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Nicholas Rinehart deposited Vernacular Soliloquy, Theatrical Gesture, and Embodied Consciousness in The Marrow of Tradition in the group
LLC African American on MLA Commons 7 years, 8 months agoCharles Chesnutt’s Marrow of Tradition (1901) is overwhelmingly understood as an historical novel. Critics have again and again focused on its journalistic historicity; its ambivalent racial politics; its attitudes towards assimilation, separatism, vengeance, and resistance; and Chesnutt’s alleged biographical identification with various cha…[Read more]
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Nicholas Rinehart deposited Vernacular Soliloquy, Theatrical Gesture, and Embodied Consciousness in The Marrow of Tradition in the group
LLC 20th- and 21st-Century American on MLA Commons 7 years, 8 months agoCharles Chesnutt’s Marrow of Tradition (1901) is overwhelmingly understood as an historical novel. Critics have again and again focused on its journalistic historicity; its ambivalent racial politics; its attitudes towards assimilation, separatism, vengeance, and resistance; and Chesnutt’s alleged biographical identification with various cha…[Read more]
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Nicholas Rinehart deposited Vernacular Soliloquy, Theatrical Gesture, and Embodied Consciousness in The Marrow of Tradition in the group
LLC 19th-Century American on MLA Commons 7 years, 8 months agoCharles Chesnutt’s Marrow of Tradition (1901) is overwhelmingly understood as an historical novel. Critics have again and again focused on its journalistic historicity; its ambivalent racial politics; its attitudes towards assimilation, separatism, vengeance, and resistance; and Chesnutt’s alleged biographical identification with various cha…[Read more]
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James S. Finley deposited “Justice in the Land”: Ecological Protest in Henry David Thoreau’s Antislavery Essays in the group
LLC 19th-Century American on MLA Commons 7 years, 9 months agoThis essay surveys Thoreau’s antislavery writings from across his career and demonstrates the ecological concerns central to Thoreau’s abolitionist commitment.
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Zane Koss deposited Coastal Flows: Situating Vancouver Poetry in the Americas in the group
LLC Canadian on MLA Commons 7 years, 9 months agoIn a 1972 poem about Vancouver Island, Mexican writer José Emilio Pacheco wonders, “Acaso fue el Aztlán de las mexicas / De allí partieron siete tribus.” Though Pacheco spent several years living in Vancouver during the late 1960s and early 1970s—and was published in a 1971 anthology of poetry “From Canada’s Unofficial Languages”—h…[Read more]
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Gloria Lee McMillan deposited New Rhetorical Continuum Chart for Fiction in the group
LLC 20th- and 21st-Century American on MLA Commons 7 years, 9 months agoThis New Rheto rical Continuum Chart for Fiction shows a spectral range between individual (New Critical, structuralist, formalist) approach to group-based (socio-rhetorical) approach to fiction in the 21st Century.
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Gloria Lee McMillan deposited The Stars our Destination in the group
LLC 20th- and 21st-Century American on MLA Commons 7 years, 10 months agoThe Stars our Destination is a story of overcoming anxieties and biases from war, as well as other growing up issues in a steel mill town. Over time, the three main characters gradually converge. Two women have nightmares involving the past and the old Prof. Daniel Blei lives off and on in a flood of troubling recollections. The conclusion will…[Read more]
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Gloria Lee McMillan deposited POEM: Tpbert Frost and Carl Sandburg in the group
LLC 20th- and 21st-Century American on MLA Commons 7 years, 10 months agoA Robert Brownian Dramatic Dialogue
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Octavio Gonzalez deposited Isherwood’s Impersonality: Ascetic Self-Divestiture and Queer Relationality in A Single Man in the group
LLC 20th- and 21st-Century American on MLA Commons 7 years, 10 months agoPart of the Introduction in lieu of an abstract:
Christopher Isherwood’s celebrated novel A Single Man portrays a gay man as an ordinary human being. For its time, the novel’s depiction of homosexuality as a legitimate minoritarian identity, rather than individual pathology, was a radical political gesture. Given this context, literary critics…[Read more] -
Benjamin Fagan deposited Blake and the Black Newspaper in the group
LLC Early American on MLA Commons 7 years, 10 months agoA contribution to a forum on Martin Delany, Blake; Or the Huts of America, ed. Jerome Mcgann.
