Recently a word ‘Nation Branding’ or ‘Branding Bangladesh’ is practiced a lot. A nation brand is the total sum of all perceptions of a nation in the mind of international stakeholders which may contain some of the following elements: people, place, culture, language, history, food, fashion, famous faces (celebrities), global brands, etc. The way…[Read more]

Research “excellence” is a central target of policy, researchers and institutions. Increasingly it is a target of criticism for the way in which it reinforces systemic biases in power, reduces diversity, and excludes many participants from the processes of scholarship. In this chapter I argue that in the context of post- colonial and tra…[Read more]

This review explores usage of the term public in debates about science and society. Since the 1980s, there has been a broad shift from public understanding and science communication towards engagement, dialogue and participation. I explore the multiple meanings of public in these debates, including the transition from singular the public to plural…[Read more]

This review explores usage of the term public in debates about science and society. Since the 1980s, there has been a broad shift from public understanding and science communication towards engagement, dialogue and participation. I explore the multiple meanings of public in these debates, including the transition from singular the public to plural…[Read more]

This is a recording of a reading of Aristotle’s De Anima by Richard Lee and Christopher P. Long that was originally presented at the Collegium Phaenomenologicum in Citta di Castello, Umbria, Italy, on July 10, 2018. The theme of the 2018 Collegium was Aristotle: Physis, Psyche, Anthropos, and Kristi Sweet read Chris Long’s part at the conference…[Read more]

In addition to the enigmatic The Codomas, Henri Matisse distinguished three other images with a name, Icarus, Monsieur Loyal and Pierrot’s Funeral for his landmark livre d’artiste Jazz. While the characters Loyal, Pierrot and Icarus were readily identifiable and the images could be interpreted within the context of the difficulties of the Ger…[Read more]

Henri Matisse’s images in Jazz, created during the disruption of the German Occupation of France, were embedded with symbols of cultural resistance, while his text, which he composed after the defeat of the Germans, reflected the transition to a post-Liberation France. The wartime symbols and allusions camouflaged within these images are readily r…[Read more]

Distributed ledger technology and the development of digital smart contracts have the potential for a new disruptive technology. Applications based on them could find their way into the management of many areas of every day life. However, they also carry certain risks for sustainable development of our society. This paper is intended as a…[Read more]

Borges made a habit of differing from himself. “El otro” and “Borges y yo” are only the most overt examples from a corpus that constantly played with his biography, his beliefs, and his proper name. In his “non-fiction,” this Auseinselbstsetzung takes the form of self-contradiction, asserting opposed theses in his own name, celebrating…[Read more]

Gabor Lukacs’ 2008 book on “Kaitai Shinsho: The Single Most Famous Japanese Book of Medicine & Geka Sōden: An Early Very Important Manuscript on Surgery” is a bibliographical contribution to the comparative history of the introduction of Western science in East Asia. It focuses on two illustrated manuals of anatomy and surgery in Japanese, adap…[Read more]

In ancient China, portentology was a “science” in its own right, a specialised field of knowledge developed by rational individuals who endeavoured to fathom the concealed mechanisms at work beneath the spectacles of history and the world at large. This paper focuses on the nomenclature of portents (observed phenomena interpreted as auspicious or…[Read more]

By way of the autobiographical writings of Bruno Schulz and the “resurrection” paintings of Stanley Spencer, this talk sketches out some of the ways in which literature and the fine arts situate themselves within the division, or series of breaks, that Michel de Certeau argued Western historiography inscribes between past and present, between the…[Read more]

This essay ruminates the ethics of a co-implicated, bounded dependence between objects (human and otherwise) that are always in some sense withdrawing from each other but also always together in a some-place labeled “here”: the world (where no Absolute or Outside vantage point is possible or habitable). This essay also considers the possibility,…[Read more]

Through a comparative analysis of Chaucer’s “The Clerk’s Tale” and Lars von Trier’s film “Breaking the Waves,” this essay wonders what happens when two texts and one reader happen to each other and open up a singular adventure that is also a moment of ‘futurition’ that opens up new horizons of meaning, both human and inhuman. How can we reckon the…[Read more]

In this chapter I investigate the coercive relationship between authorship and copyright from the perspective of intersectional feminist and de-colonial knowledge practices. Examining three artistic strategies (Richard Prince, Cady Noland and the Piracy Project) which all try to challenge the close ties between copyright and authorship – a…[Read more]

“Buddho-Taoism” is a neologism that appeared in Western academic discourse during the late nineteen-forties, was put to various uses without being consensually defined, enjoyed a brief vogue around the turn of the twenty-first century, and began to fall from grace in recent years. This neologism implicitly created new epistemic repertoires der…[Read more]

Diplomatische Transkription und Leseversion nach Freiburg, Universitätsbibliothek, Hs. 1500,7, fol. 38r-43v

Das Wunderbare in der deutschsprachigen Rezeptliteratur des 15. Jahrhunderts, in: Stefanie Kreuzer und Uwe Durst (Hg.), Das Wunderbare. Dimensionen eines Phänomens in Kunst und Kultur (Traum – Wissen – Erzählen 3), Paderborn: Fink 2018, S. 233–250.

IL REALE E L’IMMAGINARIO. Critica dell’infinito e dell’infinitesimo. Continuo reale e ideale. La metafisica del calcolo. Immaginario e immaginazione. Bibliografia