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Paulino Capdepon deposited La capilla musical de la Catedral de Segorbe en los siglos XVI y XVII [The chapel music at the Segorbe Cathedral in 16th and 18th centuries] in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 11 months agoThe music chapel of the Cathedral of Segorbe has historically played a primordial role in the history of Spanish music, constituting a focus of musical activity that attracted a numerous group of singers, instrumentalists, organists and chapel masters who formed part of the aforementioned chapel, whose antecedents date back to the mid-13th…[Read more]
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Paulino Capdepon deposited La capilla musical de la Catedral de Segorbe en los siglos XVI y XVII [The chapel music at the Segorbe Cathedral in 16th and 18th centuries] in the group
History on Humanities Commons 2 years, 11 months agoThe music chapel of the Cathedral of Segorbe has historically played a primordial role in the history of Spanish music, constituting a focus of musical activity that attracted a numerous group of singers, instrumentalists, organists and chapel masters who formed part of the aforementioned chapel, whose antecedents date back to the mid-13th…[Read more]
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Bernd Brabec deposited Academic (In)Discipline, Research (In)Sanity and the Conundrum of (Indigenous) Timescapes in the group
Music and Sound on Humanities Commons 2 years, 11 months agoThis contribution focuses on strategies to bridge what in anthropology is called ontological incommensurability: Indigenous worlds often seem inaccessible to modern thought. Instead of trying to open Indigenous worlds to Westerners, I rather intend to make Western worlds accessible to Indigenous thought; and likewise, academic disciplines…[Read more]
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Wladimir Fischer-Nebmaier deposited Der talentierte Señor Vučetić in the group
History on Humanities Commons 2 years, 11 months agoWer kennt heute nicht die kriminalistischen Fingerabdruckmethoden aus Krimi und Nachrichten? Vor 160 Jahren wurde einer ihrer Pioniere in Dalmatien geboren: Ivan Vučetić. Für die Methode bedurfte es zweier Werkzeuge: einer Klassifizierung von Fingerabdrücken und eines praktikablen Suchverfahrens. Die Erfinder beider Werkzeuge stammten aus dem Kai…[Read more]
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Eliseo Ferrer deposited Eliseo Ferrer / Ateísmo y materialismo metodológico. Contra las críticas del catolicismo dogmático universitario. in the group
Biblical Studies on Humanities Commons 2 years, 11 months agoComo ya saben muchos de mis amigos y seguidores de Internet, suelo organizar casi todos los meses un foro-debate en Academia.edu sobre asuntos que normalmente giran en torno a la antropología social y cultural, pero también relativos a asuntos destacados de la historia antigua y de la crítica textual, campos en los que normalmente se de…[Read more]
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Ian Willis deposited Banking was central to Camden’s prosperity in the group
History on Humanities Commons 2 years, 11 months agoIn central Camden is an empty bank building of understated significance at the intersection of John and Argyle Streets. This building was once the premises of Westpace, formerly the Bank of New South Wales, and was the second banking chamber on that site. Constructed in the 1930s by a prominent firm of Sydney architects, the building is of much…[Read more]
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Paulino Capdepon deposited Pauline Viardot García (1821-1910), una compositora en la Europa del siglo XIX (1821-1910) in the group
History on Humanities Commons 2 years, 11 months agoArticle about the composer Pauline Viardot
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Ched Spellman deposited I Wait Upon My God: Exploring the Life and Letters of Michael Sattler in the group
Religious Studies on Humanities Commons 2 years, 11 months agoA theological biography of Michael Sattler and an examination of some of his final written correspondence prior to his execution. Sattler’s biography was particularly influential because of its unique circulation and historical reception.
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Brad Osborn deposited Triangulating Timbre in Sigur Rós’s Iceland in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoOsborn, Brad and D.K. Blake. 2019. “Triangulating Timbre in Sigur Rós’s Iceland.” In *Sounds Icelandic*, edited by Thorbjörg Daphne Hall, N. Dibben, Á.H. Ingólfsson, and T. Mitchell. Equinox Press, 208–219.
