-
Melissa Ridley Elmes's profile was updated on MLA Commons 8 years ago
-
Melissa Ridley Elmes deposited “Mewn Dau Gae” Response: “In Two Fields: A Reconciliation” on MLA Commons 8 years ago
I was the invited respondent for this panel of papers jointly-sponsored by the CLCS Celtic and Old English MLA Forums. These are the remarks which I prepared in response to the papers in order to help draw them together into a frame to generate discussion, and which were read for me in abstentia.
-
-
medievalmatt's profile was updated on Humanities Commons 8 years, 2 months ago
-
medievalmatt's profile was updated on Humanities Commons 8 years, 5 months ago
-
medievalmatt's profile was updated on Humanities Commons 8 years, 5 months ago
-
medievalmatt's profile was updated on Humanities Commons 8 years, 8 months ago
-
medievalmatt's profile was updated on Humanities Commons 8 years, 8 months ago
-
medievalmatt's profile was updated on Humanities Commons 8 years, 12 months ago
-
medievalmatt's profile was updated on Humanities Commons 8 years, 12 months ago
-
medievalmatt's profile was updated on Humanities Commons 8 years, 12 months ago
-
medievalmatt's profile was updated on Humanities Commons 8 years, 12 months ago
-
medievalmatt's profile was updated on Humanities Commons 8 years, 12 months ago
-
Matthew Davis deposited “As Above, So Below: Staging the Digby Mary Magdalene in the group
LLC Middle English on MLA Commons 9 years agoWith thirty-seven named locations, the Digby Mary Magdalene is rightfully considered to require the most elaborate staging of the Middle English dramatic corpus. In this article, I re-examine the manuscript to find evidence of how the various locations in the play can be grouped into what I term staging complexes. Beginning with the division of…[Read more]
-
Matthew Davis deposited “As Above, So Below: Staging the Digby Mary Magdalene in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 9 years agoWith thirty-seven named locations, the Digby Mary Magdalene is rightfully considered to require the most elaborate staging of the Middle English dramatic corpus. In this article, I re-examine the manuscript to find evidence of how the various locations in the play can be grouped into what I term staging complexes. Beginning with the division of…[Read more]
-
Matthew Davis deposited “As Above, So Below: Staging the Digby Mary Magdalene in the group
GS Drama and Performance on MLA Commons 9 years agoWith thirty-seven named locations, the Digby Mary Magdalene is rightfully considered to require the most elaborate staging of the Middle English dramatic corpus. In this article, I re-examine the manuscript to find evidence of how the various locations in the play can be grouped into what I term staging complexes. Beginning with the division of…[Read more]
-
Matthew Davis deposited “As Above, So Below: Staging the Digby Mary Magdalene in the group
CLCS Medieval on MLA Commons 9 years agoWith thirty-seven named locations, the Digby Mary Magdalene is rightfully considered to require the most elaborate staging of the Middle English dramatic corpus. In this article, I re-examine the manuscript to find evidence of how the various locations in the play can be grouped into what I term staging complexes. Beginning with the division of…[Read more]
-
Matthew Davis deposited “As Above, So Below: Staging the Digby Mary Magdalene on Humanities Commons 9 years ago
With thirty-seven named locations, the Digby Mary Magdalene is rightfully considered to require the most elaborate staging of the Middle English dramatic corpus. In this article, I re-examine the manuscript to find evidence of how the various locations in the play can be grouped into what I term staging complexes. Beginning with the division of…[Read more]
-
Matthew Davis deposited Lydgate at Long Melford: Reassessing the Testament and “Quis Dabit Meo Capiti Fontem Lacrimarum” in Their Local Context in the group
TM Book History, Print Cultures, Lexicography on MLA Commons 9 years agoThe extracodical stanzas of John Lydgate’s Testament and “Quis Dabit Meo Capiti Fontem Lacrimarum” in the Clopton chantry chapel of the Great Church of Holy Trinity, Long Melford, not only are two intriguing witnesses differing in presentation and language from the manuscript copies but also can be considered as part of a rhetorical program where…[Read more]
-
Matthew Davis deposited Lydgate at Long Melford: Reassessing the Testament and “Quis Dabit Meo Capiti Fontem Lacrimarum” in Their Local Context in the group
LLC Middle English on MLA Commons 9 years agoThe extracodical stanzas of John Lydgate’s Testament and “Quis Dabit Meo Capiti Fontem Lacrimarum” in the Clopton chantry chapel of the Great Church of Holy Trinity, Long Melford, not only are two intriguing witnesses differing in presentation and language from the manuscript copies but also can be considered as part of a rhetorical program where…[Read more]
- Load More
Open access, open source, open to all