This article is a print rendition of a web-based experimental publication which reflects upon and at the same time is itself an example of performative publishing. A performative publication wants to explore how we can bring together and align more closely the material form of a publication with its content. Making use of hypothes.is software, the…[Read more]

This article is a print rendition of a web-based experimental publication which reflects upon and at the same time is itself an example of performative publishing. A performative publication wants to explore how we can bring together and align more closely the material form of a publication with its content. Making use of hypothes.is software, the…[Read more]

This article is a print rendition of a web-based experimental publication which reflects upon and at the same time is itself an example of performative publishing. A performative publication wants to explore how we can bring together and align more closely the material form of a publication with its content. Making use of hypothes.is software, the…[Read more]

This article is a print rendition of a web-based experimental publication which reflects upon and at the same time is itself an example of performative publishing. A performative publication wants to explore how we can bring together and align more closely the material form of a publication with its content. Making use of hypothes.is software, the…[Read more]

This article is a print rendition of a web-based experimental publication which reflects upon and at the same time is itself an example of performative publishing. A performative publication wants to explore how we can bring together and align more closely the material form of a publication with its content. Making use of hypothes.is software, the…[Read more]

This chapter explores the cut-up as an active, affirmative and performative technique; a critical intervention in the production of language and human subjectivity. It examines historical uses of cut-up methods, from the collages and cut-up works of the Dadaists and the Beat writers, back to the early modern practice of commonplacing books. It…[Read more]

This chapter explores the cut-up as an active, affirmative and performative technique; a critical intervention in the production of language and human subjectivity. It examines historical uses of cut-up methods, from the collages and cut-up works of the Dadaists and the Beat writers, back to the early modern practice of commonplacing books. It…[Read more]

This chapter explores the cut-up as an active, affirmative and performative technique; a critical intervention in the production of language and human subjectivity. It examines historical uses of cut-up methods, from the collages and cut-up works of the Dadaists and the Beat writers, back to the early modern practice of commonplacing books. It…[Read more]

This chapter explores the cut-up as an active, affirmative and performative technique; a critical intervention in the production of language and human subjectivity. It examines historical uses of cut-up methods, from the collages and cut-up works of the Dadaists and the Beat writers, back to the early modern practice of commonplacing books. It…[Read more]

On February 5th-6th 2014 researchers, students, and other participants gathered together in Whistler, BC, Canada to discuss issues relating to scholarly publishing in Canada. The day and a half long meeting, “Building Partnerships to Transform Scholarly Publishing,” welcomed participants representing several Canadian libraries and uni…[Read more]

This article outlines the practices of digital scholarly communication (moving research production and dissemination online), critical making (producing theoretical insights by transforming digitized heritage materials), and social knowledge creation (collaborating in online environments to produce shared knowledge products). In addition to…[Read more]

A part of the special issue of DHQ on feminisms and digital humanities, this paper takes as its starting place Greg Crane’s exhortation that there is a “need to shift from lone editorials and monumental editions to editors … who coordinate contributions from many sources and oversee living editions.” In response to Crane, the exploration of t…[Read more]

A part of the special issue of DHQ on feminisms and digital humanities, this paper takes as its starting place Greg Crane’s exhortation that there is a “need to shift from lone editorials and monumental editions to editors … who coordinate contributions from many sources and oversee living editions.” In response to Crane, the exploration of t…[Read more]

What is the best model for public-facing digital literary editions? In 2011, Touch Press released The Waste Land for iPad, an interactive tablet application showcasing T.S. Eliot’s notorious 1922 poem The Waste Land. From an academic editorial standpoint, Touch Press’s edition has some grave issues. From a popular standpoint, The Waste Land for…[Read more]

What is the best model for public-facing digital literary editions? In 2011, Touch Press released The Waste Land for iPad, an interactive tablet application showcasing T.S. Eliot’s notorious 1922 poem The Waste Land. From an academic editorial standpoint, Touch Press’s edition has some grave issues. From a popular standpoint, The Waste Land for…[Read more]

This article reports on the ongoing social edition-building process. Using the social edition of the Devonshire Manuscript as a case study, the authors assess the scholarly potential of editing in public with contributions and feedback from the existing knowledge communities surrounding Wikibooks, Wikipedia, Twitter, and other social media spaces.…[Read more]