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Wladimir Fischer-Nebmaier deposited Der talentierte Señor Vučetić in the group
Global & Transnational Studies on Humanities Commons 2 years, 10 months agoWer kennt heute nicht die kriminalistischen Fingerabdruckmethoden aus Krimi und Nachrichten? Vor 160 Jahren wurde einer ihrer Pioniere in Dalmatien geboren: Ivan Vučetić. Für die Methode bedurfte es zweier Werkzeuge: einer Klassifizierung von Fingerabdrücken und eines praktikablen Suchverfahrens. Die Erfinder beider Werkzeuge stammten aus dem Kai…[Read more]
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Joshua Banks Mailman started the topic Computer-Assisted Composition: Perspectives on human–machine interaction in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 2 years, 11 months agoFolks in this forum might be interested in the published videos from this recent symposium on
Computer — Assisted Composition Perspectives on human–machine interaction (organized by Laura Zattra, Giacomo Albert, and Gianmario Borio…[Read more]
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Brad Osborn deposited Triangulating Timbre in Sigur Rós’s Iceland in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoOsborn, Brad and D.K. Blake. 2019. “Triangulating Timbre in Sigur Rós’s Iceland.” In *Sounds Icelandic*, edited by Thorbjörg Daphne Hall, N. Dibben, Á.H. Ingólfsson, and T. Mitchell. Equinox Press, 208–219.
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Paulino Capdepon deposited El “Año Beethoven” (1927): la Orquesta Filarmónica de Madrid y Bartolomé Pérez Casas [The Beethoven Year (1927): The Madrid Philarmonic Orchestra and Bartolomé Pérez Casas] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe celebration of the “Beethoven Year” in Madrid in 1927 resulted in a whole series of celebrations of all kinds that extended throughout that emblematic year to honour the German composer. This resulted in the public performance of numerous concerts by Madrid’s leading orchestral and choral groups, including the Orquesta Filarmónica de Madrid,…[Read more]
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Paulino Capdepon deposited El “Año Beethoven” (1927): la Orquesta Filarmónica de Madrid y Bartolomé Pérez Casas [The Beethoven Year (1927): The Madrid Philarmonic Orchestra and Bartolomé Pérez Casas] in the group
Music and Sound on Humanities Commons 2 years, 11 months agoThe celebration of the “Beethoven Year” in Madrid in 1927 resulted in a whole series of celebrations of all kinds that extended throughout that emblematic year to honour the German composer. This resulted in the public performance of numerous concerts by Madrid’s leading orchestral and choral groups, including the Orquesta Filarmónica de Madrid,…[Read more]
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Paulino Capdepon deposited El “Año Beethoven” (1927): la Orquesta Filarmónica de Madrid y Bartolomé Pérez Casas [The Beethoven Year (1927): The Madrid Philarmonic Orchestra and Bartolomé Pérez Casas] in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 11 months agoThe celebration of the “Beethoven Year” in Madrid in 1927 resulted in a whole series of celebrations of all kinds that extended throughout that emblematic year to honour the German composer. This resulted in the public performance of numerous concerts by Madrid’s leading orchestral and choral groups, including the Orquesta Filarmónica de Madrid,…[Read more]
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Paulino Capdepon deposited Historia de la música y Edad Moderna: estado de la cuestión [Music History and Modern Age: State of the art] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThis article focuses on the study of the different musical periods that make up the Modern Age in Europe, taking into account from a critical point of view the current state of the art in bibliography. Each period is previously defined according to the chronological problem and according to its technical, aesthetic and stylistic characteristics.
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Paulino Capdepon deposited Historia de la música y Edad Moderna: estado de la cuestión [Music History and Modern Age: State of the art] in the group
Music and Sound on Humanities Commons 2 years, 11 months agoThis article focuses on the study of the different musical periods that make up the Modern Age in Europe, taking into account from a critical point of view the current state of the art in bibliography. Each period is previously defined according to the chronological problem and according to its technical, aesthetic and stylistic characteristics.