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Benjamin Fagan deposited Blake and the Black Newspaper in the group
LLC African American on MLA Commons 7 years, 10 months agoA contribution to a forum on Martin Delany, Blake; Or the Huts of America, ed. Jerome Mcgann.
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Benjamin Fagan deposited Blake and the Black Newspaper in the group
LLC 19th-Century American on MLA Commons 7 years, 10 months agoA contribution to a forum on Martin Delany, Blake; Or the Huts of America, ed. Jerome Mcgann.
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Rebecca Jane Stanton started the topic CFP for MLA 2019: The Global Far North: Arctic Literatures in the discussion
Canadian Literature in English on MLA Commons 7 years, 10 months agoThe Global Far North: Arctic Literatures
The Global South has challenged Eurocentric narratives; what of the Global (Extreme) North? Colonial encounters; environmental extremes; imperial and indigenous literatures in the Arctic.
200-word abstract and CV or brief bio to Rebecca Stanton (rjs19@columbia.edu) by March 18.(Sponsored by LLC…[Read more]
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Chandrima Chakraborty deposited Canada’s Troubling Indifference to the Air India Bombing in the group
LLC Canadian on MLA Commons 7 years, 11 months agoWhy has the 1985 Air India Kanishka bombing not claimed a more prominent place in Canadian history and public memory?
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Joydeep Chakraborty deposited Afghanistan in Post-9/11 American Poetry: A Creative Response to Orientalism in the group
LLC 20th- and 21st-Century American on MLA Commons 7 years, 11 months agoOn the basis of the assumption that poetic response to Edward Said’s Orientalism is
rare, this article seeks to read three post-9/11 American poems on Afghanistan – “The Weavers” and
“Burka Women” by Gerald Wheeler, and “Kabul 2002 (From Dislocations)” by Dr. Bronwyn Winter – as a
significant intellectual departure from the standpoint alle…[Read more] -
Zane Koss deposited ‘While the triangle-roofed Farmer’s Grain Elevator / sat quietly by the side of the road’: Site and Simultaneity in Allen Ginsberg’s ‘Wichita Vortex Sutra’ in the group
LLC 20th- and 21st-Century American on Humanities Commons 7 years, 12 months agoRecent scholarship has focused on the flowering of poetry that engaged with geographic and spatial logics in the United States in the years following the Second World War, notably in Lytle Shaw’s 2013 study Fieldworks: From Place to Site in Postwar Poetics. Alongside such works as William Carlos Williams’s Paterson and Charles Olson’s Maxim…[Read more]
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Susanna Margaret Ashton deposited “The Sense of That Crush I feel at Certain Times, Even Now”: Jacob Stroyer and the Defense of Fort Sumter in the group
LLC 19th-Century American on MLA Commons 7 years, 12 months agoIn the summer of 1864, fourteen-year-old Jacob Stroyer was sent to work in Fort Sumter. He did not go willingly. Stroyer was a slave owned by the wealthy Mrs. Matthew R. Singleton and was sent from the large Kensington plantation outside Columbia, SC to labor for the Confederate cause. The Confederate Corps of Engineers called upon slave owners to…[Read more]
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Susanna Margaret Ashton deposited John Boyle O’Reilly and Moondyne (1878) in the group
LLC 19th-Century American on MLA Commons 7 years, 12 months agoArrested for treason against the British Crown and deported to the penal colonies of Australia, the Irish revolutionary John Boyle O’Reilly managed to escape to the United States and within a few years became one of Boston’s most prominent political and literary figures, one of the best known Irish immigrants in the United States and one of the…[Read more]
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Susan Oliver deposited Transatlantic Influences in Periodical Editing: From Francis Jeffrey’s Edinburgh Review to Horace Greeley’s New-York Tribune in the group
LLC 19th-Century American on MLA Commons 8 years agoThis article explores editorial practice in the British and North American periodicals between c.1800 and c.1850. The article uses a Transatlantic studies approach.
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