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Karsten Schubert deposited Biopolitics of COVID-19: Capitalist Continuities and Democratic Openings in the group
Global & Transnational Studies on Humanities Commons 4 years ago“Biopolitics” has become a popular concept for interpreting the COVID-19 pandemic, yet the term is often used vaguely, as a buzzword, and therefore loses its specificity and relevance. This article systematically explains what the biopolitical lens offers for analyzing and normatively criticizing the politics of the coronavirus. I argue that…[Read more]
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Zachary Kendal deposited Science Fiction’s Ethical Modes: Totality and Infinity in Isaac Asimov’s Foundation Trilogy and Yevgeny Zamyatin’s Мы (We) in the group
Utopian Studies on Humanities Commons 4 years agoThis chapter asks whether science fiction (SF) has a predisposition to a particular ethical orientation. Rather than seek a single answer to this question of SF’s ethics, Kendal examines two classic SF texts and the traditions they represent: Isaac Asimov’s Foundation trilogy (1951–1953), one of the most iconic series of SF’s American “golden…[Read more]
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J. Michele Edwards uploaded the file: Perry, Julia from IDBC ed Floyd to
Julia Perry Working Group on Humanities Commons 4 years agoJ. Michele Edwards, “Perry, Julia Amanda.” [Essay] in International Dictionary of Black Composers, ed. Samuel A. Floyd, Jr., pp. 914-22. Chicago and London: Fitzroy Dearborn Publishers, 1999.
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Meg Wilhoite commented on the doc Analysis of Stabat Mater in the group
Julia Perry Working Group on Humanities Commons 4 years agoI just sent it! Great, yes looking forward to reading your paper!
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Kendra Leonard commented on the doc Analysis of Stabat Mater in the group
Julia Perry Working Group on Humanities Commons 4 years agoOh, I’d love that paper! Can you email it to me? kendraleonard at pm dot me And I’ll send you the conference paper when I have a draft–I’d love to have your take on it if you have time.
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Meg Wilhoite commented on the doc Analysis of Stabat Mater in the group
Julia Perry Working Group on Humanities Commons 4 years agoI’m glad my very rough notes are helpful, Kendra! I’ve only just begun to scratch the surface of the non-Second-Viennese-School-focused analytical serialist literature; I decided to start by searching for analyses of Dallapiccola’s work. Jacqueline Ravensburgen wrote an interesting analytical thesis on Dallapiccola for the University of Ottawa in…[Read more]
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Kendra Leonard commented on the doc Analysis of Stabat Mater in the group
Julia Perry Working Group on Humanities Commons 4 years agoMeg, this is really helpful. I’m working on a conference paper on Perry’s The Selfish Giant, and there a lot of it is sprechgesang in the vocal parts and either a drone or a repeated figure in the orchestra. In one section I’m grappling with, she uses a (026) figure with interpolations and then reduces it to just an (02) set. What’s the accepted…[Read more]
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David Neumeyer deposited Text and Music in Two Songs by Charles K. Harris in the group
Society for Music Theory (SMT) on Humanities Commons 4 years agoIn 2021, SMT-V, an online journal of the Society for Music Theory, published a video essay by Michael Buchler, Professor of Music in the College of Music, Florida State University. It’s titled “I Don’t Care if I Never Get Back: Optimism and Ascent in ‘Take Me Out to the Ball Game’.” In this essay I examine similar songs from the era: Charles K. Ha…[Read more]
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Judd Danby replied to the topic Font for Indexing Chords in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 4 years agoI found a commercially available font that encloses letters and/or digits inside shapes, Typodermic Fonts’ Numbers with Rings. I share a link here in case any other members are looking for such a resource.
