Buccellati, F. 2014. “Understanding Households – a Few Thoughts.” In House and Household Economies in 3rd Millennium B.C.E. Syro-Mesopotamia, edited by F. Buccellati, T. Helms, and A. Tamm, 35–42. BAR International 2682. Oxford: Archaeopress.

Buccellati, F., and E. Kansa. 2016. “The Value of Energetic Analysis in Architecture as an Example for Data Sharing.” Digital Applications in Archaeology and Cultural Heritage 3: 91–97. https://doi.org/10.1016/j.daach.2016.07.001.

Buccellati, F., N. Dell’Unto, and M. Forte. 2005. “The Tell Mozan/Urkesh Archaeological Project: An Integrated Approach of Spatial Technologies.” In The Reconstruction of Archaeological Landscapes through Digital Technologies: Proceedings of the 2nd Italy-United States Workshop, Rome, Italy, November 3-5, 2003, Berkeley, USA, May 2005, edite…[Read more]

Buccellati, F. 2010. “The Monumental Temple Terrace at Urkesh and its Setting.” In Kulturlandschaft Syrien: Zentrum und Peripherie Festschrift für Jan-Waalke Meyer, edited by J. Becker, R. Hempelmann, and E. Rehm, 71–86. AOAT 371. Münster: Ugarit.

Buccellati, F., T. Helms, and A. Tamm, eds. 2014. House and Household Economies in 3rd Millennium B.C.E. Syro-Mesopotamia. BAR International 2682. Oxford: Archaeopress.

Buccellati, F. 2001. “Digital Photography and Architectural Modeling as Elements of Conservation.” In Gli Opifici Di Urkesh, edited by S. Bonetti, 83–88. Bibliotheca Mesopotamica 27. Malibu: Undena.

Buccellati, F. 2014. “Diachronic Developments at the Central Monumental Complex of Ancient Urkesh (Tell Mozan).” In Proceedings of the 8th International Congress on the Archaeology of the Ancient Near East: 10 April-4 May, 2012 University of Warsaw, 1:313–22. Wiesbaden: Harassowitz.

Buccellati, F. 2016. “3D Models as Vehicles for Archaeological Research: Stratigraphy, Emplacement and Construction.” Studia Eblaitica 2: 15–22.

Buccellati, F. 2019. “Monumentality: Research Approaches and Methodology.” In Size Matters – Understanding Monumentality Across Ancient Civilizations, edited by F. Buccellati, S. Hageneuer, S. van der Heyden, and F. Levenson, 41–63. Bielefeld: transcript. https://doi.org/10.14361/9783839445389.

Buccellati, F., S. Hageneuer, S. van der Heyden, and F. Levenson. 2019. “Introduction.” In Size Matters – Understanding Monumentality Across Ancient Civilizations, edited by F. Buccellati, S. Hageneuer, S. van der Heyden, and F. Levenson, 11–14. Bielefeld: transcript. https://doi.org/10.14361/9783839445389.

Buccellati, F. 1998. “3-D Rendering and Animation at Tell Mozan/Urkesh.” In Urkesh and the Hurrians: Studies in Honor of Lloyd Cotsen, edited by G. Buccellati, 53–64. Bibliotheca Mesopotamica 26. Malibu: Undena.

Buccellati, F., S. Hageneuer, S. van der Heyden, and F. Levenson, eds. 2019. Size Matters – Understanding Monumentality Across Ancient Civilizations. Bielefeld: transcript. https://doi.org/10.14361/9783839445389.

The Seleucid Antiochus IV profoundly intervened in the cult of Jerusalem in 168 BC. Under the leadership of the Hasmoneans, an uprising developed against these interventions, which led to the restoration of the cult, the establishment of the Hasmoneans as high priests and the independence of Judea. Against the background of widely differing…[Read more]

***For a copy of the article please write to RNEIS@umich.edu***

While biologists argue about the limits and definition of a species, the urge to cluster and distinguish among the plenitude of lifeforms that populates the planet remains. Contemporary concerns about attempts to clone monkeys and to engineer human-porcine chimeras point to…[Read more]

in: Ilse Müllner/Barbara Schmitz (Hg.), Perspektiven. Biblische Texte und Narratologie (SBB 75), Stuttgart 2018, 131-173.

in: Ilse Müllner/Barbara Schmitz (Hg.), Perspektiven. Biblische Texte und Narratologie (SBB 75), Stuttgart 2018, 131-173.

Exodus 15, the Song at the Sea, appears to be triggered by the
divine victory over the Egyptians at the Sea, but the poet draws on other
literary images of destruction, images that are incompatible, in order to
express exuberance over divine victory. This seemingly rudimentary technique
is adroitly deployed in tandem with strategies of…[Read more]

Exodus 15, the Song at the Sea, appears to be triggered by the
divine victory over the Egyptians at the Sea, but the poet draws on other
literary images of destruction, images that are incompatible, in order to
express exuberance over divine victory. This seemingly rudimentary technique
is adroitly deployed in tandem with strategies of…[Read more]

This is the Syriac section for the Wisdom of Solomon article.

John 20:24-29 – the Doubting Thomas Narrative – is explored in terms of the thesis that Jesus showed Thomas wounds absolutely identical to the wounds originating at the time of the crucifixion. John understands the risen Jesus to enact sovereignty over time in this passage. This was a new stage in John’s Christological Development and aug…[Read more]