Josh Epstein
,@jepstein
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Following
11
Followers
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James Gifford deposited An Improbably Moveable Mediterranean: translating, Transplanting, & Transforming Global Surrealisms in the group
LLC 20th- and 21st-Century English and Anglophone on MLA Commons 6 years, 2 months agoThe Egyptian Surrealist Art et Liberté group was recuperated in two exhibitions beginning in 2016 and continuing through 2018. The larger exhibition by Sam Bardaouil and Till Fellrath emphasizes the group’s internationalism and the complexity of its engagement with various forms of Surrealism, including André Breton and Leon Trotsky’s 1938 manif…[Read more]
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James Gifford deposited An Improbably Moveable Mediterranean: translating, Transplanting, & Transforming Global Surrealisms in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 6 years, 2 months agoThe Egyptian Surrealist Art et Liberté group was recuperated in two exhibitions beginning in 2016 and continuing through 2018. The larger exhibition by Sam Bardaouil and Till Fellrath emphasizes the group’s internationalism and the complexity of its engagement with various forms of Surrealism, including André Breton and Leon Trotsky’s 1938 manif…[Read more]
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James Gifford deposited An Improbably Moveable Mediterranean: translating, Transplanting, & Transforming Global Surrealisms in the group
CLCS Global Anglophone on MLA Commons 6 years, 2 months agoThe Egyptian Surrealist Art et Liberté group was recuperated in two exhibitions beginning in 2016 and continuing through 2018. The larger exhibition by Sam Bardaouil and Till Fellrath emphasizes the group’s internationalism and the complexity of its engagement with various forms of Surrealism, including André Breton and Leon Trotsky’s 1938 manif…[Read more]
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James Gifford deposited An Improbably Moveable Mediterranean: translating, Transplanting, & Transforming Global Surrealisms in the group
Anarchism on Humanities Commons 6 years, 2 months agoThe Egyptian Surrealist Art et Liberté group was recuperated in two exhibitions beginning in 2016 and continuing through 2018. The larger exhibition by Sam Bardaouil and Till Fellrath emphasizes the group’s internationalism and the complexity of its engagement with various forms of Surrealism, including André Breton and Leon Trotsky’s 1938 manif…[Read more]
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James Gifford deposited An Improbably Moveable Mediterranean: translating, Transplanting, & Transforming Global Surrealisms on Humanities Commons 6 years, 2 months ago
The Egyptian Surrealist Art et Liberté group was recuperated in two exhibitions beginning in 2016 and continuing through 2018. The larger exhibition by Sam Bardaouil and Till Fellrath emphasizes the group’s internationalism and the complexity of its engagement with various forms of Surrealism, including André Breton and Leon Trotsky’s 1938 manif…[Read more]
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James Gifford's profile was updated on Humanities Commons 6 years, 3 months ago
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Kendra Leonard deposited Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism in the group
Film Studies on Humanities Commons 6 years, 3 months agoIn this book, I explore the connections between music for early movies (1895-1927) involving the supernatural in the context of the culture of the time in regard to supernatural beliefs and entertainments, particularly spiritualism.
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Kendra Leonard deposited Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism on Humanities Commons 6 years, 3 months ago
In this book, I explore the connections between music for early movies (1895-1927) involving the supernatural in the context of the culture of the time in regard to supernatural beliefs and entertainments, particularly spiritualism.
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Suite of three poems
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Kendra Leonard deposited Women at the Pedals: Female Cinema Musicians during the Great War in the group
Film Studies on Humanities Commons 6 years, 4 months agoWomen filled a number of roles in the American cinema music industry, particularly during
the Great War. In addition to serving as cultural barometers for cinematic music
and accompaniment, women were at the heart of innovations in cinema sound
and composition. -
Kendra Leonard deposited Women at the Pedals: Female Cinema Musicians during the Great War on Humanities Commons 6 years, 4 months ago
Women filled a number of roles in the American cinema music industry, particularly during
the Great War. In addition to serving as cultural barometers for cinematic music
and accompaniment, women were at the heart of innovations in cinema sound
and composition. -
Kendra Leonard deposited Moon-Crossed: a play in play with All’s Well That Ends Well in the group
LLC Shakespeare on MLA Commons 6 years, 4 months agoMoon-Crossed reimagines the central plot of Shakespeare’s All’s Well That Ends Well as a means to examining the female monstrous in early modern drama, literature, and though. Why doesn’t Bertram like Helena? Because she’s a werewolf. But as he learns, she’s of a very noble line of werewolves. She saves the King of France, he learns a bit more…[Read more]
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Kendra Leonard deposited Moon-Crossed: a play in play with All’s Well That Ends Well in the group
Global Shakespeares on MLA Commons 6 years, 4 months agoMoon-Crossed reimagines the central plot of Shakespeare’s All’s Well That Ends Well as a means to examining the female monstrous in early modern drama, literature, and though. Why doesn’t Bertram like Helena? Because she’s a werewolf. But as he learns, she’s of a very noble line of werewolves. She saves the King of France, he learns a bit more…[Read more]
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Kendra Leonard deposited Moon-Crossed: a play in play with All’s Well That Ends Well on Humanities Commons 6 years, 4 months ago
Moon-Crossed reimagines the central plot of Shakespeare’s All’s Well That Ends Well as a means to examining the female monstrous in early modern drama, literature, and though. Why doesn’t Bertram like Helena? Because she’s a werewolf. But as he learns, she’s of a very noble line of werewolves. She saves the King of France, he learns a bit more…[Read more]
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Kendra Leonard deposited “Excellence in Execution” and “Fitness for Teaching”: Assessments of Women at the Conservatoire Américain in the group
TC Women’s and Gender Studies on MLA Commons 6 years, 5 months ago“Excellence in Execution” and “Fitness for Teaching”: Assessments of Women at the Conservatoire Américain
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Kendra Leonard deposited “Secret Rooms and Borrowed Pianos: Two Women’s Roles in Preserving the Conservatoire Américain during the Occupation” on Humanities Commons 6 years, 5 months ago
“Secret Rooms and Borrowed Pianos: Two Women’s Roles in Preserving the Conservatoire Américain during the Occupation”
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Kendra Leonard deposited “Excellence in Execution” and “Fitness for Teaching”: Assessments of Women at the Conservatoire Américain on Humanities Commons 6 years, 5 months ago
“Excellence in Execution” and “Fitness for Teaching”: Assessments of Women at the Conservatoire Américain
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