Joseph Dunne-Howrie
,@jdunne
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Joseph Dunne deposited Research Resources: The Beckett Collection, University of Reading in the group
Library & Information Science on Humanities Commons 7 years, 11 months agoProfiling the Samuel Becket collection at the University of Reading
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Joseph Dunne deposited Research Resources: The Beckett Collection, University of Reading in the group
CityLIS on Humanities Commons 7 years, 11 months agoProfiling the Samuel Becket collection at the University of Reading
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Joseph Dunne deposited Research Resources: The Beckett Collection, University of Reading on Humanities Commons 7 years, 11 months ago
Profiling the Samuel Becket collection at the University of Reading
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Joseph Dunne deposited Encounters with the Russian Avant Garde in the group
Performance Studies on Humanities Commons 8 years agoEncounters with the Russian Avant Garde
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Joseph Dunne deposited Encounters with the Russian Avant Garde in the group
Library & Information Science on Humanities Commons 8 years agoEncounters with the Russian Avant Garde
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Joseph Dunne deposited Encounters with the Russian Avant Garde in the group
CityLIS on Humanities Commons 8 years agoEncounters with the Russian Avant Garde
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Encounters with the Russian Avant Garde
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Joseph Dunne deposited Regenerating the Live: The Archive as the Genesis of a Performance Practice in the group
Performance Studies on Humanities Commons 8 years, 8 months agoLive performance lacks the durability of art practices such as photography, film and
painting, and so definitions of ‘live’ acts have traditionally been formulated in terms
of ‘transience’ and ‘disappearance’. In this context the archive and archival documents
are often described as the antithesis of performance’s ontology. An archive’s pri…[Read more] -
Joseph Dunne deposited Regenerating the Live: The Archive as the Genesis of a Performance Practice in the group
Library & Information Science on Humanities Commons 8 years, 8 months agoLive performance lacks the durability of art practices such as photography, film and
painting, and so definitions of ‘live’ acts have traditionally been formulated in terms
of ‘transience’ and ‘disappearance’. In this context the archive and archival documents
are often described as the antithesis of performance’s ontology. An archive’s pri…[Read more] -
Joseph Dunne deposited Regenerating the Live: The Archive as the Genesis of a Performance Practice in the group
CityLIS on Humanities Commons 8 years, 8 months agoLive performance lacks the durability of art practices such as photography, film and
painting, and so definitions of ‘live’ acts have traditionally been formulated in terms
of ‘transience’ and ‘disappearance’. In this context the archive and archival documents
are often described as the antithesis of performance’s ontology. An archive’s pri…[Read more] -
Joseph Dunne-Howrie changed their profile picture on Humanities Commons 8 years, 8 months ago
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Joseph Dunne deposited Regenerating the Live: The Archive as the Genesis of a Performance Practice on Humanities Commons 8 years, 8 months ago
Live performance lacks the durability of art practices such as photography, film and
painting, and so definitions of ‘live’ acts have traditionally been formulated in terms
of ‘transience’ and ‘disappearance’. In this context the archive and archival documents
are often described as the antithesis of performance’s ontology. An archive’s pri…[Read more] -
Documents, those materials that are reproducible and ostensibly ‘non-live’, are ubiquitous in the everyday to the degree that the experiencing and recording of life has become a tangled process. What follows the other – the act or its record? The many projects and writings that have emerged in recent years concerning the role documentation pract…[Read more]
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Joseph Dunne deposited Poor Traces of the Room in the group
Library & Information Science on Humanities Commons 8 years, 8 months agoIn his 1992 essay Eftermaele: ‘That which will be said afterwards’ Eugenio Barba states that ‘[i]n the age of electronic memory, of films, and of reproducibility … performance … defines itself through the work that living memory, which is not museum but metamorphosis, is obliged to do’ (78). His mention of memory is an acknowledgement of…[Read more]
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Joseph Dunne deposited Poor Traces of the Room in the group
Archives on Humanities Commons 8 years, 8 months agoIn his 1992 essay Eftermaele: ‘That which will be said afterwards’ Eugenio Barba states that ‘[i]n the age of electronic memory, of films, and of reproducibility … performance … defines itself through the work that living memory, which is not museum but metamorphosis, is obliged to do’ (78). His mention of memory is an acknowledgement of…[Read more]
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In his 1992 essay Eftermaele: ‘That which will be said afterwards’ Eugenio Barba states that ‘[i]n the age of electronic memory, of films, and of reproducibility … performance … defines itself through the work that living memory, which is not museum but metamorphosis, is obliged to do’ (78). His mention of memory is an acknowledgement of…[Read more]