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Kendra Leonard uploaded the file: Perry–Ye Who Seek the Truth to
Julia Perry Working Group on Humanities Commons 4 years agoCleaner copy
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Stacy Fahrenthold deposited Ladies Aid as Labor History: Working-Class Formation in the Mahjar in the group
Global & Transnational Studies on Humanities Commons 4 years agoIn the Arabic-speaking mahjar (diaspora), the plight of the working poor was the focus of women’s philanthropy. Scholarship on welfare relief in the interwar Syrian, Lebanese, and Palestinian diaspora currently situates it within a gendered politics of benevolence. This article reconsiders that frame and argues for a class-centered reassessment o…[Read more]
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Behnam M. Fomeshi deposited Persian Huck: On the Reception of Huckleberry Finn in Iran in the group
Global & Transnational Studies on Humanities Commons 4 years agoFirst translated into Persian in 1949, Mark Twain’s Adventures of Huckleberry Finn is among the most popular works of American fiction in Iran. Although the anti-US policy of the post-1979 political system has tried to erase the manifestations of the previous period’s American influence, Iranian interest in Huckleberry Finn has been inc…[Read more]
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Behnam M. Fomeshi deposited همه چیز در خدمت شعر نو: خوانش نیما یوشیج از پدر شعر آزاد امریکا in the group
Global & Transnational Studies on Humanities Commons 4 years agoنوگرایی شعری در کشورهای مختلف با پذیرش والت ویتمن، پدر شعر آزاد امریکا همراه بودهاست. روندی مشابه در شعر فارسی نیز مشاهده میشود. آشنایی فارسیزبانان با ویتمن به زمانی برمیگردد که شعر فارسی در آستانة تحول بود. نخست یوسف اعتصامالملک در سال ۱۳۰۱ بخش کوتاهی از شعر ویتمن را ترجمه و در مجلة بهار منتشر کرد. بعدها پروین اعتصامی در شعر «جولای خ…[Read more]
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Lodewijk Muns deposited Who’s ‘I’ in Music?: Unmasking the Musical Persona in the group
Society for Music Theory (SMT) on Humanities Commons 4 years, 1 month agoAccording to conventional literary theory, when we interpret the text of a poem or work of fiction as a condensed or represented speech act, this implies a hypothetical speaker. The speaker may be a well-defined narrator who may also be a participant in the action. Often, however, the text offers few or no clues as to who is ‘speaking’. In suc…[Read more]
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Kendra Leonard uploaded the file: Serenity for Oboe or Clarinet in Bb to
Julia Perry Working Group on Humanities Commons 4 years, 1 month agoEngraved editions, apparatus, and ms score for Serenity, a work for oboe or clarinet in Bb.
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Kendra Leonard uploaded the file: Two Easy Piano Pieces to
Julia Perry Working Group on Humanities Commons 4 years, 1 month agoEngraved editions of “Popping Popcorn” and “Spreading Peanut Butter;” original mss also included following each piece.
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John Aerni-Flessner deposited Bargaining with Land: Borders, Bantustans, and Sovereignty in 1970s and 1980s Southern Africa in the group
Global & Transnational Studies on Humanities Commons 4 years, 1 month ago‘Independence’ for bantustans was universally rejected by the international community in
the late 1970s and early 1980s. How the status of Lesotho and Swaziland as
internationally recognised states deeply embedded in South Africa’s economic and
political orbit differed from that of the bantustans was clear in some cases, murky in
others. The a…[Read more] -
Channan Willner posted an update in the group
Society for Music Theory (SMT) on Humanities Commons 4 years, 1 month agoDear colleagues,
I have just added a paper entitled “On Parsing Mozart, 1782-84,” to the Online Publications on my website at .Taking as its point of departure Edward Lowinsky’s landmark “On Mozart’s Rhythm” (1956), the article revisits Mozart’s C minor Serenade, K. 388 (in its string quintet version, K. 406),from the fluid perspective of…[Read more]
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Kendra Leonard replied to the topic Rights in the discussion
Julia Perry Working Group on Humanities Commons 4 years, 1 month agoThanks, Jon. I am not very hopeful about finding a legal heir for Perry at this point.
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Jon Silpayamanant replied to the topic Rights in the discussion
Julia Perry Working Group on Humanities Commons 4 years, 1 month agoI’ve come across one reference to an alternate spelling that gets a few web hits: “Lucie Perry Bigby” is in the collected papers of Helen Walker Hill (pg. 112), an entry in the Copyright Encyclopedia, and an OCR text from a 1954 newspaper. I’ve been trying other spelling combinations (e.g. “Lucy,” “Bigbee,” etc.) but not having much luck.
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