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Paulino Capdepon deposited La teoría musical española en la época de Tomás Vicente Tosca [The Spanish musical theory at the time of Tomás Vicente Tosca] in the group
International Musicological Society (IMS) on Humanities Commons 3 years agoIntroductory overview of musical theory and thought in Spain in the 17th and first half of the 18th century.
Panorama introductorio sobre la teoría y el pensamiento musicales de España en el siglo XVII y primera mitad del XVIII. -
Paulino Capdepon deposited La Orquesta Sinfónica de Madrid y los actos conmemorativos del Centenario de Beethoven de Ludwig van Beethoven (1927) [The Madrid Symphony Orchestra and the Ludwig van Beethoven’s Centenary Celebrations (1927)] in the group
International Musicological Society (IMS) on Humanities Commons 3 years agoAnalysis of the participation of the Orquesta Sinfónica de Madrid in the commemorative events of the first centenary of Beethoven’s death (1927)
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Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group
Society for Music Theory (SMT) on Humanities Commons 3 years agoBefore arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group
International Musicological Society (IMS) on Humanities Commons 3 years agoBefore arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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Jonathan Valk deposited Crime and Punishment: Deportation in the Levant in the Age of Assyrian Hegemony in the group
History on Humanities Commons 3 years agoAssyrian imperialism is closely associated with the practice of mass deportation. This practice has been explained by recourse to many different motivations. But can we hope to pinpoint the logic informing deportation rather than merely identifying its advantages? This paper surveys the evidence of deportation in the Levant in the period 745–620 B…[Read more]
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Robert E. Stansfield-Cudworth deposited From Minority to Maturity: The Evolution of Later Lollardy in the group
Religious Studies on Humanities Commons 3 years agoThough English supporters of the Oxford theologian John Wycliffe (d.1384)—known as “Lollards”—had been drawn from academic and noble/gentry circles during the later-fourteenth and early-fifteenth centuries, persecution, equation of heresy with sedition, and the failure of Sir John Oldcastle’s Rebellion (1414) ensured overt abandonment of Lollard i…[Read more]
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Paulino Capdepon deposited Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832) in the group
Society for Music Theory (SMT) on Humanities Commons 3 years agoThis article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.
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Paulino Capdepon deposited Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832) in the group
International Musicological Society (IMS) on Humanities Commons 3 years agoThis article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.
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Joachim Berger deposited Hofordnungen in the group
Religious Studies on Humanities Commons 3 years agoThe article examines regulations for »order« at the princely courts in the Holy Roman Empire in the 16th century and asks how these prescriptive documents sought to establish “good order” at court. Special attention is paid to the theological justifications of order as well as the confessionality and the confessional character of court orders. T…[Read more]
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Carlos A. Pittella deposited ‘We’ the people—Collective lyric self in twenty-first-century poetry in the group
Poetics and Poetry on Humanities Commons 3 years agoQuestions of positionality permeate 21st-century poetics—and seem to come to a head around the intentional inclusion/exclusion of the reader in the speaker’s pronoun of choice, especially when the pronoun in question is “we.” This essay contrasts the fragmented lyric self of modernism with current approaches to a lyric “we” and puts three conte…[Read more]
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Koca Mehmet Kentel deposited YILLIK: Annual of Istanbul Studies 4 (2022) Foreword in the group
History on Humanities Commons 3 years agoThe foreword of YILLIK: Annual of Istanbul Studies 4 (2022)
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Duane Alexander Miller deposited Word Games in Asia Minor in the group
Theology on Humanities Commons 3 years agoThis chapter is part of a book that explores the theology, anthropology and sociology of so-called Insider Movements (IM). In this chapter the author gives an account of his field research in Asia Minor among Muslim-background believers (MBBs). The chapter also explores the original context of Christians in Antakya (Antioch) in the first century,…[Read more]
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Joachim Berger deposited Repräsentationsstrategien deutscher Fürstinnen in der Spätaufklärung in the group
History on Humanities Commons 3 years agoAfter the Seven Years War German petty courts increasingly felt obliged to justify their very existence. Therefor members of the reigning dynasties developped strategies to represent themselves as ›enlightened‹ rulers. Especially for non-reigning princesses, practice and patronage of the fine arts – theatre, music, landscape gardening, liter…[Read more]
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Paul Hagouel deposited 2023_Η Διδασκαλία του Ολοκαυτώματος στο Σχολείο: Ιστορικά Στοιχεία και Γιατί [Teaching the Holocaust in School: Historical Data and the Why _ in Greek with full citations in GRE, ENG, DEU, FRA] in the group
Religious Studies on Humanities Commons 3 years agoTeaching the Holocaust in School. Greek particularities. The Why
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Paul Hagouel deposited 2023_Η Διδασκαλία του Ολοκαυτώματος στο Σχολείο: Ιστορικά Στοιχεία και Γιατί [Teaching the Holocaust in School: Historical Data and the Why _ in Greek with full citations in GRE, ENG, DEU, FRA] in the group
History on Humanities Commons 3 years agoTeaching the Holocaust in School. Greek particularities. The Why
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Reuven Chaim (Rudolph) Klein deposited World Religions and the Noahide Prohibition of Idolatry in the group
Theology on Humanities Commons 3 years agoAlthough the prohibition of avodah zarah (literally, “strange/foreign worship,” but more loosely translated as “idolatry”) is included in both the Torah’s 613 mitzvos for Jews and in the seven Noahide laws, many authorities maintain that the exact parameters of the prohibition differ when applied to Jews versus when applied to non-Jews. There is…[Read more]
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Reuven Chaim (Rudolph) Klein deposited World Religions and the Noahide Prohibition of Idolatry in the group
Religious Studies on Humanities Commons 3 years agoAlthough the prohibition of avodah zarah (literally, “strange/foreign worship,” but more loosely translated as “idolatry”) is included in both the Torah’s 613 mitzvos for Jews and in the seven Noahide laws, many authorities maintain that the exact parameters of the prohibition differ when applied to Jews versus when applied to non-Jews. There is…[Read more]
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Reuven Chaim (Rudolph) Klein deposited World Religions and the Noahide Prohibition of Idolatry in the group
Philosophy of Religion on Humanities Commons 3 years agoAlthough the prohibition of avodah zarah (literally, “strange/foreign worship,” but more loosely translated as “idolatry”) is included in both the Torah’s 613 mitzvos for Jews and in the seven Noahide laws, many authorities maintain that the exact parameters of the prohibition differ when applied to Jews versus when applied to non-Jews. There is…[Read more]
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Reza Rezaie Khanghah deposited Imam Mahdi, Antichrist Or A Promised Saviour Besides Jesus Christ? in the group
Hebrew Bible / Old Testament on Humanities Commons 3 years agoPurpose: In this article, we discussed whether Imam Mahdi is an Antichrist or a Promised Saviour Besides Jesus Christ and other topics. This article attempts to deal with the concepts “Occultation”, “Imamat”, “Mahdaviat”, “Mahdism” and Who is Antichrist that prophesied both in Islam and Christianity. Also, this research was conducted to answer and…[Read more]
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Marika Brown deposited Nature, Literature, Culture: An Introduction to the Environmental Humanities (Winter 2022) and Contract Grading FAQ in the group
Education and Pedagogy on Humanities Commons 3 years agoSyllabus for English 2Z03: Nature, Literature, Culture: An Introduction to the Environmental Humanities at McMaster University in the 2022 winter semester. This course used a form of contract grading, and this document includes the Contract Grading FAQ provided to students ahead of/during the course.
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