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Abby Cole changed their profile picture on HASTAC Commons 2 years, 12 months ago
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Paulino Capdepon deposited La teoría musical española en la época de Tomás Vicente Tosca on Humanities Commons 2 years, 12 months ago
Introductory overview of musical theory and thought in Spain in the 17th and first half of the 18th century.
Panorama introductorio sobre la teoría y el pensamiento musicales de España en el siglo XVII y primera mitad del XVIII. -
Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) on Humanities Commons 2 years, 12 months ago
Before arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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Paulino Capdepon deposited La Orquesta Sinfónica de Madrid y los actos conmemorativos del Centenario de Beethoven de Ludwig van Beethoven (1927) on Humanities Commons 2 years, 12 months ago
Analysis of the participation of the Orquesta Sinfónica de Madrid in the commemorative events of the first centenary of Beethoven’s death (1927)
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Paulino Capdepon deposited Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832) in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 12 months agoThis article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.
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Paulino Capdepon deposited Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832) in the group
Musical Theater Interest Group – Society for Music Theory (SMT MTIG) on Humanities Commons 2 years, 12 months agoThis article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.
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Paulino Capdepon deposited Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832) in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 12 months agoThis article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.
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Paulino Capdepon deposited Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832) on Humanities Commons 3 years ago
This article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.
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Paulino Capdepon's profile was updated on Humanities Commons 3 years ago
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Hannah Mendro's profile was updated on HASTAC Commons 3 years ago
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Samantha McEwan changed their profile picture on Humanities Commons 3 years, 1 month ago
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Samantha McEwan's profile was updated on Humanities Commons 3 years, 1 month ago
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Zach McLane's profile was updated on HASTAC Commons 3 years, 1 month ago
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Matthew Taitano's profile was updated on HASTAC Commons 3 years, 1 month ago
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Marilia Kaisar's profile was updated on HASTAC Commons 3 years, 1 month ago
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Marilia Kaisar changed their profile picture on HASTAC Commons 3 years, 1 month ago
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Zizi Li's profile was updated on HASTAC Commons 3 years, 2 months ago
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Zizi Li changed their profile picture on Humanities Commons 3 years, 3 months ago
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Zizi Li's profile was updated on Humanities Commons 3 years, 3 months ago
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Zizi Li deposited Indigenous (Re)mapping of LA: On Diné Mediamaker Pamela J. Peters on Humanities Commons 3 years, 3 months ago
There is a long-overlooked history of Indigenous resistance through mediamaking in Los Angeles. Diné multimedia documentarian Pamela J. Peters is one such artist whose works foreground stories and portraits of urban Natives living in LA. In this essay, I examine her two major photography/film projects Legacy of Exiled NDNZ (2014/2016) and Real…[Read more]
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