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Marilia Kaisar deposited Collaborative Book Review: Chapter 2 “Structuring Active Learning” in The New College Classroom on HASTAC Commons 2 years, 8 months ago
This text is the result of the HASTAC Scholars Collaborative Book Review Project. Each participant chose a chapter from the book The New College Classroom to write a review about, and then we all worked to review and revise our chapter review. This is a review of the second chapter titled “Structuring Active Learning”.
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Abby Cole deposited Chapter 10 Review “Feedback that Really Works”, from The New College Classroom in the group
Education and Pedagogy on Humanities Commons 2 years, 8 months agoChapter 10 Book Review
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Abby Cole deposited Chapter 10 Review “Feedback that Really Works”, from The New College Classroom on HASTAC Commons 2 years, 8 months ago
Chapter 10 Book Review
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Matthew Taitano deposited Review: Introduction and Chapter 1 of Cathy N. Davidson and Christina Katopodis’s The New College Classroom on HASTAC Commons 2 years, 8 months ago
Review: Introduction and Chapter 1 of Cathy N. Davidson and Christina Katopodis’s The New College Classroom
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Samantha McEwan changed their profile picture on Humanities Commons 2 years, 9 months ago
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Paulino Capdepon's profile was updated on Humanities Commons 2 years, 10 months ago
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Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoAfter the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive…[Read more]
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Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group
Religious Studies on Humanities Commons 2 years, 10 months agoAfter the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive…[Read more]
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Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group
Music and Sound on Humanities Commons 2 years, 10 months agoAfter the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive…[Read more]
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Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group
History on Humanities Commons 2 years, 10 months agoAfter the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive…[Read more]
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Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThis article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord…[Read more]
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Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group
Musical Theater Interest Group – Society for Music Theory (SMT MTIG) on Humanities Commons 2 years, 10 months agoThis article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord…[Read more]
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Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 10 months agoThis article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord…[Read more]
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Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group
History on Humanities Commons 2 years, 10 months agoThis article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord…[Read more]
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Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThe musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church…[Read more]
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Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 10 months agoThe musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church…[Read more]
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Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group
History on Humanities Commons 2 years, 10 months agoThe musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church…[Read more]
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Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group
Archives on Humanities Commons 2 years, 10 months agoThe musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church…[Read more]
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Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThe publication of Cervantes’ Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H…[Read more]
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Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García] in the group
Musical Theater Interest Group – Society for Music Theory (SMT MTIG) on Humanities Commons 2 years, 10 months agoThe publication of Cervantes’ Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H…[Read more]
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