-
Luís Henriques's profile was updated on Humanities Commons 2 years, 2 months ago
-
Luís Henriques deposited Organ activity in the Church of Santo Antão, Évora, in the 1570s in the group
Music in Évora studies on Humanities Commons 2 years, 3 months agoThe collegiate church of Santo Antão in Évora was one of the most important religious institutions of the city. It was also an important place of musical activity. This text will focus on the organ activity in the Collegiate during the 1570s, following the end of construction and repairs in the church.
-
Luís Henriques deposited Organ activity in the Church of Santo Antão, Évora, in the 1570s on Humanities Commons 2 years, 3 months ago
The collegiate church of Santo Antão in Évora was one of the most important religious institutions of the city. It was also an important place of musical activity. This text will focus on the organ activity in the Collegiate during the 1570s, following the end of construction and repairs in the church.
-
Luís Henriques deposited A visit to the Convent of Calvário in Évora by King Philip III in the group
Music in Évora studies on Humanities Commons 2 years, 3 months agoIn 1619 King Philip III (II of Portugal) made a visit to the city of Évora part of his journey through Portugal. He remained there for several days receiving the Senate members as well as other important institutions of the city such of the Inquisition and the main religious authorities. The King also visited the Jesuit College and other…[Read more]
-
Luís Henriques deposited Francisco Velez, a musician in sixteenth century Évora in the group
Music in Évora studies on Humanities Commons 2 years, 3 months agoFrancisco Velez (fl. 1537-1585) was singer at Évora Cathedral chapel throughout the sixteenth century. He also hold the post of mestre da Claustra at the Cathedral after Mateus d’Aranda left Évora. Not much is known about Velez’s life but his long musical career places him among the most important music masters in Évora during the sixteenth century.
-
Luís Henriques deposited O Livro de Missas da capela de Maria Dias: assegurando musicalmente a salvação na Igreja de S. Pedro de Évora no século XVI in the group
Music in Évora studies on Humanities Commons 2 years, 3 months agoUm dos legados mais detalhados que se se conhecem associados à Igreja de São Pedro de Évora é o testamento feito em 1377 por Maria Dias, camareira da rainha D. Beatriz, instituindo uma capela de missas nessa igreja para salvação da sua alma. No século XVI foi produzido um livro com o cantochão das missas que Maria Dias havia instituído para uso…[Read more]
-
Luís Henriques deposited A visit to the Convent of Calvário in Évora by King Philip III on Humanities Commons 2 years, 3 months ago
In 1619 King Philip III (II of Portugal) made a visit to the city of Évora part of his journey through Portugal. He remained there for several days receiving the Senate members as well as other important institutions of the city such of the Inquisition and the main religious authorities. The King also visited the Jesuit College and other…[Read more]
-
Luís Henriques deposited O Livro de Missas da capela de Maria Dias: assegurando musicalmente a salvação na Igreja de S. Pedro de Évora no século XVI on Humanities Commons 2 years, 3 months ago
Um dos legados mais detalhados que se se conhecem associados à Igreja de São Pedro de Évora é o testamento feito em 1377 por Maria Dias, camareira da rainha D. Beatriz, instituindo uma capela de missas nessa igreja para salvação da sua alma. No século XVI foi produzido um livro com o cantochão das missas que Maria Dias havia instituído para uso…[Read more]
-
Luís Henriques deposited Francisco Velez, a musician in sixteenth century Évora on Humanities Commons 2 years, 3 months ago
Francisco Velez (fl. 1537-1585) was singer at Évora Cathedral chapel throughout the sixteenth century. He also hold the post of mestre da Claustra at the Cathedral after Mateus d’Aranda left Évora. Not much is known about Velez’s life but his long musical career places him among the most important music masters in Évora during the sixteenth century.
-
Kendra Leonard uploaded the file: Teaching Julia Perry's Homunculus C. F. to
Julia Perry Working Group on Humanities Commons 2 years, 4 months agoThis is my book chapter on teaching, as the title says, Perry’s Homunculus C. F. with an emphasis on presenting it in the music theory classroom. It is from Expanding the Canon: Black Composers in the Music Theory Classroom, ed. Melisa Hoag, Routledge. (2022)
Abstract:
Composer Julia Perry (1924-79) is often mentioned in discussions of Black…[Read more] - Load More