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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images in the group
TC Translation Studies on MLA Commons 8 years, 1 month agoVery short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images in the group
TC Philosophy and Literature on MLA Commons 8 years, 1 month agoVery short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images in the group
Philosophy on Humanities Commons 8 years, 1 month agoVery short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images on Humanities Commons 8 years, 1 month ago
Very short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 in the group
History of Art on Humanities Commons 8 years, 1 month agoComputational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 in the group
Digital Humanists on Humanities Commons 8 years, 1 month agoComputational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 in the group
Digital Art History on Humanities Commons 8 years, 1 month agoComputational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 on Humanities Commons 8 years, 1 month ago
Computational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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Max Marmor changed their profile picture on Humanities Commons 8 years, 3 months ago
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James Elkins's profile was updated on Humanities Commons 8 years, 5 months ago
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Matthew Lincoln deposited Predicting the Past: Digital Art History, Modeling, and Machine Learning in the group
History of Art on Humanities Commons 8 years, 5 months agoCase study from the Getty’s digital art history team shows how modeling and machine learning are shedding light on the history of the art market.
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Matthew Lincoln deposited Predicting the Past: Digital Art History, Modeling, and Machine Learning in the group
Digital Humanists on Humanities Commons 8 years, 5 months agoCase study from the Getty’s digital art history team shows how modeling and machine learning are shedding light on the history of the art market.
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Matthew Lincoln deposited Predicting the Past: Digital Art History, Modeling, and Machine Learning in the group
Digital Art History on Humanities Commons 8 years, 5 months agoCase study from the Getty’s digital art history team shows how modeling and machine learning are shedding light on the history of the art market.
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Matthew Lincoln posted an update in the group
Digital Art History on Humanities Commons 8 years, 5 months agoA recent post on the Getty’s “Iris” blog talks about using machine learning to “predict the past” and its use in art history: http://blogs.getty.edu/iris/predicting-the-past-digital-art-history-modeling-and-machine-learning/
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Matthew Lincoln deposited Predicting the Past: Digital Art History, Modeling, and Machine Learning on Humanities Commons 8 years, 5 months ago
Case study from the Getty’s digital art history team shows how modeling and machine learning are shedding light on the history of the art market.
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James Elkins deposited Why Should Novels About Science Be Coy About Including Science (or Mathematics)? On Michele Audin in the group
TC Science and Literature on MLA Commons 8 years, 7 months agoThe essays I am posting on Humanities Commons are also on Librarything and Goodreads. These aren’t reviews. They are thoughts about the state of literary fiction, intended principally for writers and critics involved in seeing where literature might be able to go. Each one uses a book as an example of some current problem in writing.
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James Elkins deposited Why Should Novels About Science Be Coy About Including Science (or Mathematics)? On Michele Audin in the group
RCWS History and Theory of Composition on MLA Commons 8 years, 7 months agoThe essays I am posting on Humanities Commons are also on Librarything and Goodreads. These aren’t reviews. They are thoughts about the state of literary fiction, intended principally for writers and critics involved in seeing where literature might be able to go. Each one uses a book as an example of some current problem in writing.
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James Elkins deposited When Novels are Too Comforting: Thoughts on Ann Patchett’s “Bel Canto” in the group
American Literature on Humanities Commons 8 years, 7 months agoThe essays I am posting on Humanities Commons are also on Librarything and Goodreads. These aren’t reviews. They are thoughts about the state of literary fiction, intended principally for writers and critics involved in seeing where literature might be able to go. Each one uses a book as an example of some current problem in writing.
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James Elkins deposited A Misunderstanding of Fiction: Thoughts on William Gibson’s “The Peripheral” in the group
TC Science and Literature on MLA Commons 8 years, 7 months agoThe essays I am posting on Humanities Commons are also on Librarything and Goodreads. These aren’t reviews. They are thoughts about the state of literary fiction, intended principally for writers and critics involved in seeing where literature might be able to go. Each one uses a book as an example of some current problem in writing.
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