The Berliner Repertorium (http://opus.ub.hu-berlin.de/repertorium/page/home), online since June 2017, provides a database of Middle High and Low German translations of Latin hymns, sequences, and antiphons until the year 1600. In this contribution on our database of hymn translations, the ‘Berliner Repertorium’, I will introduce you to its str…[Read more]

Anglo-Scandinavian literary and legal texts give evidence of two cultures which shared similar attitudes to punitive acts of violence; whether as literary trope or legislative recourse, deliberate mutilation was a familiar form of retribution. Why this is the case is not always clear within the context of the texts in which such episodes are…[Read more]

The term ’empire’ is frequently applied retrospectively by historians to historical trans-cultural political entities that are notable either for their geographic breadth, unprecedented expansionary ambitions, or extensive political hegemony. Yet the use of the terminology of empire in historical studies is often ill-defined, as exemplified by the…[Read more]

Gesta regum Anglorum, written by William of Malmesbury in the twelfth century, is a key source for the life of the tenth-century Anglo-Saxon king, Æthelstan (924–939). Contemporary narrative histories provide little detail relating to Æthelstan’s kingship, and the account of Gesta regum Anglorum purports to grant an unparalleled insight into his l…[Read more]

The practical necessity of sight to effective participation in Anglo-Saxon life is reflected in the multifaceted depictions of punitive blinding in late Anglo-Saxon literature. As a motif of empowerment or disempowerment, acts of blinding permeate the histories and hagiographies of the eleventh and twelfth centuries and each narrative mode…[Read more]

In 1016 the young Danish prince who was to become Cnut the Great, King of England, Denmark, and Norway, laid siege to the city of London as part of a program of conquest that would see him crowned as King of England by 1017. This millennial year is an appropriate time to reflect on the consequences of London’s defiance as a city that was rapidly…[Read more]

In this essay, I examine two widely divergent instances of what I understand to be a compulsive and racialized-sexualized violence against women whose bodies have been figured as “foreign”/Eastern (and even, as animal and barbaric) threats within collective national bodies: the real case of a massacre in the modern state of Gujarat in southwestern…[Read more]

Presentation of a 15th century book-binding with a trick-lock from Munich.

En la más reciente edición y estudio de la Carajicomedia, su editor llama la atención sobre un aspecto determinado de esta obra, y por extensión, a todas las sátiras a mitad de camino entre lo burlesco y lo erótico: se establece la necesidad de explorar «more fully the political complexity of the period; the reasons that its authors may have h…[Read more]

“The Other Close at Hand: Gerald of Wales and the ‘Marvels of the West,’” in The Monstrous Middle Ages, eds. Robert Mills and Bettina Bildhauer (Cardiff: University of Wales Press, 2003), 97-112

“Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript,” with Susan Kim, in Dark Reflections, Monstrous Reflections: Essays on the Monster in Culture, ed. Sorcha Ní Fhlainn (Oxford: Inter-Disciplinary Press E-Book, 2008)

“The Exposed Body and the Gendered Blemmye: Reading the Wonders of the East,” with Susan Kim, Fundamentals of Medieval and Early Modern Culture, v. 3, The History of Sexuality in the Middle Ages and the Renaissance, ed. by Albrecht Classen and Marilyn Sandidge (Berlin: Walter de Gruyter, 2008)

“Digital Mappaemundi: Changing the Way We Work with Medieval World Maps,” Peregrinations: The Official Publication of the International Society for the Study of Pilgrimage Art, with Martin Foys, vol. 2:3 (Summer 2009)

The dominant literate culture of early medieval England – male, European, and Christian – often represented itself through comparison to exotic beings and monsters, in traditions developed from native mythologies, and Classical and Biblical sources. So pervasive was this reflexive identification that the language of the monstrous occurs not onl…[Read more]

“Anglo-Saxon Frames of Reference: Spatial Relations on the Page and in the World,” Different Visions: A Journal of New Perspectives on Medieval Art, vol. 2 (2009), with Susan Kim

The dominant literate culture of early medieval England – male, European, and Christian – often represented itself through comparison to exotic beings and mon- sters, in traditions developed from native mythologies, and Classical and Biblical sources. So pervasive was this reflexive identification that the language of the mon- strous occurs not…[Read more]

This short essay explores Susan Einbinder’s observation that the poetics of the medieval Anglo-Jewish poet Meir of Norwich show a unique mix of borrowing from
the poetic schools of both Ashkenaz and Sepharad. Boyarin argues that Meir was discursively creating a school of Anglo-Hebrew poetics, one that he imagined drew from both of these e…[Read more]

The dominant literate culture of early medieval England – male, European, and Christian – often represented itself through comparison to exotic beings and monsters, in traditions developed from native mythologies, and Classical and Biblical sources. So pervasive was this reflexive identification that the language of the monstrous occurs not onl…[Read more]

“Answering the Call of the Severed Head,” Heads Will Roll: Decapitation Motifs in Medieval Literature, ed. Larissa Tracy (Leiden: Brill, 2012)

“Introduction: The Impact of Monsters and Monster Studies,” in Research Companion to Monsters and the Monstrous, ed. Asa Simon Mittman, with Peter Dendle (London: Ashgate, 2012), 1-14