In this paper I outline a historical materialist framework for the transhistorical critique of ethnicity, providing a case study in the shaape of Armenian settlements in medieval New Rome. This is necessary since constructivism – the dominant theoretical tradition of the last forty years or so – has failed to dethrone common sense, met…[Read more]

An analysis of Ioannes Zonaras’ history, in particular its preface, in the light of recent debates over East Roman identity and republicanness, drawing a broad set of comparanda from the eleventh and twelfth centuries.

A social-historical reading of historical causation in Khoniates’ Khronike Diegesis, with particular reference to the information he provides on Asia Minor.

Review of the collected volume Court Ceremonies and Rituals of Power in Byzantium and the Eastern Mediterranean.

From Constantinople to the Frontier: The City and the Cities provides twenty-five articles addressing the concept of centres and peripheries in the late antique and Byzantine worlds, focusing specifically on urban aspects of this paradigm. Spanning from the fourth to thirteenth centuries, and ranging from the later Roman empires to the early…[Read more]

Introduction to special journal edition of Medieval Worlds, focused on revisiting and reframing the debate over ethnicity and nationhood before modernity.

Case study from the Getty’s digital art history team shows how modeling and machine learning are shedding light on the history of the art market.

Dedicatory inscriptions on Middle Byzantine reliquaries have been analyzed for their documentary information, including prosopography, provenance, and date. Relying solely on this data limits our understanding of these objects. The methodology in this paper recontextualizes Byzantine reliquaries and their dedicatory inscriptions by reassessing the…[Read more]

Dedicatory inscriptions on Middle Byzantine reliquaries convey important information, including the identity of the patrons, the provenance of the relics, and the purpose of the gift. I argue that the placement of the dedicatory inscription in relationship to the image and the contents of the reliquary provides a more nuanced message than that…[Read more]

Live video streaming as a technique became political with the Arab Spring and the Occupy movement. To see images in real time and without the mediation by journalists affected many people not because they shared the same space with the various protesters but the same time. In the last years, artists have started to adopt streaming as a technical…[Read more]

The open access movement has taken a strong hold within cultural heritage institutions, as large-scale digitization efforts are becoming increasingly popular in most libraries, museums, and archives. These initiatives have had a particular effect on the status of rare and unique materials through the provision of high-quality images and…[Read more]

Why do we play games—with and upon each other as well as ourselves? When are winners also losers, and vice-versa? How and to what end do we stretch the spaces of play? What happens when players go ‘out of bounds,’ or when games go ‘too far’? Moreover, what happens when we push the parameters of inquiry: when we play with traditional narrative…[Read more]

Through an engagement with theory from the fields of art history, anthropology, and sociology, this article examines the archival existence of medieval manuscripts and facilitates an understanding of archival practice and its effects on user experience from the perspective of the researcher, rather than from that of the archivist or information…[Read more]

Through a discussion of the materiality of photographic documents and the inherent qualities of digital objects, this article examines the viability of digitization as a method of archival photographic preservation. By exploring notions of surrogacy, originality, and aura, the author presents and deconstructs the popular argument that digital…[Read more]

Review of Pontormo, Bronzino, and the Medici: The Transformation of the Renaissance Portrait in Florence by Carl Brandon Strehlke

A brief essay about the work Past Won’t Pass (Catalog #52) by artist Noritaka Minami.

Emphasizing the peculiar, the perverse, the clandestine and the scandalous, this volume opens up a critical discourse on sexuality and visual culture in early modern Italy. Contributors consider not just painted (conventional) representations of sexual activities and eroticized bodies, but also images from print media, drawings, sculpted objects…[Read more]

Questo volume propone un discorso critico sulla sessualità e sulla cultura visiva dell’Italia rinascimentale. I saggi raccolti tentano di fare luce su una serie di zone d’ombra, dando spazio a tutte quelle pratiche o preferenze considerate in genere come alternative o anomalie, e a un’ampia varietà di scenari “scandalosi”. Particolare attenzione…[Read more]