upon economic theories of technological change, archival correspondence, technical records, analyses of postproduction workflows, and delineations of the structural constraints that limited how the f…[Read more]

This chapter investigates how the introduction of stereo complicated Hollywood’s vococentric practices. It also reveals how sound technicians developed mixing techniques that preserved the salience of dialogue in multi-channel soundscapes. The author refers to such techniques as monocentrism and illustrates monocentric norms by analyzing the c…[Read more]