This talk offers a collection of vignettes that position the relation between life and death as a central but unsolvable question for theorization in art and politics. Indeed, what to think of death in times when, yet again, the end of the world as we know it seems to be near?

Adding to the long list of “post” conditions, the term “post-internet” offers a fairly recent attempt to characterize a certain social, political, historical, and material condition that artists, curators, educators, and critics are currently working with. For some, it provides a language to articulate the complex entwinements between online…[Read more]

Adding to the long list of “post” conditions, the term “post-internet” offers a fairly recent attempt to characterize a certain social, political, historical, and material condition that artists, curators, educators, and critics are currently working with. For some, it provides a language to articulate the complex entwinements between online…[Read more]

This talk offers a collection of vignettes that position the relation between life and death as a central but unsolvable question for theorization in art and politics. Indeed, what to think of death in times when, yet again, the end of the world as we know it seems to be near?

Catherine Tekakwitha (1656-1680) and Marguerite Kanenstenhawi (1696-1785), much better known as Eunice Williams, are two of the most famous women of colonial North America. This essay proposes that we can gain further insight about Catherine Tekakwitha and Marguerite Kanenstenhawi through comparison. The focus for this comparison is the study of…[Read more]

Catherine Tekakwitha (1656-1680) and Marguerite Kanenstenhawi (1696-1785), much better known as Eunice Williams, are two of the most famous women of colonial North America. This essay proposes that we can gain further insight about Catherine Tekakwitha and Marguerite Kanenstenhawi through comparison. The focus for this comparison is the study of…[Read more]

This anthology of excerpts from histories and travel accounts composed during the seventeenth, eighteenth, and nineteenth centuries features representations of indigenous oral traditions about the founding of European colonies in Sri Lanka, Melaka, Gujarat, Cambodia, Manila, Jakarta, Taiwan, New York and the Cape of Good Hope. According to these…[Read more]

This anthology of excerpts from histories and travel accounts composed during the seventeenth, eighteenth, and nineteenth centuries features representations of indigenous oral traditions about the founding of European colonies in Sri Lanka, Melaka, Gujarat, Cambodia, Manila, Jakarta, Taiwan, New York and the Cape of Good Hope. According to these…[Read more]

Four conceptualizations of the relationship between indigeneity and early American literature provide a basis for this history and its historiography. Three of these pertain to cultural works produced at least in part by Native Americans: these are (1) written representations of Native American spoken performances, or “oral literature”; (2) wri…[Read more]

Four conceptualizations of the relationship between indigeneity and early American literature provide a basis for this history and its historiography. Three of these pertain to cultural works produced at least in part by Native Americans: these are (1) written representations of Native American spoken performances, or “oral literature”; (2) wri…[Read more]

Bridging the fields of indigenous, early American, memory, and media studies, On Records illuminates the problems of communication between cultures and across generations. Andrew Newman examines several controversial episodes in the historical narrative of the Delaware (Lenape) Indians, including the stories of their primordial migration to settle…[Read more]

Bridging the fields of indigenous, early American, memory, and media studies, On Records illuminates the problems of communication between cultures and across generations. Andrew Newman examines several controversial episodes in the historical narrative of the Delaware (Lenape) Indians, including the stories of their primordial migration to settle…[Read more]

The aims of this article are threefold: first, to revise some key concepts on the theory of scholarly digital editions such as scale and interactivity; second, to present the principles of XML/TEI encoding model and highlight the representation of the critical apparatus; third, to describe the methodology implemented to encode scribal and…[Read more]

The aims of this article are threefold: first, to revise some key concepts on the theory of scholarly digital editions such as scale and interactivity; second, to present the principles of XML/TEI encoding model and highlight the representation of the critical apparatus; third, to describe the methodology implemented to encode scribal and…[Read more]

La fértil labor de difusión de la lírica cancioneril efectuada por la editorial Cancioneros Castellanas engalana su colección con un nuevo y fino trabajo publicado. En esta ocasión, se trata de una antología poética aurisecular, conocida desde antaño en la academia con el nombre de Cartapacio de Penagos. Sin embargo, los integrantes del prolífi…[Read more]

Der vorliegende Beitrag untersucht den Lyrikband notes for soloists (2009) der transnationalen Lyrikerin Cia Rinne mit einem besonderen Schwerpunkt auf der Frage der literarischen Vielsprachigkeit und der Intermedialität des Textes. Mit Ausgangspunkt in Naoki Sakais Verständnis von Übersetzung als bordering (Sakai 2009) wird die Rolle des Le…[Read more]

The article proposes a new multimodal approach to literary multilingualism, with special attention devoted to how readers with different language skills partake in making literary multilingualism happen. It presents a critical assessment of previous scholarship on literary multilingualism, which we claim is characterized by monolingual assumptions…[Read more]

In the twenty-first century, the majority of people are living in cities—at least this is the credo communicated frequently. This statement has been strengthened by the “urban renaissance” that dawned at the beginning of the twenty-first century and by a globally evident increase in capital investment in urban-development projects. Such plann…[Read more]

The essay takes a fresh look at Eliot’s ‘water-dripping song’ in The Waste Land. It seems impossible for the ornithologically minded Eliot not to have known that the hermit thrush’s song does not sound like dripping water. In fact, nowhere in ornithological writing — and certainly not in his source, Chapman’s Handbook of North American Birds —…[Read more]