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Paulino Capdepon deposited La música en la Real Capilla de Madrid (Siglo XVIII) in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe importance of this publication lies in the recovery and study of a musical heritage of extraordinary quality: unpublished musical works by the masters of the Royal Chapel of Madrid, the most important centre in Spain at the time, which until now had slept the sleep of oblivion. In addition to the musical transcriptions, this contribution is…[Read more]
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Paulino Capdepon deposited Articles ‘Carreño, Teresa’, ‘Colbrán, Isabella’ y ‘Viardot Garcia, Pauline’, in Lexikon Musik und Gender in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoDictionary articles in Lexicon about women musicians
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Paulino Capdepon deposited La música en Irún en el siglo XIX: La capilla de música de la Iglesia parroquial de Santa María del Junca in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThis book was the result of the Prize ‘X Premio-Beca Serapio Múgica’, awarded in 2008 on a competitive basis by the City Council of Irún to develop the research project ‘La música en Irún en el siglo XIX: La capilla de música de la Iglesia de Santa María del Juncal’ (Music in Irún in the 19th century: The music chapel of the Church of Santa María…[Read more]
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Patrick Eisenlohr deposited Atmospheric resonance: Sonic motion and the question of religious mediation in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoBecause of its material characteristics, the sonic poses a challenge to the influential paradigm of religion as mediation. This article makes a case for a neo-phenomenological analytic of atmospheres in order to do justice to the sonic in anthropological approaches to religion. Approaching the sonic as atmospheric half-things, I propose a…[Read more]
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Paulino Capdepon deposited Anton Bruckner y Constantin Floros in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoResearch about Bruckner and the relation of Greek-German musicologist Constanton Floros and Anton Bruckner
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Paulino Capdepon deposited Constantin Floros y Gustav Mahler in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoChapter about the relation of Greek-german musicologist Constantn Floros and his output about Austrian composer Gustav Mahler
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Paulino Capdepon deposited “Antonio Soler Ramos”. In Diccionario Biográfico Electrónico in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoDictionary Article about the 18th century Spanish composer Antonio Soler (1729-1783), chapel master of Escorial Monastery in Madrid
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Paulino Capdepon deposited “Antonio Soler”. In Oxford Bibliographies of Music, Oxford-New York: Oxford University Press, 2017 in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoCritical study about the musical bibliography of Antonio Soler
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Paulino Capdepon deposited La capilla de música del monasterio de las Descalzas Reales de Madrid [The chapel music at the Descalzas Monastery in Madrid] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoJournal article about the organization of the music chapel at the royal monastery Descalzas in Madrid during the 18th century
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Paulino Capdepon deposited Vibrationen, die die Ankunft Mozart ankündigen. Mozartrezeption im Spanien des 18. Jahrhunders in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoResearch about the first reception of Mozart’s music in 18th century Spain
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Paulino Capdepon deposited L’activité d’Aristide Cavaillé-Coll dans le nord d’Espagne : L’orgue Cavaillé-Coll de l’église paroissiale d’Irun in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoStudy about the construction of organs in North Spain by Cavaillé-Coll (19th century)
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Paulino Capdepon deposited La capilla de música de la Catedral de Segorbe en el siglo XVII [The chapel music at the Segorbe Cathedral in 18th century] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoTogether with the cathedrals of Valencia and Orihuela and the Seminary of Corpus Christi in Valencia, the Cathedral of Segorbe is one of the main musical centres of the Valencian Community. This article is an introduction to the origin of the diocese, its difficulties in establishing itself and, finally, its administrative structure and the main…[Read more]
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Paulino Capdepon deposited La Música en la época de Alfonso X el Sabio: las Cantigas de Santa María [Music in the time of Alfonso X: The Cantigas de Santa María] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoStudiy about the role of music at the court of Alfonso X
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Mikkel Vad started the topic CFP: Teaching Popular Music Studies in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 2 years, 11 months agoHi all,
Please consider submitting a proposal for this special session at this year’s AMS/SMT conference.
Best,
Mikkel
CFP: Teaching Popular Music <wbr />Studies: Pedagogy and Curriculum
American Musicological Society Popular Music Study Group
Submission deadline: February 21, 2023
Conference Dates: November 9–12, 2023, Denver, CO
Keyno…[Read more] -
Joel Edelman deposited Seven Sisters; The Contribution of Timbre in Resolving Inconsistencies and Filling Voids in the Attribution of Consonance to Tonal Structures. in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoAbstract submitted to Timbre 2023 conference. This abstract describes a new approach to understanding consonance and dissonance.
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Paulino Capdepon deposited Influencia y recepción de la obra musicológica de Constantin Floros [Influence and reception of the musicological output of Constantin Floros] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoResearch about the influence of the musicological outpput of relevant Researcher Constantin Floros
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Paulino Capdepon deposited Música y músicos en la Colegiata de Santa María la Mayor de Talavera de la Reina (1800-1851), in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe present study, carefully edited, already announces in its title a very precise description of its subject. It is preceded by another, published in 2012 (La música en la Colegiata de Santa María la Mayor de Talavera de la Reina durante el siglo XVIII), in which the same author revealed the existence, until then little or not known, of an i…[Read more]
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Paulino Capdepon deposited La teoría musical española en la época de Tomás Vicente Tosca [The Spanish musical theory at the time of Tomás Vicente Tosca] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoIntroductory overview of musical theory and thought in Spain in the 17th and first half of the 18th century.
Panorama introductorio sobre la teoría y el pensamiento musicales de España en el siglo XVII y primera mitad del XVIII. -
Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoBefore arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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Paulino Capdepon deposited Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832) in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThis article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.
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