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Oscar Perea-Rodriguez deposited El manuscrito del ‘Cancionero de Baena’ (PN1): Descripción codicológica y evolución histórica in the group
Textual Scholarship on Humanities Commons 7 years, 1 month agoThe present article attempts to establish as accurately as possible the chronological trajectory of the unique codex of the Cancionero de Baena (PN1 in the Dutton nomenclature). It begins with a detailed examination of the codicological aspects of the manuscript, which serve to date its origin to around 1465. This origin, combined with the…[Read more]
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Oscar Perea-Rodriguez deposited El manuscrito del ‘Cancionero de Baena’ (PN1): Descripción codicológica y evolución histórica in the group
Poetics and Poetry on Humanities Commons 7 years, 1 month agoThe present article attempts to establish as accurately as possible the chronological trajectory of the unique codex of the Cancionero de Baena (PN1 in the Dutton nomenclature). It begins with a detailed examination of the codicological aspects of the manuscript, which serve to date its origin to around 1465. This origin, combined with the…[Read more]
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Oscar Perea-Rodriguez deposited El manuscrito del ‘Cancionero de Baena’ (PN1): Descripción codicológica y evolución histórica in the group
Medieval Studies on Humanities Commons 7 years, 1 month agoThe present article attempts to establish as accurately as possible the chronological trajectory of the unique codex of the Cancionero de Baena (PN1 in the Dutton nomenclature). It begins with a detailed examination of the codicological aspects of the manuscript, which serve to date its origin to around 1465. This origin, combined with the…[Read more]
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Oscar Perea-Rodriguez deposited El manuscrito del ‘Cancionero de Baena’ (PN1): Descripción codicológica y evolución histórica in the group
Digital Humanists on Humanities Commons 7 years, 1 month agoThe present article attempts to establish as accurately as possible the chronological trajectory of the unique codex of the Cancionero de Baena (PN1 in the Dutton nomenclature). It begins with a detailed examination of the codicological aspects of the manuscript, which serve to date its origin to around 1465. This origin, combined with the…[Read more]
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Oscar Perea-Rodriguez deposited El manuscrito del ‘Cancionero de Baena’ (PN1): Descripción codicológica y evolución histórica in the group
Cultural Studies on Humanities Commons 7 years, 1 month agoThe present article attempts to establish as accurately as possible the chronological trajectory of the unique codex of the Cancionero de Baena (PN1 in the Dutton nomenclature). It begins with a detailed examination of the codicological aspects of the manuscript, which serve to date its origin to around 1465. This origin, combined with the…[Read more]
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Oscar Perea-Rodriguez deposited El manuscrito del ‘Cancionero de Baena’ (PN1): Descripción codicológica y evolución histórica on Humanities Commons 7 years, 1 month ago
The present article attempts to establish as accurately as possible the chronological trajectory of the unique codex of the Cancionero de Baena (PN1 in the Dutton nomenclature). It begins with a detailed examination of the codicological aspects of the manuscript, which serve to date its origin to around 1465. This origin, combined with the…[Read more]
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Oscar Perea-Rodriguez deposited Anglofilia y anglofobia en la Castilla medieval: Thomas Becket y el duque de Lancáster en la arenga de Juan I de Trastámara ante las Cortes de Segovia (1386) in the group
Textual Scholarship on Humanities Commons 7 years, 2 months agoSe suele señalar a 1385 como uno de los momentos de mayor incertidumbre política, social y económica no solo del medievo peninsular, sino prácticamente de toda la historia de España. En aquella precisa fecha, al factor estructural de lo que se ha venido en llamar la crisis del modelo de producción feudal, se le añadió un factor coyuntural bien co…[Read more]
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Oscar Perea-Rodriguez deposited Anglofilia y anglofobia en la Castilla medieval: Thomas Becket y el duque de Lancáster en la arenga de Juan I de Trastámara ante las Cortes de Segovia (1386) in the group
Medieval Studies on Humanities Commons 7 years, 2 months agoSe suele señalar a 1385 como uno de los momentos de mayor incertidumbre política, social y económica no solo del medievo peninsular, sino prácticamente de toda la historia de España. En aquella precisa fecha, al factor estructural de lo que se ha venido en llamar la crisis del modelo de producción feudal, se le añadió un factor coyuntural bien co…[Read more]
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Oscar Perea-Rodriguez deposited Anglofilia y anglofobia en la Castilla medieval: Thomas Becket y el duque de Lancáster en la arenga de Juan I de Trastámara ante las Cortes de Segovia (1386) in the group
Late Medieval History on Humanities Commons 7 years, 2 months agoSe suele señalar a 1385 como uno de los momentos de mayor incertidumbre política, social y económica no solo del medievo peninsular, sino prácticamente de toda la historia de España. En aquella precisa fecha, al factor estructural de lo que se ha venido en llamar la crisis del modelo de producción feudal, se le añadió un factor coyuntural bien co…[Read more]