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Paulino Capdepon deposited Historia de la música y Edad Moderna: estado de la cuestión [Music History and Modern Age: State of the art] in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 11 months agoThis article focuses on the study of the different musical periods that make up the Modern Age in Europe, taking into account from a critical point of view the current state of the art in bibliography. Each period is previously defined according to the chronological problem and according to its technical, aesthetic and stylistic characteristics.
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Paulino Capdepon deposited Josquin Des Prez: Un legado culminante del Renacimiento in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe biographical trajectory of the Franco-Flemish composer Josquin des Prez can be described as exciting and his musical contribution as transcendent in an era of sublime creativity that coincided with the artistic and intellectual rediscovery of the values of classical Greco-Latin antiquity. A contemporary of Leonardo da Vinci and Michelangelo,…[Read more]
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Paulino Capdepon deposited Josquin Des Prez: Un legado culminante del Renacimiento in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 11 months agoThe biographical trajectory of the Franco-Flemish composer Josquin des Prez can be described as exciting and his musical contribution as transcendent in an era of sublime creativity that coincided with the artistic and intellectual rediscovery of the values of classical Greco-Latin antiquity. A contemporary of Leonardo da Vinci and Michelangelo,…[Read more]
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Paulino Capdepon deposited Domenico Scarlatti, in Diccionario Biográfico Electrónico in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoArticle about the biography and musical output of the Italian composer Doomenico Scarlatti
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Paulino Capdepon deposited Domenico Scarlatti, in Diccionario Biográfico Electrónico in the group
Music and Sound on Humanities Commons 2 years, 11 months agoArticle about the biography and musical output of the Italian composer Doomenico Scarlatti
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Paulino Capdepon deposited Domenico Scarlatti, in Diccionario Biográfico Electrónico in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 11 months agoArticle about the biography and musical output of the Italian composer Doomenico Scarlatti
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Paulino Capdepon deposited Nuevos datos en torno al Compositor leridano José Cortasa Rives († 1796) [New information about the composer José Cortasa Rives († 1796)] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoStudy on the personal and artistic career of the master from Lleida, José Cortasa Rives, chapel master of the Collegiate Church of Santa María la Mayor de Talaveta de la Reina.
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Paulino Capdepon deposited Nuevos datos en torno al Compositor leridano José Cortasa Rives († 1796) [New information about the composer José Cortasa Rives († 1796)] in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 11 months agoStudy on the personal and artistic career of the master from Lleida, José Cortasa Rives, chapel master of the Collegiate Church of Santa María la Mayor de Talaveta de la Reina.
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Paulino Capdepon deposited La música en la Real Capilla de Madrid (Siglo XVIII) in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe importance of this publication lies in the recovery and study of a musical heritage of extraordinary quality: unpublished musical works by the masters of the Royal Chapel of Madrid, the most important centre in Spain at the time, which until now had slept the sleep of oblivion. In addition to the musical transcriptions, this contribution is…[Read more]
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Paulino Capdepon deposited La música en la Real Capilla de Madrid (Siglo XVIII) in the group
Music and Sound on Humanities Commons 2 years, 11 months agoThe importance of this publication lies in the recovery and study of a musical heritage of extraordinary quality: unpublished musical works by the masters of the Royal Chapel of Madrid, the most important centre in Spain at the time, which until now had slept the sleep of oblivion. In addition to the musical transcriptions, this contribution is…[Read more]
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Paulino Capdepon deposited La música en la Real Capilla de Madrid (Siglo XVIII) in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 11 months agoThe importance of this publication lies in the recovery and study of a musical heritage of extraordinary quality: unpublished musical works by the masters of the Royal Chapel of Madrid, the most important centre in Spain at the time, which until now had slept the sleep of oblivion. In addition to the musical transcriptions, this contribution is…[Read more]
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Paulino Capdepon deposited La música en la Catedral de Segorbe (Siglo XVIII) [Music at the Segorbe Cathedral in 18th century] in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 11 months agoThis is the first monographic work to be published on one of the most important musical centres and chapels in the Valencian Community: the cathedral of Segorbe, which until now had not been researched. Thanks to the work carried out in the archives of the cathedral on the chapter minutes, factory books and other unpublished documentation, it has…[Read more]
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