A consideration of how paratextual information present on two, recently-published little magazines — The Southern Review and The Virginia Quarterly Review — might work to mediate their readers’ literary expectations and interpretations. Published simultaneously at: https://southernfringes.substack.com

This essay shows how marine imagery mediates thought about culture, by exploring a series of imagined submarine visions across an intertextual network that extends from Matthew Arnold’s poem “The Forsaken Merman” back to Hans Christian Andersen’s fairy tale “The Little Mermaid,” across the Atlantic to William James’s writings, and thence to ess…[Read more]

ABSTRACT
The styles, moods, performances, and practices of decadence have been simultaneous with modernization, not least in the process of nation-building. This article considers the dialectics of decadence and modernization with particular attention to the roles and responses of women in the twentieth to twenty-first centuries.…[Read more]

Fall 2021, fully online, asynchronous course: Critical making is a practice of making as scholarship, grounded in the humanities, that interweaves design, function, and theory towards born-digital scholarly practice. Engaging in scholarly communication through digital platforms demands attention to code, software, and hardware. This course…[Read more]

In this article, I argue that that a close examination of the most sexually explicit scenes in the anonymous gay pornographic novel Teleny (1893) reveals that they do not anticipate the bourgeois, individualistic liberal gay subject described by Michel Foucault, but are instead more closely related to the cosmic horrors found in the genre of weird…[Read more]

Critics have characterized E.M. Forster as an advocate of what Jürgen Habermas calls the “secular public sphere.” Yet Forster was critical of liberalism’s insistence that religious experiences should be translated into the language of secular rationality. The discussion of the Clapham Sect in “Henry Thornton” (1939) suggests that eighteenth…[Read more]

This essay explores the radical subjectivism of Oscar Wilde’s novella “The Portrait of Mr. W.H.” (1889/1921), which celebrates the creative potential of nonessentialist forms of identity and yet cautions against jettisoning humanist notions of selfhood entirely. I contend that Wilde turned to G. W. F. Hegel’s performative theory of lyric…[Read more]

This article provides an overview of the academic study of Victorian masculinity. It argues that the pioneering work of feminist and sexuality studies scholars in Victorian studies during the 1970s and 1980s made it possible to discuss manhood critically as a historical and cultural phenomenon. It then presents a reading of major works on…[Read more]

In this essay, I argue that Walter Pater’s description of “Euphuism” in Marius the Epicurean (1885) relies upon the insights of idealist philosophy in order to articulate a theory of what Rebecca Walkowitz calls “cosmopolitan style.” Specifically, Pater draws upon a disparate number of cultural discourses in his articulation of Euphuism while…[Read more]

The connection between philosophy and real or everyday language belongs to Wordsworth’s early poetic vision. My interest in Wordsworth’s dialogue with philosophical thinking leads me to turn neither to studies tracing the varied philosophic influences on his poetics nor to those examining the influence of his collaborator Coleridge on his ear…[Read more]

Keats’s poetic thoughts on the topic of human identity remain some of Romanticism’s most incisive reflections on the constitution of selfhood. This essay is about the ways Keats’s verse thinks through questions about human subjectivity and its horizons with an imaginative range. Keats famously asserts that the poetical character has “no i…[Read more]

A distinctive style of “Scottish Gothic’”emerged, after 1815, in fiction by Walter Scott, James Hogg, and fellow members of the Blackwood’s Edinburgh Magazine circle. This chapter introduces this corpus of Scottish Gothic literature, specifies some ways in which the uncanny entailments of Scottish Gothic relate to religious discourse (very muc…[Read more]

A distinctive style of “Scottish Gothic’”emerged, after 1815, in fiction by Walter Scott, James Hogg, and fellow members of the Blackwood’s Edinburgh Magazine circle. This chapter introduces this corpus of Scottish Gothic literature, specifies some ways in which the uncanny entailments of Scottish Gothic relate to religious discourse (very muc…[Read more]

I briefly survey the function of books, written artifacts, literary criticism and connoisseurship/curation in apocalyptic literature from Mary Shelley to Malka Older (with a nod to the Book of Revelation) and in contemporary Young Adult fiction and “cli-fi” — science fiction and fantasy centered around climate change, such as Kim Stanley…[Read more]

This essay suggests that with the increasing prominence of “historical poetics” as a set of social collectives, methodologies, and debates (especially about literary analysis), now seems to be an ideal time to assess its history and consider its future. The first part of the essay offers a genealogy of historical poetics, accounting for some of…[Read more]

This essay suggests that with the increasing prominence of “historical poetics” as a set of social collectives, methodologies, and debates (especially about literary analysis), now seems to be an ideal time to assess its history and consider its future. The first part of the essay offers a genealogy of historical poetics, accounting for some of…[Read more]

This is the UNEDITED PRE-PRINT of my section of the multi-authored article “Journal of a Plague Year: Six Voices from American Universities,” ed. Christa Jansohn, which appeared in _Archiv für das Studium der neueren Sprachen und Literaturen_. The other authors were Andrew James Hartley, Jean Howard, Christoph Irmscher, Anthony Lioi, and Lisa S.…[Read more]