The rise of global Shakespeare as an industry and cultural practice—the incorporation of Shakespearean performance in cultural diplomacy and in the cultural marketplace—is aided by digital tools of dissemination and digital forms of artistic expression. Shakespeare has evolved from a cultural nomad in the past centuries—a body of works with no pe…[Read more]

“Digital Theme Analysis” depicts the role that thematic analysis plays in literary criticism, places traditional thematic analysis approaches alongside digital ones, and offers best practices for carrying out digital thematic analysis in the context of Voyant Tools. The chapter identifies thematic analysis as a meaningful pattern that can be tra…[Read more]

Historically the Red Cross has created opportunities for women that were otherwise denied to them in their wider society. This role for female Red Cross workers is not a recent thing and is deeply embedded in the past and psyche of the organisation.

This article examines the political role of illness in Émile Zola’s ‘La Faute de l’abbé Mouret’ (‘The Sin of Father Mouret’, 1875) in articulating the difference between a religious and a secular body. Published in the early French Third Republic (1870–1940), this novel shows the Zolian body as the nexus upon which religious and republi…[Read more]

In ‘Degeneration’ (1892), Max Nordau included Émile Zola in his theory that fin-de-siècle artists were a danger to society. According to Nordau, the ‘false science’ in Zola’s Naturalist novels would erode social progress in their alleged preoccupation with disease, sexual deviancy and amorality. This article proposes that degeneration is, how…[Read more]

Im Ayurveda bedarf die Entstehung von Epidemien einer gesonderten Erklärung, da sie nicht mit dem dort gültigen allgemeinen Verständnis der Krankheitsentstehung in Einklang zu bringen ist. Das Grundkonzept sieht vor, dass Menschen je nach Konstitution, Ernährung, Körperkraft, Gewöhnung,
Charakter und Alter für bestimmte Krankheiten anfäll…[Read more]

The depiction of women of East Asian descent in science fiction films reveals how racial hierarchies are mapped onto, and used as justification for, mistreatment of women—and misogynistic prejudices inform racism. Contributing to the patterns that dehumanize Asian women are multiple sci-fi films that feature cyborgs and androids in Asian female b…[Read more]

The screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]

In The Night Watchman (2020), Louise Erdrich continues to blur the lines between history and fiction as she has done in several of her novels. Erdrich introduces the reader to several magical elements that appear to be entirely real: two ghosts, a dog that talks, and an unearthly powwow with Jesus as one of the dancers. The main objective of this…[Read more]

Slides accompanying a talk presented at a joint research meeting of the Sushruta Project and the Classical Āyurveda Text Study Group in Vienna, July 2022.