Jennifer Oates
,@jloates
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18
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Ryan Ross's profile was updated on Humanities Commons 6 years, 11 months ago
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Kendra Leonard deposited review: Composer Diversity Database, https://composerdiversity.com Music Theory Examples by Women, https://musictheoryexamplesbywomen.com on Humanities Commons 6 years, 11 months ago
Review of Composer Diversity Database, https://composerdiversity.com Music Theory Examples by Women, https://musictheoryexamplesbywomen.com
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Anna Kijas deposited Music Research Data Management: a DH Perspective in the group
Library & Information Science on Humanities Commons 6 years, 11 months agoWhat is “research data” for music researchers and performers? How can music librarians develop their knowledge and skills to better meet the research data needs of their constituents, and contribute to the data-intensive turn in academia? This panel will explore the research data movement in libraries and its relevance to music librarians. Pan…[Read more]
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Anna Kijas deposited Music Research Data Management: a DH Perspective in the group
Digital Humanists on Humanities Commons 6 years, 11 months agoWhat is “research data” for music researchers and performers? How can music librarians develop their knowledge and skills to better meet the research data needs of their constituents, and contribute to the data-intensive turn in academia? This panel will explore the research data movement in libraries and its relevance to music librarians. Pan…[Read more]
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Anna Kijas deposited Music Research Data Management: a DH Perspective on Humanities Commons 6 years, 11 months ago
What is “research data” for music researchers and performers? How can music librarians develop their knowledge and skills to better meet the research data needs of their constituents, and contribute to the data-intensive turn in academia? This panel will explore the research data movement in libraries and its relevance to music librarians. Pan…[Read more]
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Kendra Leonard deposited Laura Rossi’s War Musics in the group
Film Studies on Humanities Commons 6 years, 11 months agoBritish composer Laura Rossi is perhaps best known for her work providing new scores for
silent films, including The Battle of the Somme (1915), The Battle of the Ancre (1917), and a
selection of very early cinematic adaptations of Shakespeare (1899-1911) that appeared as
Silent Shakespeare in 1998. Rossi is also the composer of scores for many…[Read more] -
British composer Laura Rossi is perhaps best known for her work providing new scores for
silent films, including The Battle of the Somme (1915), The Battle of the Ancre (1917), and a
selection of very early cinematic adaptations of Shakespeare (1899-1911) that appeared as
Silent Shakespeare in 1998. Rossi is also the composer of scores for many…[Read more] -
Kendra Leonard's profile was updated on Humanities Commons 6 years, 12 months ago
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Anna Kijas deposited “What does the data tell us?: Representation, Canon, and Music Encoding” in the group
Open Music on Humanities Commons 7 years, 1 month agoIn this keynote, Kijas explores issues embedded in musicological traditions of canonicity and discusses the need for recovery of underrepresented composers in order to build a more inclusive digital canon.
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Anna Kijas deposited “What does the data tell us?: Representation, Canon, and Music Encoding” in the group
Digital Humanists on Humanities Commons 7 years, 1 month agoIn this keynote, Kijas explores issues embedded in musicological traditions of canonicity and discusses the need for recovery of underrepresented composers in order to build a more inclusive digital canon.
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Kendra Leonard deposited The Conservatoire Américain: a History on Humanities Commons 7 years, 1 month ago
The Conservatoire Américain, the French musical institution at the Palais de Fontainebleau, was responsible for training generations of American musicians. Its students and faculty are among some of the most influential musical figures of the twentieth century, including Aaron Copland, Nadia Boulanger, and Elliott Carter. Within its walls,…[Read more]
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Anna Kijas deposited “What does the data tell us?: Representation, Canon, and Music Encoding” on Humanities Commons 7 years, 1 month ago
In this keynote, Kijas explores issues embedded in musicological traditions of canonicity and discusses the need for recovery of underrepresented composers in order to build a more inclusive digital canon.
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Kendra Leonard replied to the topic Petition in the discussion
Prospective Forum: Adaptation Studies on MLA Commons 7 years, 1 month agoI support this petition.
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Kendra Leonard deposited Review: Recomposing the Past: Representations of Early Music on Stage and Screen in the group
MS Screen Arts and Culture on MLA Commons 7 years, 2 months agoReview of James Cook, Alexander Kolassa, and Adam Whittaker, eds.
Recomposing the Past: Representations of Early Music on Stage and
Screen. Ashgate Screen Music Series. New York and London:
Routledge, 2018. xii, 259 pp. ISBN: 9781138287471 (hardback). -
Kendra Leonard deposited Review: Recomposing the Past: Representations of Early Music on Stage and Screen in the group
MS Opera and Musical Performance on MLA Commons 7 years, 2 months agoReview of James Cook, Alexander Kolassa, and Adam Whittaker, eds.
Recomposing the Past: Representations of Early Music on Stage and
Screen. Ashgate Screen Music Series. New York and London:
Routledge, 2018. xii, 259 pp. ISBN: 9781138287471 (hardback). -
Kendra Leonard deposited Review: Recomposing the Past: Representations of Early Music on Stage and Screen on Humanities Commons 7 years, 2 months ago
Review of James Cook, Alexander Kolassa, and Adam Whittaker, eds.
Recomposing the Past: Representations of Early Music on Stage and
Screen. Ashgate Screen Music Series. New York and London:
Routledge, 2018. xii, 259 pp. ISBN: 9781138287471 (hardback). -
Anna Kijas started the topic CFP: Nov. 10 Deadline for ACH 2019 in the discussion
Digital Humanists on Humanities Commons 7 years, 3 months agoThe CFP deadline for the inaugural Association for Computers and the Humanities (ACH) conference (in partnership with Keystone DH) is fast approaching! Please submit your proposals by November 10, 2018. The CFP is also available in Spanish and French.
ACH is the United States-based constituent organization in the Alliance for Digital Humanities…[Read more]
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Kendra Leonard deposited Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927 in the group
Film Studies on Humanities Commons 7 years, 3 months agoBetween 1908 and 1927, when sound film became standard, numerous American publications for both those involved in the film industry and the general public, such as Moving Picture World, Motion Picture News, and Exhibitors Herald, included regular columns by cinema conductors, composers, and arrangers like Samuel Berg, Ernst Luz, and Clarence Sinn…[Read more]
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Kendra Leonard deposited Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927 on Humanities Commons 7 years, 3 months ago
Between 1908 and 1927, when sound film became standard, numerous American publications for both those involved in the film industry and the general public, such as Moving Picture World, Motion Picture News, and Exhibitors Herald, included regular columns by cinema conductors, composers, and arrangers like Samuel Berg, Ernst Luz, and Clarence Sinn…[Read more]
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Kendra Leonard deposited Performing Spiritualism in the Silent Cinema in the group
MS Screen Arts and Culture on MLA Commons 7 years, 3 months agoThe silent film era, usually defined as 1895-1927, coincided with a revival of belief in spiritualism in America. Desperate to find meaning in the deaths of the Great War and the 1918 Spanish Flu epidemic, the bereaved sought contact with the dead and evidence of an afterlife. Given this fascination with spiritualism, it is not surprising that the…[Read more]
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