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Elton Barker deposited BMCR review of Greta Hawes, Pausanias in the world of Greek myth. Oxford; New York: Oxford University Press, 2021. Pp. xii, 237. ISBN 9780198832553 in the group
History on Humanities Commons 2 years, 11 months agoRecent scholarship has done much to challenge the long-held antipathy towards Pausanias, even if some of the best studies appear “enamored not so much of Pausanias himself as they are of the idea of Pausanias”. As one of the leading new Pausaniacs, Greta Hawes has been at the vanguard of efforts to get the measure of this storied landscape. Her…[Read more]
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Ian Willis deposited Jeff McGill, Rachel: Brumby hunter, medicine woman, bushrangers’ ally and troublemaker for good … the remarkable pioneering life of Rachel Kennedy, Allen & Unwin, Sydney, 2022, 324 pp, ISBN 9781760879983. in the group
History on Humanities Commons 2 years, 11 months agoThis is a thoroughly researched and readable book that provides a glimpse of life in western New South Wales during the late 19th and early 20th centuries through the eyes of a woman, Rachel Kennedy (1845-1930). The book is a wonderful contribution to female biography and regional community history, and illustrates the precarity of life for women…[Read more]
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Elizabeth B. Davis deposited Iglesia, mar y Casa Real: Imaginario de la odisea en la épica del Siglo de Oro in the group
Poetics and Poetry on Humanities Commons 2 years, 11 months agoIn this book chapter, Dr. Davis examines the depiction of a dissimulated desire for material improvement (mejora) as it is expressed in the epic poetry of imperial Spain, particularly in Alonso de Ercilla’s La Araucana. She shows that within the aristocratic context of the times, the desire for personal betterment or “mejora” is always contingent…[Read more]
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Elizabeth B. Davis deposited La promesa del náufrago: el motivo marinero del ex-voto, de Garcilaso a Quevedo in the group
Poetics and Poetry on Humanities Commons 2 years, 11 months agoThe nautical motif of the ex-voto (votive offering) is a lyric genre that reflects poetically the possible experience of a shipwreck survivor. Paradoxically, many of the poets who evoke the perils of sea travel never left Spain or, at most, sailed only the waters of the Mediterranean. Their writing of the sea remained consistently codified in…[Read more]
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Paulino Capdepon deposited El “Año Beethoven” (1927): la Orquesta Filarmónica de Madrid y Bartolomé Pérez Casas [The Beethoven Year (1927): The Madrid Philarmonic Orchestra and Bartolomé Pérez Casas] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe celebration of the “Beethoven Year” in Madrid in 1927 resulted in a whole series of celebrations of all kinds that extended throughout that emblematic year to honour the German composer. This resulted in the public performance of numerous concerts by Madrid’s leading orchestral and choral groups, including the Orquesta Filarmónica de Madrid,…[Read more]
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Paulino Capdepon deposited El “Año Beethoven” (1927): la Orquesta Filarmónica de Madrid y Bartolomé Pérez Casas [The Beethoven Year (1927): The Madrid Philarmonic Orchestra and Bartolomé Pérez Casas] in the group
Music and Sound on Humanities Commons 2 years, 11 months agoThe celebration of the “Beethoven Year” in Madrid in 1927 resulted in a whole series of celebrations of all kinds that extended throughout that emblematic year to honour the German composer. This resulted in the public performance of numerous concerts by Madrid’s leading orchestral and choral groups, including the Orquesta Filarmónica de Madrid,…[Read more]
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Paulino Capdepon deposited El “Año Beethoven” (1927): la Orquesta Filarmónica de Madrid y Bartolomé Pérez Casas [The Beethoven Year (1927): The Madrid Philarmonic Orchestra and Bartolomé Pérez Casas] in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 11 months agoThe celebration of the “Beethoven Year” in Madrid in 1927 resulted in a whole series of celebrations of all kinds that extended throughout that emblematic year to honour the German composer. This resulted in the public performance of numerous concerts by Madrid’s leading orchestral and choral groups, including the Orquesta Filarmónica de Madrid,…[Read more]
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Paulino Capdepon deposited Historia de la música y Edad Moderna: estado de la cuestión [Music History and Modern Age: State of the art] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThis article focuses on the study of the different musical periods that make up the Modern Age in Europe, taking into account from a critical point of view the current state of the art in bibliography. Each period is previously defined according to the chronological problem and according to its technical, aesthetic and stylistic characteristics.
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Paulino Capdepon deposited Historia de la música y Edad Moderna: estado de la cuestión [Music History and Modern Age: State of the art] in the group
Music and Sound on Humanities Commons 2 years, 11 months agoThis article focuses on the study of the different musical periods that make up the Modern Age in Europe, taking into account from a critical point of view the current state of the art in bibliography. Each period is previously defined according to the chronological problem and according to its technical, aesthetic and stylistic characteristics.
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Paulino Capdepon deposited Historia de la música y Edad Moderna: estado de la cuestión [Music History and Modern Age: State of the art] in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 11 months agoThis article focuses on the study of the different musical periods that make up the Modern Age in Europe, taking into account from a critical point of view the current state of the art in bibliography. Each period is previously defined according to the chronological problem and according to its technical, aesthetic and stylistic characteristics.
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Martin Boehnert deposited Methodologische Signaturen : Ein philosophischer Versuch zur Systematisierung der empirischen Erforschung des Geistes von Tieren in the group
Philosophy on Humanities Commons 2 years, 11 months agoHow do we know if animals can think? In extension of the previous debate on human-animal relations, this book analyzes the conditions and contexts of the scientific acquisition of our knowledge of animals. The current discussions within animal philosophy revolve around the three central questions of whether we can attribute a mind to animals, what…[Read more]
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