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Oscar Perea-Rodriguez deposited Anglofilia y anglofobia en la Castilla medieval: Thomas Becket y el duque de Lancáster en la arenga de Juan I de Trastámara ante las Cortes de Segovia (1386) in the group
History on Humanities Commons 7 years, 2 months agoSe suele señalar a 1385 como uno de los momentos de mayor incertidumbre política, social y económica no solo del medievo peninsular, sino prácticamente de toda la historia de España. En aquella precisa fecha, al factor estructural de lo que se ha venido en llamar la crisis del modelo de producción feudal, se le añadió un factor coyuntural bien co…[Read more]
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Oscar Perea-Rodriguez deposited Anglofilia y anglofobia en la Castilla medieval: Thomas Becket y el duque de Lancáster en la arenga de Juan I de Trastámara ante las Cortes de Segovia (1386) in the group
Cultural Studies on Humanities Commons 7 years, 2 months agoSe suele señalar a 1385 como uno de los momentos de mayor incertidumbre política, social y económica no solo del medievo peninsular, sino prácticamente de toda la historia de España. En aquella precisa fecha, al factor estructural de lo que se ha venido en llamar la crisis del modelo de producción feudal, se le añadió un factor coyuntural bien co…[Read more]
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Oscar Perea-Rodriguez deposited Anglofilia y anglofobia en la Castilla medieval: Thomas Becket y el duque de Lancáster en la arenga de Juan I de Trastámara ante las Cortes de Segovia (1386) on Humanities Commons 7 years, 2 months ago
Se suele señalar a 1385 como uno de los momentos de mayor incertidumbre política, social y económica no solo del medievo peninsular, sino prácticamente de toda la historia de España. En aquella precisa fecha, al factor estructural de lo que se ha venido en llamar la crisis del modelo de producción feudal, se le añadió un factor coyuntural bien co…[Read more]
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Oscar Perea-Rodriguez's profile was updated on Humanities Commons 7 years, 2 months ago
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Oriol Miró Martí's profile was updated on Humanities Commons 7 years, 3 months ago
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Oriol Miró Martí's profile was updated on Humanities Commons 7 years, 3 months ago
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Oscar Perea-Rodriguez deposited “«Este rastro de confeso»: Converso Poets and Topics in Medieval and Early Modern Spanish Cancioneros.” in the group
Poetics and Poetry on Humanities Commons 7 years, 3 months agoAbout four decades ago, the two modern editions of the Cancionero de obras de burlas (19OB),2 of Domínguez (1978) and Jauralde Pou-Bellón
Cazabán (1974), finnally condemned to its deserved obscurity Usoz y Río’s 1841 edition. Even though both his edition and his library on spiritual
topics have an evident archaeological interest (Vilar), the q…[Read more] -
Oscar Perea-Rodriguez deposited “«Este rastro de confeso»: Converso Poets and Topics in Medieval and Early Modern Spanish Cancioneros.” in the group
Medieval Studies on Humanities Commons 7 years, 3 months agoAbout four decades ago, the two modern editions of the Cancionero de obras de burlas (19OB),2 of Domínguez (1978) and Jauralde Pou-Bellón
Cazabán (1974), finnally condemned to its deserved obscurity Usoz y Río’s 1841 edition. Even though both his edition and his library on spiritual
topics have an evident archaeological interest (Vilar), the q…[Read more] -
Oscar Perea-Rodriguez deposited “«Este rastro de confeso»: Converso Poets and Topics in Medieval and Early Modern Spanish Cancioneros.” in the group
Inquisition on Humanities Commons 7 years, 3 months agoAbout four decades ago, the two modern editions of the Cancionero de obras de burlas (19OB),2 of Domínguez (1978) and Jauralde Pou-Bellón
Cazabán (1974), finnally condemned to its deserved obscurity Usoz y Río’s 1841 edition. Even though both his edition and his library on spiritual
topics have an evident archaeological interest (Vilar), the q…[Read more] -
Oscar Perea-Rodriguez deposited “«Este rastro de confeso»: Converso Poets and Topics in Medieval and Early Modern Spanish Cancioneros.” in the group
History on Humanities Commons 7 years, 3 months agoAbout four decades ago, the two modern editions of the Cancionero de obras de burlas (19OB),2 of Domínguez (1978) and Jauralde Pou-Bellón
Cazabán (1974), finnally condemned to its deserved obscurity Usoz y Río’s 1841 edition. Even though both his edition and his library on spiritual
topics have an evident archaeological interest (Vilar), the q…[Read more] -
Oscar Perea-Rodriguez deposited “«Este rastro de confeso»: Converso Poets and Topics in Medieval and Early Modern Spanish Cancioneros.” in the group
Cultural Studies on Humanities Commons 7 years, 3 months agoAbout four decades ago, the two modern editions of the Cancionero de obras de burlas (19OB),2 of Domínguez (1978) and Jauralde Pou-Bellón
Cazabán (1974), finnally condemned to its deserved obscurity Usoz y Río’s 1841 edition. Even though both his edition and his library on spiritual
topics have an evident archaeological interest (Vilar), the q…[Read more] - Load More
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